The Crimean Peninsula was the setting for the destruction of a number of armies in World War II, both Soviet and German. When the Soviets fortified Sevastopol in 1941 it heralded the beginning of a period of intense fighting over the Crimea. In this remarkable work, acclaimed author Robert Forcyzk assembles new research to investigate the intense and barbaric fighting for the region in World War II, where first Soviet and then German armies were surrounded and totally obliterated. Forcyzk's unique account provides a definitive analysis of the many unique characteristics of the conflict, exploring the historical context as it uncovers one of the most pivotal theaters of the Eastern Front during World War II.

The Crimean Peninsula was the setting for the destruction of a number of armies in World War II, both Soviet and German. When the Soviets fortified Sevastopol in 1941 it heralded the beginning of a period of intense fighting over the Crimea. In this remarkable work, acclaimed author Robert Forcyzk assembles new research to investigate the intense and barbaric fighting for the region in World War II, where first Soviet and then German armies were surrounded and totally obliterated. Forcyzk's unique account provides a definitive analysis of the many unique characteristics of the conflict, exploring the historical context as it uncovers one of the most pivotal theaters of the Eastern Front during World War II.

Romania's Holy War rights the widespread myth that Romania was a reluctant member of the Axis during World War II. In correcting this fallacy, Grant T. Harward shows that, of an estimated 300,000 Jews who perished in Romania and Romanian-occupied Ukraine, more than 64,000 were, in fact, killed by Romanian soldiers. Moreover, the Romanian Army conducted a brutal campaign in German-occupied Ukraine, resulting in the deaths of thousands of Soviet prisoners of war, partisans, and civilians. Investigating why Romanian soldiers fought and committed such atrocities, Harward argues that strong ideology—a cocktail of nationalism, religion, antisemitism, and anticommunism—undergirded their motivation. Romania's Holy War draws on official military records, wartime periodicals, soldiers' diaries and memoirs, subsequent war crimes investigations, and recent interviews with veterans to tell the full story. Harward integrates the Holocaust into the narrative of military operations to show that most soldiers fully supported the wartime dictator, General Ion Antonescu, and his regime's holy war against "Judeo-Bolshevism." The army perpetrated mass reprisals, targeting Jews in liberated Romanian territory; supported the deportation and concentration of Jews in camps or ghettos in Romanian-occupied Soviet territory; and played a key supporting role in SS efforts to exterminate Jews in German-occupied Soviet territory. Harward proves that Romania became Nazi Germany's most important ally in the war against the USSR because its soldiers were highly motivated, thus overturning much of what we thought we knew about this theater of war. Romania's Holy War provides the first complete history of why Romanian soldiers fought on the Eastern Front.

This is not your grandmother's gardening book. You Grow Girl is a hip, humorous how-to for crafty gals everywhere who are discovering a passion for gardening but lack the know-how to turn their dreams of homegrown tomatoes and fresh-cut flowers into a reality. Gayla Trail, creator of YouGrowGirl.com, provides guidance for both beginning and intermediate gardeners with engaging tips, projects, and recipes -- whether you have access to a small backyard or merely to a fire escape. You Grow Girl eliminates the intimidation factor and reveals how easy and enjoyable it can be to cultivate plants and flowers even when resources and space are limited. Divided into accessible sections like Plan, Plant, and Grow, You Grow Girl takes readers through the entire gardening experience: Preparing soil Nurturing seedlings Fending off critters Reaping the bounty Readying plants for winter Preparing for the seasons ahead Gayla also includes a wealth of ingenious and creative projects, such as: Transforming your garden's harvest into lush bath and beauty products Converting household junk into canny containers Growing and bagging herbal tea Concocting homemade pest repellents ...and much, much more. Witty, wise, and as practical as it is stylish, You Grow Girl is guaranteed to show you how to get your garden on. All you need is a windowsill and a dream!

When Emily is kidnapped and ordered to transplant the Machinist's consciousness into one of his creations, Finley Jayne and her friends are forced to work with Jack Dandy, who compels Finley to evaluate her feelings for Griffin.

In the first book to critically examine each of the fourteen feature films Sam Peckinpah directed during his career, Michael Bliss stresses the persistent moral and structural elements that permeate Peckinpah’s work. By examining the films in great detail, Bliss makes clear the moral framework of temptation and redemption with which Peckinpah was concerned while revealing the director’s attention to narrative. Bliss shows that each of Peckinpah’s protagonists is involved with attempting, in the words of Ride the High Country’s Steve Judd, "to enter my house justified." The validity of this systematic method is clearly demonstrated in the chapter devoted to The Wild Bunch. By enumerating the doublings and triplings of action and dialogue found in the film, Bliss underscores its symbolic and structural complexity. Beginning the chapters treating Junior Bonner and The Getaway with analyses of their important title sequences, Bliss shows how these frequently disregarded pieces present in miniature the major moral and narrative concerns of the films. In his chapter on The Osterman Weekend, Bliss makes apparent Peckinpahs awareness of and concern with the self-reflexive nature of filmmaking itself. Bliss shows that like John Ford, Peckinpah moved from optimism to pessimism. The films of the director’s early period, from The Deadly Companions to Cable Hogue, support the romantic ideals of adventure and camaraderie and affirm a potential for goodness in America. In his second group of films, which begins with Straw Dogs and ends with Bring Me the Head of Alfredo Garcia, both heroes and hope have vanished. It is only in The Osterman Weekend that Peckinpah appears finally to have renewed his capacity for hope, allowing his career to close in a positive way.

As they transition into adulthood, many American boys and young men spend a considerable amount of time engaging in physical sports, playing violent video games, and watching action movies, including war films. In many cases, boys spend more time exposed to media models than they do with their fathers. If, as social learning theorists say, masculinity is learned directly through a system of positive and negative reinforcement, what manly behaviors do war films clearly define and reinforce? And what un-manly behaviors do war films clearly prohibit? In Reel Men at War: Masculinity and the American War Film, authors Ralph Donald and Karen MacDonald consider the influence that war films bring to bear on the socialization of young boys in America. Analyzing nearly 150 American war films and television programs, this book considers such issues as major male stereotypes—both positive and negative—in film, the influence of sports as an alternate to mortal combat, why men admire war and value winning so highly, and how war films define manly courage. Throughout the book the authors comment on the depiction of post-traumatic stress disorder, the stages of grief, and suicide in war films, as well as applying Jungian and Freudian theories to war and soldiering. Reel Men at War will be of interest not only to professors and students of cinema and mass communications but also to scholars of history, gender studies, and sociology.