Australian Women’s Weekly Great Read Shortlisted Indie Book Awards for Debut Fiction Woman & Home Books of the Year Shortlisted MUD Literary Prize​ Shortlisted ABIA Award for General Fiction Shortlisted ABIA Matt Richell Award New Writer of the Year ‘Hannah Bent’s outstanding debut is a wise, wondrous celebration of life.’ – The Australian ‘Hannah Bent has created a literary heroine of such pure beauty she takes your breath away.’ – Australian Women’s Weekly ‘Read it if you like: Your sister, anything by Trent Dalton, having a good cry, and My Sister’s Keeper.’ – Mamamia Marlowe and Harper share a bond deeper than most sisters, shaped by the loss of their mother in childhood. For Harper, living with what she calls the Up syndrome and gifted with an endless capacity for wonder, Marlowe and she are connected by an invisible thread, like the hum that connects all things. For Marlowe, they are bound by her fierce determination to keep Harper, born with a congenital heart disorder, alive. Now twenty-five, Marlowe is living abroad when she receives the devastating call that Harper’s heart is failing and she is being denied a transplant by the medical establishment. Marlowe rushes to her childhood home in Hong Kong to be by Harper’s side and soon has to answer the question – what lengths would you go to save your sister? When Things are Alive They Hum poses profound questions about the nature of love and existence, the ways grief changes us, and how we confront the hand fate has dealt us. Intensely moving, exquisitely written and literally humming with wonder, it is a novel that celebrates life in all its guises, and what comes after. PRAISE FOR WHEN THINGS ARE ALIVE THEY HUM ‘When literature is alive it hums, and rattles and warms and hurts and heals. Hannah Bent and her wondrous Harper and Marlowe have changed the way I’ve been going about my days. What a gift.’ – Trent Dalton, author of Boy Swallows Universe and All Our Shimmering Skies ‘A simply beautiful novel.’ – Good Reading ‘...what stayed with me was the achingly beautiful portrayal of the love between the two sisters. If I had a sister, that is how I would like to feel.’ – Nicole Abadee, Sydney Morning Herald ‘heartbreakingly beautiful’ – Family Circle

A heartbreaking work of wonder about the hum that connects us all

‘Bent’s debut celebrates life and sisterhood in an awe-inspiring way.’ –Harper's Bazaar ‘A tender portrayal of sisterly love and impossible choices that will break your heart.’ – Sydney Morning Herald When Things Are Alive They Hum poses profound questions about the nature of love and existence, the ways grief changes us, and how we confront the hand fate has dealt us. Marlowe and Harper share a bond deeper than most sisters, shaped by the loss of their mother in childhood. For Harper, living with what she calls the Up syndrome and gifted with an endless capacity for wonder, Marlowe and she are connected by an invisible thread, like the hum that connects all things. For Marlowe, they are bound by her fierce determination to keep Harper, born with a congenital heart disorder, alive. Now 25, Marlowe is finally living her own life abroad, pursuing her studies of a rare species of butterfly secure in the knowledge Harper’s happiness is complete, having found love with boyfriend, Louis. But then she receives the devastating call that Harper’s heart is failing. She needs a heart transplant but is denied one by the medical establishment because she is living with a disability. Marlowe rushes to her childhood home in Hong Kong to be by Harper’s side and soon has to answer the question – what lengths would you go to save your sister?

Perfect for readers of The Secret Life of Bees and The Help, a perceptive and searing look at Apartheid-era South Africa, told through one unique family brought together by tragedy. Life under Apartheid has created a secure future for Robin Conrad, a ten-year-old white girl living with her parents in 1970s Johannesburg. In the same nation but worlds apart, Beauty Mbali, a Xhosa woman in a rural village in the Bantu homeland of the Transkei, struggles to raise her children alone after her husband's death. Both lives have been built upon the division of race, and their meeting should never have occurred...until the Soweto Uprising, in which a protest by black students ignites racial conflict, alters the fault lines on which their society is built, and shatters their worlds when Robin’s parents are left dead and Beauty’s daughter goes missing. After Robin is sent to live with her loving but irresponsible aunt, Beauty is hired to care for Robin while continuing the search for her daughter. In Beauty, Robin finds the security and family that she craves, and the two forge an inextricable bond through their deep personal losses. But Robin knows that if Beauty finds her daughter, Robin could lose her new caretaker forever, so she makes a desperate decision with devastating consequences. Her quest to make amends and find redemption is a journey of self-discovery in which she learns the harsh truths of the society that once promised her protection. Told through Beauty and Robin's alternating perspectives, the interwoven narratives create a rich and complex tapestry of the emotions and tensions at the heart of Apartheid-era South Africa. Hum If You Don’t Know the Words is a beautifully rendered look at loss, racism, and the creation of family.

From National Book Award finalist Deb Caletti comes an intensely gripping story about love, loss, marriage, and secrets—perfect for readers of Jodi Picoult, Kristin Hannah, and Anna Quindlen. “One of the best books I’ve read all year.”—Barbara O’Neal, author of The Garden of Happy Endings “What do you think happened to your husband, Mrs. Keller?” The Sunday morning starts like any other, aside from the slight hangover. Dani Keller wakes up on her Seattle houseboat, a headache building behind her eyes from the wine she drank at a party the night before. But on this particular Sunday morning, she’s surprised to see that her husband, Ian, is not home. As the hours pass, Dani fills her day with small things. But still, Ian does not return. Irritation shifts to worry, worry slides almost imperceptibly into panic. And then, like a relentless blackness, the terrible realization hits Dani: He’s gone. As the police work methodically through all the logical explanations—he’s hurt, he’s run off, he’s been killed—Dani searches frantically for a clue as to whether Ian is in fact dead or alive. And, slowly, she unpacks their relationship, holding each moment up to the light: from its intense, adulterous beginning, to the grandeur of their new love, to the difficulties of forever. She examines all the sins she can—and cannot—remember. As the days pass, Dani will plumb the depths of her conscience, turning over and revealing the darkest of her secrets in order to discover the hard truth—about herself, her husband, and their lives together. “A thought-provoking and moving exploration.”—New York Times bestselling author Erica Bauermeister Look for special features inside. Join the Circle for author chats and more.

In May’s debut collection, poems buzz and purr like a well-oiled chassis. Grit, trial, and song thrum through tight syntax and deft prosody. From the resilient pulse of an abandoned machine to the sinuous lament of origami animals, here is the ever-changing hum that vibrates through us all, connecting one mind to the next. “Linguistically acrobatic [and] beautifully crafted. . . [Jamaal May's] poems, exquisitely balanced by a sharp intelligence mixed with earnestness, makes his debut a marvel.” —Publishers Weekly “The elegant and laconic intelligence in these poems, their skepticism and bent humor and deliberately anti-Romantic stance toward experience are completely refreshing. After so much contemporary writing that seems all flash, no mind and no heart, these poems show how close observation of the world and a gift for plain-spoken, but eloquent speech, can give to poetry both dignity and largeness of purpose, and do it in an idiom that is pitch perfect to emotional nuance and fine intellectual distinctions. Hard-headed and tough-minded, Hum is the epitome of what Frost meant by ‘a fresh look and a fresh listen.’” —Tom Sleigh "Jamaal May’s debut collection, Hum, is concerned with what’s beneath the surfaces of things—the unseen that eats away at us or does the work of sustaining us. Reading these poems, I was reminded of Ellison’s ‘lower frequencies,’ a voice speaking for us all. May has a fine ear, acutely attuned to the sonic textures of everyday experience. And Hum—a meditation on the machinery of living, an extended ode to sound and silence—is a compelling debut.” —Natasha Trethewey "In his percussive debut collection Hum, Jamaal May offers a salve for our phobias and restores the sublime to the urban landscape. Whether you need a friend to confide in, a healer to go to, or a tour guide to take you there, look no further. That low hum you hear are these poems, emanating both wisdom and swagger.” —A. Van Jordan From "Mechanophobia: Fear of Machines": There is no work left for the husks. Automated welders like us, your line replacements, can't expect sympathy after our bright arms of cable rust over. So come collect us for scrap, grind us up in the mouth of one of us. Let your hand pry at the access panel with the edge of a knife, silencing the motor and thrum. Jamaal May is a poet, editor, and filmmaker from Detroit, MI where he taught poetry in public schools and worked as a freelance audio engineer and touring performer. His poetry won the 2013 Indiana Review Poetry Prize and appears in journals such as Poetry, Ploughshares, The Believer, NER, and The Kenyon Review. Jamaal has earned an MFA from Warren Wilson College as well as fellowships from Cave Canem and The Stadler Center for Poetry at Bucknell University. He founded the Organic Weapon Arts Chapbook Press.

Twelve-year-old Grace and her mother have always been their own family, traveling from place to place like gypsies. But Grace wants to finally have a home all their own. Just when she thinks she's found it her mother says it's time to move again. Grace summons the courage to tell her mother how she really feels and will always regret that her last words to her were angry ones. After her mother's sudden death, Grace is forced to live with a grandmother she's never met. She can't imagine her mother would want her to stay with this stranger. Then Grace finds clues in a mysterious treasure hunt, just like the ones her mother used to send her on. Maybe it is her mother, showing her the way to her true home. Lyrical, poignant and fresh, The Secret Hum of a Daisy is a beautifully told middle grade tale with a great deal of heart.