Edgar Award Finalist: Hailed by Mary Higgins Clark as “one of the best mystery-suspense writers,” Grand Master of crime fiction Dorothy Salisbury Davis presents a spellbinding tale of passion and deadly deceit that begins with a dying man’s mysterious last words. Father McMahon is struggling to write a sermon when a boy runs into his office. A man in his tenement is dying, the boy says, and it is too late for a doctor or the police. In the basement of the apartment house, Father McMahon kneels beside the blood-soaked man, who has been stabbed with a knife. The man asks for no absolution. He wants to talk of life, not death, and takes to his grave the identity of his killer—and his own. No one in the neighborhood—not his lover or his friends—knows the man’s real name, where he came from, or why someone would want to kill him. But in his final minutes, he reveals one clue that sends Father McMahon, a cop, and a wealthy young woman down New York’s dark streets, where a killer is waiting to strike again.

Recounts the Christmas following the attack on Pearl Harbor, in which President Franklin D. Roosevelt and Prime Minister Winston Churchill met at the White House.

**This book contains extreme descriptions of violence, sexual situations and drug abuse. Reader discretion is advised** This is the story of teenagers that had to leave their homes because of horrible family situations and forced survive on the streets. They had to navigate a barrage of readily available drugs, traps set by Pimps looking to subjugate them and avoid falling prey to the criminals looking for easy prey. Unfortunately, life isn't fair and not everyone who deserves a fair chance will get one. This story doesn't end well...

Broadway, the main street that runs through Robert Pinsky’s home town of Long Branch, New Jersey, was once like thousands of other main streets in small towns across the country. But for Pinsky, one of America’s most admired poets and its former Poet Laureate, this Broadway is the point of departure for a lively journey through the small towns of the American imagination. Thousands of Broadways explores the dreams and nightmares of such small towns—their welcoming yet suffocating, warm yet prejudicial character during their heyday, from the early nineteenth century through World War II. The citizens of quintessential small towns know one another extensively and even intimately, but fail to recognize the geniuses and criminal minds in their midst. Bringing the works of such figures as Mark Twain, William Faulkner, Alfred Hitchcock, Thornton Wilder, Willa Cather, and Preston Sturges to bear on this paradox, as well as reflections on his own time growing up in a small town, Pinsky explores how such imperfect knowledge shields communities from the anonymity and alienation of modern life. Along the way, he also considers how small towns can be small minded—in some cases viciously judgmental and oppressively provincial. Ultimately, Pinsky examines the uneasy regard that creative talents like him often have toward the small towns that either nurtured or thwarted their artistic impulses. Of living in a small town, Sherwood Anderson once wrote that "the sensation is one never to be forgotten. On all sides are ghosts, not of the dead, but of living people." Passionate, lyrical, and intensely moving, Thousands of Broadways is a rich exploration of this crucial theme in American literature by one of its most distinguished figures.

NEW YORK TIMES BESTSELLER • “[This] absorbing, affectionate portrait manages to bring [Newman] back to us. . . . Paul Newman leaves readers with a surprisingly cheering message. If the rest of us can’t aspire to having Newman’s life, we can at least take inspiration from the way he lived his.”—The Washington Post “A graceful tribute to a one-of-a-kind man.”—The Seattle Times “Newman’s life was never dull, and Levy re-creates it in vivid detail.”—Parade Paul Newman, the Oscar-winning actor with the legendary blue eyes, achieved superstar status by playing charismatic renegades, broken heroes, and winsome antiheroes in such revered films as The Hustler, Cool Hand Luke, Butch Cassidy and the Sundance Kid, The Verdict, The Color of Money, and Nobody’s Fool. But Newman was also an oddity in Hollywood: the rare box-office titan who cared about the craft of acting, the sexy leading man known for the staying power of his marriage, and the humble celebrity who made philanthropy his calling card long before it was cool. Unlike his father, a successful entrepreneur, Newman bypassed the family sporting goods business to pursue an acting career. After struggling as a theater and television actor, Newman landed the lead role of boxer Rocky Graziano in Somebody Up There Likes Me when, in a tragic twist of fate, James Dean was killed in a car accident. Part of the original Actors Studio generation, Newman demanded a high level of rigor and clarity from every project. The artistic battles that nearly derailed his early movie career would pay off handsomely at the box office and earn him critical acclaim. He applied that tenacity to every endeavor both on and off the set. The outspoken Newman used his celebrity to call attention to political causes dear to his heart, including civil rights and nuclear proliferation. Taking up auto racing in midlife, Newman became the oldest driver to ever win a major professional auto race. A food enthusiast who would dress his own salads in restaurants, he launched the Newman’s Own brand dedicated to fresh ingredients, a nonprofit juggernaut that has generated more than $250 million for charity. In Paul Newman: A Life, Shawn Levy gives readers the ultimate behind-the-scenes examination of the actor’s life, from his merry pranks on the set to his lasting romance with Joanne Woodward to the devastating impact of his son’s death from a drug overdose. This expansive biography is a portrait of an extraordinarily gifted man who gave back as much as he got out of life—and just happened to be one of the most celebrated movie stars of the twentieth century.