This book's Italian title, Dimenticare Darwin, means "Forget Darwin," and its prologue bears the title "Evolution is dead!" The author, Dr. Giuseppe Sermonti, is a respected Italian biologist who boldly shatters the myth that all critics of Darwinian evolution are American religious fundamentalists. This delightful little book is loaded with scientific facts that aren't taught in standard biology classes, but it is also full of history and poetry. Why is a Fly Not a Horse? does not have all the answers, but it asks many of the right questions-in a style that is both entertaining and inspiring. Giuseppe Sermonti is retired Professor of Genetics at the University of Perugia. He discovered genetic recombination in antibiotic-producing Penicillium and Streptomyces and was Vice President at the XIV International Congress of Genetics (Moscow, 1980). Sermonti is Chief Editor of Rivista di Biologia/Biology Forum, one of the oldest still-published biology journals in the world, and he has published seven other books, including Dopo Darwin (¿After Darwin), with R. Fondi (1980-1984).

As a technology pioneer at MIT and as the leader of three successful start-ups, Kevin Ashton experienced firsthand the all-consuming challenge of creating something new. Now, in a tour-de-force narrative twenty years in the making, Ashton leads us on a journey through humanity’s greatest creations to uncover the surprising truth behind who creates and how they do it. From the crystallographer’s laboratory where the secrets of DNA were first revealed by a long forgotten woman, to the electromagnetic chamber where the stealth bomber was born on a twenty-five-cent bet, to the Ohio bicycle shop where the Wright brothers set out to “fly a horse,” Ashton showcases the seemingly unremarkable individuals, gradual steps, multiple failures, and countless ordinary and usually uncredited acts that lead to our most astounding breakthroughs. Creators, he shows, apply in particular ways the everyday, ordinary thinking of which we are all capable, taking thousands of small steps and working in an endless loop of problem and solution. He examines why innovators meet resistance and how they overcome it, why most organizations stifle creative people, and how the most creative organizations work. Drawing on examples from art, science, business, and invention, from Mozart to the Muppets, Archimedes to Apple, Kandinsky to a can of Coke, How to Fly a Horse is a passionate and immensely rewarding exploration of how “new” comes to be.

" From breaking wild horses in Colorado to fighting the Red Baron's squadrons in the skies over France, here in his own words is the true story of a forgotten American hero: the cowboy who became our first ace and the first pilot to fly the American colors over enemy lines.Growing up on a ranch in Sterling, Colorado, Frederick Libby mastered the cowboy arts of roping, punching cattle, and taming horses. Once he even roped an antelope. As a young man he exercised his skills in the mountains and on the ranges of Arizona and New Mexico as well as the Colorado prairie. When World War I broke out, he found himself in Calgary, Alberta, and joined the Canadian army. In France, he transferred to the Royal Flying Corps as an "observer," the gunner in a two-person biplane. Libby shot down an enemy plane on his first day in battle over the Somme, which was also the first day he flew in a plane or fired a machine gun. He went on to become a pilot. He fought against the legendary German aces Oswald Boelcke and Manfred von Richthofen. He became the first American to down five enemy planes and won the Military Cross for conspicuous gallantry in action. When the United States entered the war, he became the first person to fly the American colors over German lines. Libby achieved the rank of captain before he transferred back to the United States at the behest of another aviation legend, then-colonel Billy Mitchell. Written in 1961 and never before published, Horses Don't Fly is a rare piece of Americana. Libby's memoir of his cowboy days in the last years of the Old West will remind readers of Cormac McCarthy's Border Trilogy-but it's the real thing. His description of World War I combines a rattling good account of the air war over France with captivating and sometimes poignant depictions of wartime London, the sorrow for friends lost in combat, and the courage and camaraderie of the Royal Flying Corps. Told in a modest, self-deprecating, and often humorous voice in a pure American vernacular, Horses Don't Fly is, as Winston Groom notes in his introduction, "not only an important piece of previously unpublished history [but] a gripping and uplifting story to read."

Fly explores the history of this much-maligned creature and then turns to examine its newfound redemption through science.

Why do zebras have stripes? Popular explanations range from camouflage to confusion of predators, social facilitation, and even temperature regulation. It is a challenge to test these proposals on large animals living in the wild, but using a combination of careful observations, simple field experiments, comparative information, and logic, Caro concludes that black-and-white stripes are an adaptation to thwart biting fly attack.

Winona LaDuke is a leader in cultural-based sustainable development strategies, renewable energy, sustainable food systems and Indigenous rights. Her new book, To Be a Water Protector: Rise of the Wiindigoo Slayers, is an expansive, provocative engagement with issues that have been central to her many years of activism. LaDuke honours Mother Earth and her teachings while detailing global, Indigenous-led opposition to the enslavement and exploitation of the land and water. She discusses several elements of a New Green Economy and outlines the lessons we can take from activists outside the US and Canada. In her unique way of storytelling, Winona LaDuke is inspiring, always a teacher and an utterly fearless activist, writer and speaker. Winona LaDuke is an Anishinaabekwe (Ojibwe) enrolled member of the Mississippi Band Anishinaabeg who lives and works on the White Earth Reservation in Northern Minnesota. She is executive director of Honor the Earth, a national Native advocacy and environmental organization. Her work at the White Earth Land Recovery Project spans thirty years of legal, policy and community development work, including the creation of one of the first tribal land trusts in the country. LaDuke has testified at the United Nations, US Congress and state hearings and is an expert witness on economics and the environment. She is the author of numerous acclaimed articles and books.

We are told from the time we are children that insects and spiders are pests, when the truth is that most have little or no effect on us--although the few that do are often essential to our existence. Arthur Evans suggests we take a closer look at our slapped-at, stepped-on, and otherwise ignored cohabitants, who vastly outnumber us and whose worlds often occupy spaces that we didn't even know existed. What's Bugging You? brings together fifty unforgettable stories from the celebrated nature writer and entomologist's popular Richmond Times-Dispatch column. Evans has scoured Virginia's wild places and returned with wondrous stories about the seventeen-year sleep of the periodical cicadas, moths that evade hungry bats by sensing echolocation signals, and the luminous language of light employed by fireflies. He also visits some not-so-wild places: the little mounds of upturned soil scattered along the margins of soccer fields are the dung beetle's calling card. What does the world look like to a bug? Evans explores insect vision, which is both better, and worse, than that of humans (they are capable of detecting ultraviolet light, but many cannot see the color red), pausing to observe that it is its wide-set forward-looking eyes that imbue the praying mantis with "personality." He is willing to defend such oft-maligned creatures as the earwig, the tent caterpillar, and the cockroach--revealed here as a valuable scavenger, food source for other animals, and even a pollinator, that spends more time grooming itself than it does invading human space. Evans's search for multilegged life takes him to an enchanting assortment of locations, ranging from gleaming sandy beaches preferred by a threatened tiger beetle to the shady, leaf-strewn forest floors where a centipede digs its brood chamber--to a busy country road where Evans must dodge constant foot and vehicular traffic to photograph a spider wasp as its claims its paralyzed prey. His forays also provide the reader with a unique window on the cycles of nature. What Evans refers to as the FBI--fungus, bacteria, insects--are the chief agents in decomposition and a vital part of regeneration. Evans also takes on many issues concerning humans' almost always destructive interaction with insect life, such as excessive mowing and clearing of wood that robs wildlife of its food and habitat, as well as harmful bug zappers that kill everything but mosquitoes. The reader emerges from this book realizing that even seemingly mundane forms of insect and spider life present us with unexpected beauty and fascinating lifestyles.