This book details the struggles of a Mexican-American girl born in Indian captivity, Lola, in an American society obsessed with class, religion, race and gender. The first part of the book follows the central family in the years leading up to the start of the American Civil War and the attack on Fort Sumter (1857–1861), and flashbacks are meant to take the readers back further than that time line, such as the kidnapping of Lola's mother in 1846. The second part chronicles the events that took place during the Civil War (1861–1864). Each chapter focuses on a particular character and is told from an omniscient point of view. Who Would Have Thought It? is a semi-autobiographical novel written by María Ruiz de Burton and it reflects the author's ambiguous position between the small in number Californio elite and the Anglo-American populace, which form the majority of the United States population.

María Ruiz de Burton's novel 'Who Would Have Thought It?' is a groundbreaking work that delves into issues of race, identity, and social class in post-Civil War America. Written in the unique style of a roman à clef, the book challenges traditional literary conventions through its critique of American society and its exploration of the complexities of cultural hybridity. Set against the backdrop of a changing nation, the novel offers a powerful commentary on the experiences of Mexican Americans during a time of upheaval and transformation. With its intricate narrative structure and thought-provoking themes, 'Who Would Have Thought It?' stands as a testament to Ruiz de Burton's innovative approach to storytelling and her commitment to shedding light on the marginalized voices of her time. María Ruiz de Burton's own background as a Mexican American woman living in the 19th century undoubtedly influenced her decision to write a novel that confronts issues of prejudice and discrimination. Her unique perspective and personal experiences bring a sense of authenticity to the narrative, making 'Who Would Have Thought It?' a compelling and enlightening read for anyone interested in exploring the complexities of identity and social justice in historical fiction.

Popular images of women during the American Civil War include self-sacrificing nurses, romantic spies, and brave ladies maintaining hearth and home in the absence of their men. However, as DeAnne Blanton and Lauren M. Cook show in their remarkable new study, that conventional picture does not tell the entire story. Hundreds of women assumed male aliases, disguised themselves in men’s uniforms, and charged into battle as Union and Confederate soldiers—facing down not only the guns of the adversary but also the gender prejudices of society. They Fought Like Demons is the first book to fully explore and explain these women, their experiences as combatants, and the controversial issues surrounding their military service. Relying on more than a decade of research in primary sources, Blanton and Cook document over 240 women in uniform and find that their reasons for fighting mirrored those of men—-patriotism, honor, heritage, and a desire for excitement. Some enlisted to remain with husbands or brothers, while others had dressed as men before the war. Some so enjoyed being freed from traditional women’s roles that they continued their masquerade well after 1865. The authors describe how Yankee and Rebel women soldiers eluded detection, some for many years, and even merited promotion. Their comrades often did not discover the deception until the “young boy” in their company was wounded, killed, or gave birth. In addition to examining the details of everyday military life and the harsh challenges of -warfare for these women—which included injury, capture, and imprisonment—Blanton and Cook discuss the female warrior as an icon in nineteenth-century popular culture and why twentieth-century historians and society ignored women soldiers’ contributions. Shattering the negative assumptions long held about Civil War distaff soldiers, this sophisticated and dynamic work sheds much-needed light on an unusual and overlooked facet of the Civil War experience.

Presents a series of historical anecdotes about little-known, miscellaneous events and personal experiences of the American Civil War.

The #1 bestselling chapter book series of all time celebrates 25 years with new covers and a new, easy-to-use numbering system! Cannon fire! That's what Jack and Annie hear when the Magic Tree House whisks them back to the time of the American Civil War. There they meet a famous nurse named Clara Barton and do their best to help wounded soldiers. It is their hardest journey in time yet—and the one that will make the most difference to their own lives! Did you know that there’s a Magic Tree House book for every kid? Magic Tree House: Adventures with Jack and Annie, perfect for readers who are just beginning chapter books Merlin Missions: More challenging adventures for the experienced reader Super Edition: A longer and more dangerous adventure Fact Trackers: Nonfiction companions to your favorite Magic Tree House adventures

Major new interpretation of the events which continue to dominate the American imagination and identity.

Just a touch here and a tweak there . . . . MacKinlay Kantor, Pulitzer Prize-winning author, master storyteller, shows us how the South could have won the Civil War, how two small shifts in history (as we know it) in the summer of 1863 could have turned the tide for the Confederacy. What would have happened: to the Union, to Abraham Lincoln, to the people of the North and South, to the world? If the South Had Won the Civil War originally appeared in Look Magazine nearly half a century ago. It immediately inspired a deluge of letters and telegrams from astonished readers and became an American classic overnight. Published in book form soon after, Kantor's masterpiece has been unavailable for a decade. Now, this much requested classic is once again available for a new generation of readers and features a stunning cover by acclaimed Civil War artist Don Troiani, a new introduction by award-winning alternate history author Harry Turtledove, and fifteen superb illustrations by the incomparable Dan Nance. It all begins on that fateful afternoon of Tuesday, May 12, 1863, when a deplorable equestrian accident claims the life of General Ulysses S. Grant . . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.