In the courtyard of her fathers harem, Amira forebodingly awaits the arrival of her betrothed, Abu Aneza, an old sheikh of a desert tribe pivotal to the safe passage of her fathers caravans through the desert. On this fateful day, Amira is saved from the dreaded marriage by the surreptitious arrival of a man from the Divan of the Sun, as predicted by her recently deceased mother in a dream. Richard, the stranger who is no stranger, echoes up from her dream, unleashing the dormant supernatural powers passed down to her through the centuries via her grandfather, Farudd-Din Attar, and the mystical Simurgh of Persian lore. Amira travels with Richard on the Ship of Souls from the Persian Gulf to the Land of Hind seeking liberation and reunion. Through her clairvoyant powers, she flies on the wings of the Simurghthat timeless being from beyond the world sea that flaps its wings and manifests many from the One. Sailing on the Sea of all Being she travelsnonlinearlyin multiple dimensions shifting her point of view as she seamlessly transforms from one facet of Being to the next, beyond time Where Dreams Coincide.

Refutes belief systems that minimize the significance of dreams, coincidence, and the workings of imagination, drawing on the author's workshops and consultations to reveal how to create a more fulfilling life by tapping the power of the subconscious mind. Reprint.

Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.

Frederick Ahl and Hanna M. Roisman believe that contemporary readers who do not know ancient Greek can gain a sophisticated grasp of the Odyssey if they are aware of some of the issues that intrigue and puzzle the experts. They offer a challenging new reading of the epic that is directed to the general student of literature as well as to the classicist.Ahl and Roisman suggest that, while translators have served the Odyssey and its English-speaking readers remarkably well, the nonspecialist wishing to do a more detailed, critical reading of the epic faces a dilemma. The enormous scholarly literature makes few concessions to the nonspecialist, and those studies designed for general readers tend to offer variations on the overly simple, idealized readings of the epic common in high school and college survey courses.The Odyssey Re-Formed offers a lively and detailed reading of the Odyssey, episode by episode, with particular attention paid to the manipulative power of its language and Homer's skill in using that power. The authors explore how myth is shaped for specific, rhetorical reasons and suggest ways in which the epic uses its audience's awareness of the varied pool of mythic traditions to give the Odyssey remarkable and subtle resonances that have profound poetic power.

List of members in v. 1, 6, 12.