Jason VanLord is on his way to happily ever after. His soon-to-be wife, the beautiful princess Mia, is waiting for him in the castle. However, Jason does not want to get married. Instead, he is after a life of adventure. With the help of the princess, he and his friends escape the castle and are soon on their way to finding an adventure. But things soon get hairy, and he is flung feet first into a quest. With time running out to save not only himself and his friends but the world, he has to travel to an island, the home of magic, and right the serious wrong that has befallen it.

DIVDeep in Radnor Forest, the magic of a captivating seeress is no match for unbridled, blazing desireDIV /divHer heart belongs to the five children she has raised, all of them orphans from the Welsh-English war. Her beauty as enchanting as her magic, the proud Wynne ab Gruffydd, Seeress of Radnor, would wage war to protect her children, regardless of the cost to herself. When Sir Cleve FitzWarin is dispatched to Wales to reclaim his liege lord’s orphaned offspring—and secure the handsome riches that come with his success—he meets Wynne head-on and quickly finds himself ensnared in her magical trap. But Cleve has ungodly powers of his own—powers that lay siege to Wynne’s heart and threaten her resolve. Girded for battle, they vow to vanquish each other, but will raw, consuming passion defeat them both?DIV /div /div

The first thorough assessment of the field of comparative religion in forty years, this groundbreaking volume surmounts the seemingly intractable division between postmodern scholars who reject the comparative endeavor and those who affirm it. The contributors demonstrate that a broader vision of religion, involving different scales of comparison for different purposes, is both justifiable and necessary. A Magic Still Dwells brings together leading historians of religions from a wide range of backgrounds and vantage points, and draws from traditions as diverse as Indo-European mythology, ancient Greek religion, Judaism, Buddhism, Ndembu ritual, and the spectrum of religions practiced in America. The contributors take seriously the postmodern critique, explain its impact on their work, uphold or reject various premises, and in several cases demonstrate new comparative approaches. Together, the essays represent a state-of-the-art assessment of current issues in the comparative study of religion.

With this influential book of essays, Jonathan Z. Smith has pointed the academic study of religion in a new theoretical direction, one neither theological nor willfully ideological. Making use of examples as apparently diverse and exotic as the Maori cults in nineteenth-century New Zealand and the events of Jonestown, Smith shows that religion must be construed as conventional, anthropological, historical, and as an exercise of imagination. In his analyses, religion emerges as the product of historically and geographically situated human ingenuity, cognition, and curiosity—simply put, as the result of human labor, one of the decisive but wholly ordinary ways human beings create the worlds in which they live and make sense of them. "These seven essays . . . display the critical intelligence, creativity, and sheer common sense that make Smith one of the most methodologically sophisticated and suggestive historians of religion writing today. . . . Smith scrutinizes the fundamental problems of taxonomy and comparison in religious studies, suggestively redescribes such basic categories as canon and ritual, and shows how frequently studied myths may more likely reflect situational incongruities than vaunted mimetic congruities. His final essay, on Jonestown, demonstrates the interpretive power of the historian of religion to render intelligible that in our own day which seems most bizarre."—Richard S. Sarason, Religious Studies Review

For a generation and more, the contribution of Christian theology to interreligious understanding has been a subject of debate. Some think of theological perspectives are of themselves inherently too narrow to support interreligious learning, and argue for an approach that is neutral or, on a more popular level, grounded simply open-minded direct experience. In response, comparative theology argues that theology, as faith seeking understanding, offers a vital perspective and a way of advancing interreligious dialogue, aided rather than hindered by commitments; theological perspectives can both complement and step beyond the study of religions by methods detached and merely neutral. Thus comparative theology has been successful in persuading many that interreligious learning from one faith perspective to another is both possible and worthwhile, and so the work of comparative theology has become more recognized and established globally. With this success there has come to the fore new challenges regarding method: How does one do comparative theological work in a way that is theologically grounded, genuinely open to learning from the other, sophisticated in pursuing comparisons, and fruitful on both the academic and practical levels? How To Do Comparative Theology therefore contributes to the maturation of method in the field of comparative theological studies, learning across religious borders, by bringing together essays drawing on different Christian traditions of learning, Judaism and Islam, Hinduism and Buddhism, the wisdom of senior scholars, and also insights from a younger generation of scholars who have studied theology and religion in new ways, and are more attuned to the language of the “spiritual but not religious.” The essays in this volume show great diversity in method, and also—over and again and from many angles—coherence in intent, a commitment to one learning from the other, and a confidence that one’s home tradition benefits from fair and unhampered learning from other and very different spiritual and religious traditions. It therefore shows the diversity and coherence of comparative theology as an emerging discipline today.

An immersive new space opera featuring an unforgettable ensemble cast, set in a sci-fi world with a fantasy twist. In this evocative science fiction series, four strangers are swept up in a gripping adventure of thrilling battles, ravenous creatures, and the return of forbidden magic. Ranger. Warrior. Tyrant. Arcanist. As their paths interweave in love and hate, redemption and revenge, one threat will eclipse their greatest fears: a being of utter darkness and its imminent return. THE DARK THAT DWELLS: essential for readers craving robust, character-driven adventures on fantastic alien worlds, bullet-ridden spaceships barely held together, and the expansive infinity of space-time itself.

The renowned Science Fiction Grand Master makes a foray into fantasy, with this tale of perilous adventure in a land of trolls, wizards, and terrifying malevolence. In an alternate Europe where the Roman Empire never fell, the expansive Empty Lands are inhabited by forces known collectively as the Evil. Yet Charles Harcourt is honor-bound to venture into that dangerous area to find his long-lost fianceé. He is joined on his trek by an abbot who hopes to locate a crystal prism that hold the soul of a saint; the non-human Knurly Man, who craves release from his pitiful existence; and the beautiful Yolanda, who seeks the answer to a secret mystery. But their arrival and their purpose had been foretold. The denizens of the Empty Lands are girding for war. And beyond the Evil lurk ancient dark powers waiting patiently for the humans whose souls will set them free.