The definitive biographical guide to poetry throughout the world in the twentieth century and the only book of its kind to look at non-English language poets in such detail. Written in lively prose, with over 900 entries by over 75 international contributors, it brings a uniquely global perspective to bear on modern verse, encapsulating the lives and works of a vast array of poets in precise, compact detail alongside expert critical comment. Who's Who in Twentieth Century World Poetry is a scholarly and hugely enjoyable guide through the diverse arena of modern international poetry.

"There is no one quite like Lloyd Schwartz, whose unique combination of comedy and pathos is rare in contemporary American poetry. Over the years and books, Schwartz has developed a pitch-perfect ear for dialogue, producing poems that are hilarious in their depiction of unsettling social situations, while still managing to find the kernel of poignancy buried in everyday encounters. He is a master of the speech-driven style of verse, which is based on overheard, interrupted, or invented conversations that are by turns humorous and deeply unsettling, intimate yet decorous. In the new poems section, Schwartz brings his broad experience across the arts (including his many years as a music critic and commentator) to bear, with poems that recall the feeling of both performing and apprehending a piece of music, say, or a painting, a film, or a poem; he explores the figures depicted within these artworks, their fears and desires, revealing whole unexplored, interior worlds, a universe in a pack of tarot cards. This collection, which gathers the very best of Schwartz's work over his long, distinguished career, amply displays the tenderness and delicacy of feeling that we've come to rely on in his poetry. "Who's on First?" is a fitting capstone to a long life lived in the arts"--

Literary Nonfiction. Poetry. Fiction. African & African American Studies. Women's Studies. LGBTQIA Studies. A lyrical, genre-bending coming-of-age tale featuring a queer, Black, Guyanese American woman who, while seeking to define her own place in the world, negotiates a difficult relationship with her father.

A moving memoir exploring one family’s legacy of African Americans with American Indian roots. Finalist, 2024 American Legacy Book Awards, Autobiography/Memoir Black Indian, searing and raw, is Amy Tan's The Joy Luck Club and Alice Walker's The Color Purple meets Leslie Marmon Silko's Ceremony—only, this isn't fiction. Beautifully rendered and rippling with family dysfunction, secrets, deaths, alcoholism, and old resentments, Shonda Buchanan's memoir is an inspiring story that explores her family's legacy of being African Americans with American Indian roots and how they dealt with not just society's ostracization but the consequences of this dual inheritance. Buchanan was raised as a Black woman, who grew up hearing cherished stories of her multi-racial heritage, while simultaneously suffering from everything she (and the rest of her family) didn't know. Tracing the arduous migration of Mixed Bloods, or Free People of Color, from the Southeast to the Midwest, Buchanan tells the story of her Michigan tribe—a comedic yet manically depressed family of fierce women, who were everything from caretakers and cornbread makers to poets and witches, and men who were either ignored, protected, imprisoned, or maimed—and how their lives collided over love, failure, fights, and prayer despite a stacked deck of challenges, including addiction and abuse. Ultimately, Buchanan's nomadic people endured a collective identity crisis after years of constantly straddling two, then three, races. The physical, spiritual, and emotional displacement of American Indians who met and married Mixed or Black slaves and indentured servants at America's early crossroads is where this powerful journey begins. Black Indiandoesn't have answers, nor does it aim to represent every American's multi-ethnic experience. Instead, it digs as far down into this one family's history as it can go—sometimes, with a bit of discomfort. But every family has its own truth, and Buchanan's search for hers will resonate with anyone who has wondered "maybe there's more than what I'm being told."