WINNER OF THE PEACEMAKER AWARD Surrounded by ranches, farms, and precious metal mines, the town of Dover Station, Montana is ripe for the plucking. It’s up to Sheriff Aaron Mackey to keep the peace—and keep the dregs of humanity from trying to make a killing . . . WHERE THE BULLETS FLY, VENGEANCE REIGNS If anyone can smell an investment opportunity, it’s railroad men and big city bankers. They’re not the kind of folks that Sheriff Mackey is used to dealing with. But greed is greed, and if anyone knows how money can drive men to murder, it’s the sheriff of a boomtown like Dover Station. But when Mackey is forced to gun down a pair of saloon rats, it brings a powderkeg of trouble—with a quick-burning fuse of vengeance named Alexander Duramont. This bloodthirsty psychopath wants to kill the sheriff for killing his buddies. And he plans to get his revenge using a highly combustible mix of fire, fear, and dynamite . . . Mackey’s not sure how he’s going to stop this blood-crazed lunatic. But it’s going to be one heck of an explosive and very violent showdown . . . “Hard to put down . . . because of the gritty and stylish narrative, the virtually nonstop action.” —Publishers Weekly on Terrence McCauley’s Sympathy for the Devil

The sheriff of a Montana mining town faces a blood-thirsty bandit out for revenge in this award-winning series debut: “An exceptional Western novel” (Historical Novel Society). Surrounded by ranches, farms, and precious metal mines, the town of Dover Station, Montana is ripe for the plucking. It’s up to Sheriff Aaron Mackey to keep the peace—and keep the dregs of humanity from trying to make a killing. If anyone can smell an investment opportunity, it’s railroad men and big city bankers. They’re not the kind of folks that Sheriff Mackey is used to dealing with. But greed is greed, and he knows all too well how money can drive men to murder. When Mackey is forced to gun down a pair of saloon rats, it brings a powder keg of trouble—with a quick-burning fuse of vengeance named Alexander Duramont. This bloodthirsty psychopath wants to kill the sheriff for killing his buddies. And he plans to get his revenge using a highly combustible mix of fire, fear, and dynamite. Mackey’s not sure how he’s going to stop this blood-crazed lunatic. But it’s going to be one explosive showdown . .

Since the early 1990s the media and cultural fields in China have become increasingly commercialized, resulting in a massive boom in the cultural and entertainment industries. This evolution has also brought about fundamental changes in media behaviour and communication, and the enormous growth of entertainment culture and the extensive penetration of new media into the everyday lives of Chinese people. Against the backdrop of the rapid development of China’s media industry and the huge growth in social media, this book explores the emotional content and public discourse of popular media in contemporary China. It examines the production and consumption of blockbuster films, television dramas, entertainment television shows, and their corresponding online audience responses, and describes the affective articulations generated by cultural and media texts, audiences and social contexts. Crucially, this book focuses on the agency of audiences in consuming these media products, and the affective communications taking place in this process in order to address how and why popular culture and entertainment programs exert so much power over mass audiences in China. Indeed, Shuyu Kong shows how Chinese people have sought to make sense of the dramatic historical changes of the past three decades through their engagement with popular media, and how this process has created a cultural public sphere where social communication and public discourse can be launched and debated in aesthetic and emotional terms. Based on case studies that range from television drama to blockbuster films, and reality television programmes to social media sites, this book will be of great interest to students and scholars of Chinese culture and society, media and communication studies, film studies and television studies.