The party whips are essential components of the U.S. legislative system, responsible for marshalling party votes and keeping House and Senate party members in line. In The Whips, C. Lawrence Evans offers a comprehensive exploration of coalition building and legislative strategy in the U.S. House and Senate, ranging from the relatively bipartisan, committee-dominated chambers of the 1950s to the highly polarized congresses of the 2000s. In addition to roll call votes and personal interviews with lawmakers and staff, Evans examines the personal papers of dozens of former leaders of the House and Senate, especially former whips. These records allowed Evans to create a database of nearly 1,500 internal leadership polls on hundreds of significant bills across five decades of recent congressional history. The result is a rich and sweeping understanding of congressional party leaders at work. Since the whips provide valuable political intelligence, they are essential to understanding how coalitions are forged and deals are made on Capitol Hill.

The Whip is inspired by the true story of a woman, Charlotte "Charley" Parkhurst (1812-1879) who lived most of her extraordinary life as a man. As a young woman in Rhode Island, she fell in love and had a child. Her husband was lynched and her baby killed. The destruction of her family drove her west to California, dressed as a man, to track down the murder. Charley became a renowned stagecoach driver. She killed a famous outlaw, had a secret love affair, and lived with a housekeeper who, unaware of her true sex, fell in love with her. Charley was the first woman to vote in America (as a man). Her grave lies in Watsonville, California.

This short book brings to life a unique and spectacular set of events in Latin American history. In November 1910, shortly after the inauguration of Brazilian President Hermes da Fonseca, ordinary sailors killed several officers and seized control of major new combat vessels, including two of the most powerful battleships ever produced, and commenced bombing Rio de Janeiro. The mutineers, led by an Afro-Brazilian and mostly black themselves, demanded greater rights—above all the abolition of flogging in the Brazilian navy, the last Western navy to tolerate it. This form of torture was closely associated in the sailors' minds with slavery, which had only been prohibited in Brazil in 1888. These events and the scandals that followed initiated a sustained debate about the role of race and class in Brazilian society and the extent to which Brazil could claim to be a modern nation. The commemoration of the centenary of the mutiny in 2010 saw the country still divided about the meaning of the Revolt of the Whip.

A dark, wild, powerful memoir about a young woman's transformation from college student to professional dominatrix While a college student at The New School, Melissa Febos spent four years working as a dominatrix in a midtown dungeon. In poetic, nuanced prose she charts in Whip Smart how unchecked risk-taking eventually gave way to a course of self-destruction. But as she recounts crossing over the very boundaries that she set for her own safety, she never plays the victim. In fact, the glory of this memoir is Melissa's ability to illuminate the strange and powerful truths that she learned as she found her way out of a hell of her own making. Rest assured; the reader will emerge from the journey more or less unscathed.

Ron Edwards was born in Australia in 1930 and brought up in the country where small farmers still plowed with horses and harvested their half acres with sickles and scythes, and larger properties relied on the annual visit of the steam-driven threshing machines. By the 1940s all this had vanished, and Edwards had realized that the country's traditional crafts also were disappearing. He began making drawings and notes of them and published these materials in his native country. How to Make Whips is the American edition of his ninth book. The first section gives instructions for a basic eight-strand whip; the second deals with the making of fine kangaroo hide whips. Other chapters explain the making of bullwhips, snake whips, and whips made from precut lace. Also included are instructions on plaiting names in whips and using plaiting designs for whip handles.

Whipmaking is the highest refinement of the art of leather braiding. This revised edition introduces another major category of whipsthose made in the Mongol tradition. Braiding details are shown in an extensive selection of photographs that also serve to document the geographic distribution of the whips; their historic use and characteristics are explained in detailed captions. A new chapter describes the evolution of a whip design that became world famous through its association with Hollywood. The whips used by Indiana Jones were all made by the author, David W. Morgan, and the films prompted an immediate revival of interest in whips for performance and sport use.