"Nero became Emperor in A.D 54. On the evening of July 18, 64 A. D., it seems that a lamp was left unextinguished in a stall still heaped with piles of combustible material. Whether this was accidental or deliberate we cannot now determine, and normally it would not have led to anything that would have attracted even local attention. But there was a gusty wind that night, and the flickering flame was fanned onto the flammable wares. The ensuing fire quickly spread. Before the onlookers could absorb what was happening one of the most catastrophic disasters ever to be endured by Rome was already underway. It was a disaster that brought death and misery to thousands. In Nero and the Great Fire of Rome, Anthony Barrett draws on new textual interpretations and the latest archaeological evidence, to tell the story of this pivotal moment in Rome's history and its lasting significance. Barrett argues that the Great Fire, which destroyed much of the city, changed the course of Roman History. The fire led to the collapse of Nero's regime, and his disorderly exit brought an end to Rome's first imperial dynasty, transforming from thereto, the way that emperors were selected. It also led to the first systematic persecution of the Christians, who were blamed for the blaze. Barrett provides the first comprehensive study of this dramatic event, which remains a fascination of the public imagination, and continues to be a persistent theme in the art and literature of popular culture today"--

While Rome Burned attends to the intersection of fire, city, and emperor in ancient Rome, tracing the critical role that urban conflagration played as both reality and metaphor in the politics and literature of the early imperial period. Urban fires presented a consistent problem for emperors from Augustus to Hadrian, especially given the expectation that the princeps be both a protector and provider for Rome’s population. The problem manifested itself differently for each leader, and each sought to address it in distinctive ways. This history can be traced most precisely in Roman literature, as authors addressed successive moments of political crisis through dialectical engagement with prior incendiary catastrophes in Rome’s historical past and cultural repertoire. Working in the increasingly repressive environment of the early principate, Roman authors frequently employed “figured” speech and mythopoetic narratives to address politically risky topics. In response to shifting political and social realities, the literature of the early imperial period reimagines and reanimates not just historical fires, but also archetypal and mythic representations of conflagration. Throughout, the author engages critically with the growing subfield of disaster studies, as well as with theoretical approaches to language, allusion, and cultural memory.

A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero.

The Roman emperor Nero is remembered by history as the vain and immoral monster who fiddled while Rome burned. Edward Champlin reinterprets Nero's enormities on their own terms, as the self-conscious performances of an imperial actor with a formidable grasp of Roman history and mythology and a canny sense of his audience. Nero murdered his younger brother and rival to the throne, probably at his mother's prompting. He then murdered his mother, with whom he may have slept. He killed his pregnant wife in a fit of rage, then castrated and married a young freedman because he resembled her. He mounted the public stage to act a hero driven mad or a woman giving birth, and raced a ten-horse chariot in the Olympic games. He probably instigated the burning of Rome, for which he then ordered the spectacular punishment of Christians, many of whom were burned as human torches to light up his gardens at night. Without seeking to rehabilitate the historical monster, Champlin renders Nero more vividly intelligible by illuminating the motives behind his theatrical gestures, and revealing the artist who thought of himself as a heroic figure. Nero is a brilliant reconception of a historical account that extends back to Tacitus, Suetonius, and Cassius Dio. The effortless style and artful construction of the book will engage any reader drawn to its intrinsically fascinating subject.

On the night of July 19, AD 64, a fire began beneath the stands of Rome's great stadium, the Circus Maximus. For more than a week the fire spread, engulfing most of the city and nearly burning it to the ground. With its capital in ruins, Rome's powerful empire teetered on the edge of collapse as Nero struggled desperately to save his empire -- and his skin. In The Great Fire of Rome, Dando-Collins takes readers through the streets of ancient Rome, where unrest simmers, and into the imperial palace, where political intrigue seethes, relating a pot-boiler story filled with fascinating historical characters who will determine the course of an empire. It is an unforgettable human drama that brings ancient Rome and the momentous events of 64 AD scorchingly to life.

Nero’s ascent to the throne was only the beginning....Now Margaret George, the author of The Confessions of Young Nero, weaves a web of politics and passion, as ancient Rome’s most infamous emperor cements his place in history. With the beautiful and cunning Poppaea at his side, Nero commands the Roman empire, ushering in an unprecedented era of artistic and cultural splendor. Although he has yet to produce an heir, his power is unquestioned. But in the tenth year of his reign, a terrifying prophecy comes to pass and a fire engulfs Rome, reducing entire swaths of the city to rubble. Rumors of Nero’s complicity in the blaze start to sow unrest among the populace—and the politicians.... For better or worse, Nero knows that his fate is now tied to Rome’s—and he vows to rebuild it as a city that will stun the world. But there are those who find his rampant quest for glory dangerous. Throughout the empire, false friends and spies conspire against him, not understanding what drives him to undertake the impossible. Nero will either survive and be the first in his family to escape the web of betrayals that is the Roman court, or be ensnared and remembered as the last radiance of the greatest dynasty the world has ever known. “A resplendent novel filled with the gilt and marble of the ancient world.”—C. W. Gortner, author of The Romanov Empress

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