When those with a special gift can catch your soul in that dark realm between here and hereafter and bring you back to life, who will save us all from the jealous void? Lurking between the crowds of men and women, there are those among us who feed on something other than plants and animals. Predators with a unique kind of prey. Predators of those who prey on women and children... Predators with a taste for justice. James Benton might be the last man on earth. Racing to get to work, he finds random abandoned cars, smoldering pile-ups, and something even stranger. Everywhere he goes there's no grass, no people, not even a bird in the sky. Alone in a barren world, James travels west in search of someone, anyone who might have survived The Quiet. When Art Gibson's collie, Ginger, goes out of control, barking and digging at Dead Man's Hill, Art makes a chilling discovery: someone is trapped inside. Alive. Once rescued, the man himself is even stranger. Naked and unable to speak, he is taken to the hospital. As he recovers from an unknown shock, the fate of an entire universe is at stake. Thirteen tales in all. Awakened from the mind of Robert S. Wilson. Ripped from their slumber and stretched across the fabric of space and time, silently screaming into the farthest reaches of the cold dead void... where all light is left to die. Table of Contents: 1. The Death Catcher (Short story) 2. Playing with Fire (Flash fiction) 3. The Singularity (Short story) 4. The Last Time I Saw My Brother Nathan (Flash fiction) 5. Self-Aware: A Ray Garret/Lifeline Techno Thriller (Short story) 6. The Boy in the Elevator (Short story) 7. Forcipules (Short story) 8. Calling Me Home (Flash fiction) 9. The Resurrection of Tommy Derringer: An Empire of Blood Short Story 10. The Quiet: A Novella 11. The Suits (Flash fiction) 12. Through the Mindhole: A Novelette 13. The Nesting Place: A Novella 14. Through the Mindhole: A Poem (The full poem written for and used in Through the Mindhole)

The gripping true story of a brutal serial killer who unleashed his own reign of terror in Nazi-occupied Paris. Dr. Marcel Petiot was eventually charged with 27 murders, although authorities suspected the total was considerably higher. The trial became a circus, and Petiot enjoyed the spotlight. A harrowing exploration of murder, betrayal, and evil of staggering proportions.

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

Life is short, and it can be sweet. Contemplating death is looking into a mirror that allows us to see these simple facts clearly, as if for the first time. We have every reason to believe that we have but one life to live—and no good reasons to believe otherwise—and death marks the termination of each life. Examining this reality opens doors to understanding ourselves, each other, connection, love, and life itself in an entirely new way. Life in Light of Death offers a short exploration of the sweetness and opportunity available to those who understand and embrace this fact. By looking at life as reflected by death, we can see what really matters and how best to live.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

Case studies of near-death experiences in children reveal the patients' ability to communicate with deceased relatives and friends, as well as their experiences while dead

This book presents the Buddhist approach to facing the inevitable facts of growing older, getting sick, and dying. These tough realities are not given much attention by many people until midlife, when they become harder to avoid. Using a Buddhist text known as the Five Subjects for Frequent Recollection, Larry Rosenberg shows how intimacy with the realities of aging can actually be used as a means to liberation. When we become intimate with these inevitable aspects of life, he writes, we also become intimate with ourselves, with others, with the world—indeed with all things.