An orangutan, loose from the zoo, visits all the busiest spots in town. The reader helps to find him.

Where Worlds Collide is the fascinating story of a biologist's spectacular discovery that has deeply changed the way we view the world.

Through his personality, ingenuity and ability, he initiated a resistance movement which ultimately secured the nation's freedom and independence. Yet, Wallace was reviled, opposed and eventually betrayed by the nobility in his own day to re-surface in the epic poetry of the fifteenth century as a champion and liberator. Eventually, his legend overtook the historical reality, a process which has continued for centuries as manifested in modern media and film. A team of leading historians and critics from both Scotland and England investigate what is known of the medieval warrior's career from contemporary sources, most of which, unusually for a national hero, were created by his enemies. His reputation, from the time of his horrendous execution to the present, is examined to ascertain what the figure of Wallace meant to different generations of Scots. Too dangerous perhaps for his own era, he became the supreme Scottish hero of all time; the archetypal Scot who would teach kings and nobles where their duty lay, and who would live free or freely die for the liberty of his nation.

A look at the history of the idea of the objective journalist and how this very ideal can often be used to undercut itself. In The View from Somewhere, Lewis Raven Wallace dives deep into the history of “objectivity” in journalism and how its been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it—not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question “objectivity” with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kaadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against “objectivity” in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers. Using historical and contemporary examples—from lynching in the nineteenth century to transgender issues in the twenty-first—Wallace offers a definitive critique of “objectivity” as a catchall for accurate journalism. He calls for the dismissal of this damaging mythology in order to confront the realities of institutional power, racism, and other forms of oppression and exploitation in the news industry. The View from Somewhere is a compelling rallying cry against journalist neutrality and for the validity of news told from distinctly subjective voices.

“…Lyall’s debut is a winner.” —Publishers Weekly “What’s with the get-up? Is that the company uniform or something?” “This? All P.I.s wear a trench coat.” “Dude, that’s a brown bathrobe.” I shrugged and straightened out my sleeves. “First rule of private investigation, Ivy: work with what you’ve got.” Twelve-year-old Howard Wallace lives by his list of rules of private investigation. He knows more than anyone how to work with what he’s got: a bathrobe for a trench coat, a makeshift office behind the school equipment shed, and not much else—least of all, friends. So when a hot case of blackmail lands on his desk, he’s ready to take it on himself . . . until the new kid, Ivy Mason, convinces him to take her on as a junior partner. As they banter through stakeouts and narrow down their list of suspects, Howard starts to wonder if having Ivy as a sidekick—and a friend—is such a bad thing after all. Named a Book Riot middle-grade book for the summer with special recommendation for reluctant readers! Winner of the Red Cedar Book Award for Fiction!

These widely acclaimed essays from the author of Infinite Jest -- on television, tennis, cruise ships, and more -- established David Foster Wallace as one of the preeminent essayists of his generation. In this exuberantly praised book -- a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner -- David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling Infinite Jest.