Neoliberal policies promised to correct multiple distortions in postcolonial Africa. But democratic politics, land reform, rights and freedom all suffered. Shivji calls for Africa-centred thinking that embraces the continent's right to self-determination.

By the two-time winner of the Giller Prize for his novels The Book of Secrets and The In-Between World of Vikram Lall Uhuru Street is M.G. Vassanji’s stunning book of linked stories, set within the Asian community of Dar es Salaam. With delicate strokes, and with irony and humour, Vassanji brings alive the characters who live and work in the shops and tenements of Uhuru Street; among them: Roshan Mattress, so called because of her free and easy ways; a street-wise orphan fighting for survival; a Goan dressmaker who entertains her employers with local gossip; and a servant who opens up the world for the children in his charge, until he oversteps his bounds and has to leave. As the younger generation searches for a new destiny, and the older fiercely holds on to the past, Uhuru Street resonates with the moment of moving on, of leaving the place where we have roots, knowing that things will never be the same.

“This funny, perceptive and ambitious work of historical fiction by a Kenyan poet and novelist explores his country’s colonial past and its legacy.” —The New York Times Book Review, Editors’ Choice Set in the shadow of Kenya’s independence from Great Britain, Dance of the Jakaranda reimagines the special circumstances that brought black, brown and white men together to lay the railroad that heralded the birth of the nation. The novel traces the lives and loves of three men—preacher Richard Turnbull, the colonial administrator Ian McDonald, and Indian technician Babu Salim—whose lives intersect when they are implicated in the controversial birth of a child. Years later, when Babu’s grandson Rajan—who ekes out a living by singing Babu’s epic tales of the railway’s construction—accidentally kisses a mysterious stranger in a dark nightclub, the encounter provides the spark to illuminate the three men’s shared, murky past. With its riveting multiracial, multicultural cast and diverse literary allusions, Dance of the Jakaranda could well be a story of globalization. Yet the novel is firmly anchored in the African oral storytelling tradition, its language a dreamy, exalted, and earthy mix that creates new thresholds of identity, providing a fresh metaphor for race in contemporary Africa. “Destined to become one of the greats . . . This is not hyperbole: it’s a masterpiece.” —The Gazette “A fascinating part of Kenya’s history, real and imagined, is revealed and reclaimed by one of its own.” —Minneapolis Star Tribune “Kimani’s novel has an impressive breadth and scope.” —Los Angeles Review of Books “Highlighted by its exquisite voice, Kimani’s novel is a standout debut.” —Publishers Weekly “Lyrical and powerful.” —Kirkus Reviews

First published in 1977, this is an eminently readable introduction to contemporary literature in Eastern, Central and Southern Africa. The author examines work in verse, prose and drama, and discusses vernacular language problems, the role of oral literature and tradition and the varied responses to the struggle for freedom and its achievement. He argues that African literature is achieving its own inner dynamic, revealing a rapid spread of influences from one side of the continent to the other and a decrease in influences from the Western world. Part of his argument is based on a discussion of authors not yet known outside East and Central Africa, but whose works shows signs of great promise and originality. Dr Roscoe has close personal knowledge of many of the authors he discusses, as he has worked in East and Central African universities throughout the period of the literary awakening he discusses.

The untimely death of Dr. Tajudeen Abdul-Raheem in 2009on African Liberation Day stunned the Pan-African world. This lively selection of his weekly Pan-African Postcards demonstrates the brilliant wordsmith he was and his steadfast commitment to Pan-Africanism andoffers a legacy of political, social, and cultural thought from his determination to speak truth to power. Showcasing the author'sexceptional ability to express complex ideas in an engaging manner, this book presents his philosophy on diverse but intersecting themes: his fundamental respect for the capabilities, potential, and contribution of women in transforming Africa; penetrating truths directed at African politicians and their conduct; and deliberations on the institutional progress towards African Union. He reflects on culture and emphasizes the commonalities of African people. Also represented are his denunciations of international financial institutions, the G8 and NGOs in Africa, with incisive analysis of imperialism's manifestations and impact on the lives of African people, and his passion for eliminating poverty in Africa."

Providing a unique insight into how activists and social change advocates are addressing Africa's many challenges from within, this collection of essays by those engaged in using mobile phone technologies for social change provides an analysis of the socioeconomic, political, and media contexts faced by activists in Africa today. The articles address a broad range of issues--including inequalities in access to technology based on gender and rural and urban usage--and it offers practical examples of how activists are using mobile technology to organize and document their experiences. An overview of the lessons learned in making effective use of mobile phone technologies without any of the romanticism so often associated with the use of new technologies for social change is given. Examples are shared in a way that makes them easy to replicate, hoping to lead to greater reflection about the real potential and limitations of mobile technologies. Contributors include Ken Banks, Nathan Eagle, Anil Naidoo, Berna Ngolobe, and Juliana Rotich.