Wani University just won the state swimming championship, and they couldn't have done it without the team's star swimmer and beauty, Shirasaki. Heading back to the hotel and celebrate, the team scumbag, Maeda, plans on etching another notch on his bedpost, but luckily Gotou is watching Shirasaki's back. As a form of thanks, Shirasaki invites Gotou out to the hotel pool just in time for exclusive adult swim!

In 2015, a race of alien Others conquered Earth. They enslaved humanity not by force, but through an aggressive mind control that turned people into contented, unquestioning robots. Except sixteen-year-old Althea isn’t content at all, and she doesn’t need the mysterious note inside her locket to tell her she’s Something Else. It also warns her to trust no one, so she hides the pieces that make her different, even though it means being alone. The autumn she meets Lucas, everything changes. Althea and Lucas are immune to the alien mind control, and together they search for the reason why. What they uncover is a stunning truth the Others never anticipated, one with the potential to free the brainwashed human race. It’s not who they are that makes them special, but what. And what they are is a threat. One the Others are determined to eliminate for good.

"In the midst of the Spanish Civil War, 12-year-old ani unexpectedly gets drawn into a network of underground rebels working to thwart Franco's efforts to destroy the Basque people's way of life. . . . Exciting." -- SLJ Ani believes she is just an insignificant whisper of a girl in a loud world. This is what her mother tells her anyway. Her father made her feel important, but he's been off fighting in Spain's Civil War, and his voice in her head is fading. Then she meets Mathias. His family has just moved to Guernica and he's as far from a whisper as a boy can be. Ani thinks Mathias is more like lightning. Mathias's father is part of a spy network and soon Ani finds herself helping him deliver messages to other members of the underground. For the first time, she's making a difference in the world. And then her world explodes. The sleepy little market town of Guernica is destroyed by Nazi bombers. In one afternoon Ani loses her city, her home, her mother. But in helping the other survivors, Ani gains a sense of her own strength. And she and Mathias make plans to fight back in their own unique way.

A collection of short fiction explores the dark imaginations and experiences of the human mind in tales of horror and duspense by Zane, Tanarive Due, Stephen Barnes, Robert Fleming, and other African-American authors.

"Fine and Turner present a wonderful exploration into what our seemingly mundane rumor-sharing means for race in our society. Filled with examples that we all can recognize, and superbly written and argued, Whispers on the Color Line will be a classic in the study of race and culture."—Mary Pattillo-McCoy, author of Black Picket Fences: Privilege and Peril among the Black Middle Class "Fine and Turner have written a disturbing, yet important book. Taking racially tinged (or drenched, as the case may be) rumors as an unobtrusive measure of the state of black-white relations in the U.S., the authors document the yawning social-cultural chasm in the nation. Contradicting the tepid national narrative that celebrates the "before" and "after" racial transformation achieved by the civil rights struggle, Whispers on the Color Line reminds us that the "peculiar dilemma" Gunnar Myrdal wrote about fifty-seven years ago is still very much with us. Until the "whispers" grow into a far more open and honest dialogue, nothing will change."—Doug McAdam, author of Freedom Summer "Whispers on the Color Line is a logical and necessary extension of the authors' earlier books (Fine's Manufacturing Tales and Turner's I Heard It Through the Grapevine), which work in tandem to explore racial issues through everyday narratives. The authors themselves represent an American cultural dialectic."—Janet Langlois, author of Belle Gunness, The Lady Bluebeard "Whispers on the Color Line is insightful and thought-provoking, powerfully underscoring the social significance of hearsay, rumors, and legends in everyday life. This rich and poignant narrative reveals and educates--an important contribution to social science understanding and to the ongoing discourse about race matters in this country."—Elijah Anderson, author of Code of the Street: Decency, Violence, and the Moral Life of the Inner City "This book speaks loudly to our most troubling contemporary problem: interactions among the "races" that are carried out in secret. The development of media such as the Internet (with its various aspects, from personal email to screeds sent out through listserves) has helped us recognize that rumors have gone public--and that we need to become involved in managing this process."—Roger Abrahams, author of Singing the Master: The Emergence of African-American Culture in the Plantation South

A WHOLE NEW REASON TO MIND THE GAP It begins with a dead body at the far end of Baker Street tube station, all that remains of American exchange student James Gallagher—and the victim’s wealthy, politically powerful family is understandably eager to get to the bottom of the gruesome murder. The trouble is, the bottom—if it exists at all—is deeper and more unnatural than anyone suspects . . . except, that is, for London constable and sorcerer’s apprentice Peter Grant. With Inspector Nightingale, the last registered wizard in England, tied up in the hunt for the rogue magician known as “the Faceless Man,” it’s up to Peter to plumb the haunted depths of the oldest, largest, and—as of now—deadliest subway system in the world. At least he won’t be alone. No, the FBI has sent over a crack agent to help. She’s young, ambitious, beautiful . . . and a born-again Christian apt to view any magic as the work of the devil. Oh yeah—that’s going to go well.

Czechoslovakia, 1949. What Evil lurks within the walls of an ancient children's infirmary? After the brutal murder of her parents, Sarah, a young orphan, is about to discover that and much more. From long-buried secrets to imminent battles, the fate of man, and monster, lie with young Sarah. A gothic tale of horror from David Muñoz (co-writer of Guillermo Del Toro's "The Devil's Backbone" film) and artist Tirso.