Lydia’s job at the library is her world—she never expected to be a suspect to a murder. And now she must rely on the one man she’s not sure she can trust. Just months after the closure of the Chicago World’s Fair, librarian Lydia Bancroft finds herself fascinated by a mysterious dark-haired and dark-eyed patron. He has never given her his name; he actually never speaks to a single person. All she knows about him is that he loves books as much as she does. Only when he rescues her in the lobby of the Hartman Hotel does she discover that his name is Sebastian Marks. She also discovers that he lives at the top of the prestigious hotel and that most everyone in Chicago is intrigued by him. Lydia and Sebastian form a fragile friendship, but when she discovers that Mr. Marks isn’t merely a very wealthy gentleman, but also the proprietor of an infamous saloon and gambling club, she is shocked. Lydia insists on visiting the club one fateful night and suddenly is a suspect to a murder. She must determine who she can trust, who is innocent, and if Sebastian Marks—the man so many people fear—is actually everything her heart believes him to be. “Shelley Gray writes a well-paced story full of historical detail that will invite you into the romance, the glamour . . . and the mystery surrounding the Chicago World’s Fair.” —Colleen Coble, USA Today bestselling author of Rosemary Cottage and the Hope Beach series The Chicago World Fair Mystery series Book 1—Secrets of Sloane House Book 2—Deception on Sable Hill Book 3—Whispers in the Reading Room Book length: 86,000 words Includes discussion questions for book clubs

When librarian Lydia Bancroft is rescued by a man who she recogizes as a mysterious book-loving patron of her library named Sebastian Marks, they begin to form a promising friendship, until a shocking truth about Sebastian comes to light.

`Is there one who understands me?' So wrote James Joyce towards the end of his final work, Finnegans Wake. The question continues to be asked about the author who claimed that he had put so many enigmas into Ulysses that it would `keep the professors busy for centuries' arguing over what he meant. For Joyce this was a way of ensuring his immortality, but it could also be claimed that the professors have served to distance Joyce from his audience, turning his writings into museum pieces, pored over and admired, but rarely touched. In this remarkable book, steeped in the learning gained from a lifetime's reading, David Pierce blends word, life and image to bring the works of one of the great modern writers within the reach of every reader. With a sharp eye for detail and an evident delight in the cadences of Joyce's work, Pierce proves a perfect companion, always careful and courteous, pausing to point out what might otherwise be missed. Like the best of critics, his suggestive readings constantly encourage the reader back to Joyce's own words. Beginning with Dubliners and closing with Finnegans Wake, Reading Joyce is full of insights that are original and illuminating, and Pierce succeeds in presenting Joyce as an author both more straightforward and infinitely more complex than we had perhaps imagined. T. S. Eliot wrote of Joyce's masterpiece, Ulysses, that it is `a book to which we are all indebted, and from which none of us can escape'. With David Pierce as a guide, the debt we owe to Joyce becomes clearer, and the need to flee is greatly reduced.

Inspired by true events and set against the backdrop of the Second World War, Melanie Levensohn’s A Jewish Girl in Paris is a powerful novel about forbidden love. 'In this vivid, affecting novel of intertwined destinies and the enduring power of love against the bleakest odds, Levensohn weaves a tale saturated with historical accuracy and yet surprisingly intimate.' - Paula McLain, author of The Paris Wife and When the Stars Go Dark Paris, 1940, a city under German occupation. A young Jewish girl, Judith, meets a young man, the son of a wealthy banker and Nazi sympathizer – his family will never approve of the girl he has fallen in love with. As the Germans impose more and more restrictions on Jewish Parisians, the couple secretly plan to flee the country. But before they can make their escape, Judith disappears . . . Montréal, 1982. Shortly before his death, Lica Grunberg confesses to his daughter, that she has an older half-sister, Judith. Lica escaped the Nazis but lost all contact with his first-born daughter. His daughter promises to find the sister she never knew. The search languishes for years, until Jacobina is spurred on by her young friend Béatrice. Soon the two women discover a dark family secret, stretching over two continents and six decades, that will change their lives forever . . . Adapted from a translation by Jamie Lee Searle, A Jewish Girl in Paris is a historical novel for fans of The Tattooist of Auschwitz.

Storyton Hall, Virginia, is a paradise for book lovers who come from all over for literary getaways. But manager Jane Steward is temporarily leaving for another renowned resort—in hopes of solving a twist-filled mystery . . . Jane’s boyfriend is missing, and she thinks she may find him at North Carolina’s historic Biltmore Estate. Officially, she’s there to learn about luxury hotel management, but she’s also prowling around the breathtaking buildings and grounds looking for secret passageways and clues. One of the staff gardeners promises to be helpful . . . that is, until his body turns up in the reading room of his cottage, a book on his lap. When she finally locates the kidnapped Edwin, his captor insists that she lead him back to Storyton Hall, convinced that it houses Ernest Hemingway’s lost suitcase, stolen from a Paris train station in 1922. But before they can turn up the treasure, the bell may toll for another victim . . . “Readers will find themselves wanting to live in Storyton, no matter how many people end up dead there.” —Suspense Magazine on Murder in the Locked Library

Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.