Until 1970, Britain had the second biggest film industry in the world. Studios like the Rank Organisation, Associated British Picture Corporation, British Lion and Anglo-Amalgamated made and released more than fifty films per year. British Cinema was thriving and selling its unique product globally. There were countless opportunities for film makers. Tens of thousands worked in British Films. Today we have not one single British movie studio and 98% of the films in our cinemas are made by foreign entities. Every major European country has an indigenous movie culture. What happened to ours? Who killed it? And how can we get it back?

For years there has been consensus about the merits of Britain’s ‘cult films’ — Peeping Tom, Witchfinder General, The Italian Job — but what of The Mark, Unearthly Stranger, The Strange Affair and The Squeeze? Revisionist critics wax lyrical over Get Carter and The Wicker Man, but what of Sitting Target, Quest for Love and The Black Panther? OFFBEAT redresses this imbalance by exploring Britain’s obscurities, curiosities and forgotten gems — from the buoyant leap in film production in the late fifties to the dying days of popular domestic cinema in the early eighties. Featuring essays, interviews and in-depth reviews, OFFBEAT provides an exhaustive, enlightening and entertaining guide through a host of neglected cinematic trends and episodes, including: • The last great British B-movies • ‘Anti-swinging sixties’ films • Sexploitation — from Yellow Teddy Bears to Emmanuelle in Soho • The British rock ‘n roll movie • CIA-funded British cartoons • Asylums in British cinema • The Children’s Film Foundation • The demise of the short as supporting feature • Val Guest, Sidney Hayers and the forgotten journeyman of British film • Swashbucklers, crime thrillers and other non-horror Hammers Now updated with more than 150 pages of new reviews and essays, featuring: • The Beatles in Colour! • The History of the AA Certificate • Ken Russell’s 1980s Films • Iris Murdoch’s A Severed Head • Curating Offbeat films in the Digital Age And much more!

If you have seen the film then you have to read the book, and if you read the book you have to see the film.

"This new stage adaptation of Barry Hines' well-known film and novel once again proves its gritty charm and popular staying power..." --Back cover.

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a "profoundly disturbing and gorgeously rendered" novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

'Shocking, scathing, entertaining.' Guardian 'Incredibly compelling.' The Times 'Heart-breaking.' Sunday Times Where can a tin of tuna buy you clean clothes? Where is it easier to get 'spice' than paracetamol? Where does self-harm barely raise an eyebrow? Welcome to Her Majesty's Prison Service. Like most people, documentary-maker Chris Atkins didn't spend much time thinking about prisons. But after becoming embroiled in a dodgy scheme to fund his latest film, he was sent down for five years. His new home would be HMP Wandsworth, one of the largest and most dysfunctional prisons in Europe. With a cast of characters ranging from wily drug dealers to senior officials bent on endless reform, this powerful memoir uncovers the horrifying reality behind the locked gates. Filled with dark humour and shocking stories, A Bit of a Stretch reveals why our creaking prison system is sorely costing us all - and why you should care.

The definitive book on the case which led to a posthumous pardon. A classic within the True Crime genre. The notorious Cameo Cinema murder case of 1949 is one of Britain’s legal cause célèbres. But for over half a century the convictions of two young men, George Kelly and Charles Connolly, went unchallenged, until — following publication of The Cameo Conspiracy — both were exonerated by the Court of Appeal in 2003. This made it the longest-running miscarriage of justice in British legal history. In this powerful, meticulously-researched account the author painstakingly exposes the evil police conspiracy which sent Kelly to the gallows and Connolly to ten years’ imprisonment. He recounts how the men were framed by corrupt investigators and condemned by an amoral legal establishment, making it a terrible indictment of human wickedness by those supposed to uphold the law. This revised third edition of the definitive book on the case not only reveals a diabolical miscarriage of justice but comprehensively describes the arrests, trials and execution as well as Kelly’s successful posthumous appeal. It also authentically chronicles 1940s Liverpool, its pubs, post-war rationing, shebeens, black market and the colourful and seedy characters of the city’s underworld. Reviews “Skelly is a very good writer”—Norman Mailer “He writes from the heart with his life’s blood”—John Schlesinger “The best book I have ever read”—Former Police Sergeant, Chris Kelly “One man’s relentless hunt for the truth”—Liverpool Echo “A truly brilliant book … memorable and thought-provoking”—John Howley “An impeccable account of the infamous Cameo case”—Professor E Rex Makin As featured in the BBC TV’s Murder, Mystery and My Family.