Music echoes on every page of this superb portrait of South America's most diverse country, by the author of El Beisbol and Music in Every Room. This remarkable book is both a vivid look at a vast land, where the cult of pleasure lives side by side with grinding poverty, and the first in-depth study of the music and musicians of the most musical country on Earth.

This volume was first published by Inter-Disciplinary Press in 2013. In the contemporary era, the subject of interculturalism is common in academic discussion however these questions of diversity and integration remain vague and in many cases the terminology is unconsolidated as its linguistic root – culture – remains equally ambiguous. As part of the Diversity and Recognition hub, the Inter-Disiplinary.Net project leading to this volume, brought together researchers from different disciplines to explore how these issues affect meaning and identity. Researchers from Australia, Turkey, Canada, Finland, Russia, United States of America, Belgium, South-Africa, China, United Kingdom, Ukraine, Romania, Scotland, Barbados, Ireland, Germany, Slovenia, Poland, and Spain presented arguments and maintained discourse on a wide array of topics emerging from interculturalism and the development of new meanings and identities.

The Artistic Directors of the award-winning Terra Nova Consort have been in residence at the Oregon Shakespeare Festival for over ten years. This, their first publication, contains over 40 arrangements for recorders of Renaissance English and Scottish Country-Dance music as early as Playford and up to the present. the arrangements in this book were written and performed by Patricia O'scannell, herself an accomplished recorder player, in the context of music being set for dances, balls and workshops, and are an excellent tool for aspiring players. the settings are for two to four recorders, allowing for numerous combinations of voicing depending on what the players have at hand, and include O'scannell's insightful comments about style and technique. the music may also be played on a variety of other instruments common to the genre and used by aficionados seeking arrangements for Scottish and English repertoire to play with dancers. Written for intermediate through advanced players with some parts appropriate for beginners, this collection will appeal to all serious recorder players.

This book provides a practical introduction to researching and performing early Anglo-American secular music and dance with attention to their place in society. Supporting growing interest among scholars and performers spanning numerous disciplines, this book contributes quality new scholarship to spur further research on this overshadowed period of American music and dance. Organized in three parts, the chapters offer methodological and interpretative guidance and model varied approaches to contemporary scholarship. The first part introduces important bibliographic tools and models their use in focused examinations of individual objects of material musical culture. The second part illustrates methods of situating dance and its music in early American society as relevant to scholars working in multiple disciplines. The third part examines contemporary performance of early American music and dance from three distinct perspectives ranging from ethnomusicological fieldwork and phenomenology to the theatrical stage. Dedicated to scholar Kate Van Winkle Keller, this volume builds on her legacy of foundational contributions to the study of early American secular music, dance, and society. It provides an essential resource for all those researching and performing music and dance from the revolutionary era through the early nineteenth century.

Teaches the national versions of the 22 most popular line dances.