In the late 1950s and early 1960s, such songs as "We Shall Overcome," "Keep Your Eyes on the Prize," and "Do What the Spirit Says Do" were sung at virtually every mass meeting, demonstration, and planning session of Civil Rights activists. They were sung on the Freedom Rides, during the marches, and in jail cells of the South. Movement activists have commented frequently and eloquently on the ways that singing and songs gave them strength and a sense of self. This study offers a close analysis of the lyrics of the songs most central to the Civil Rights Movement, with an eye to understanding the songs as self-persuasion. In the songs, the activists defined themselves and their world, and reinforced a plan of action for their participation in the Movement. This analysis of the freedom songs is set in the context of Movement history and supported with commentary from activists and background information on Movement activities. In addition, this study offers readers insights into the moving and inspiring power of the freedom songs.

Sing along with Big Baby Jenkins, Pop Charlie, Great Nana, and a crew of farm animals as they shout for joy to this rendition of an African American spiritual! “A whole barnyard makes noise ‘in the spirit of joy’ throughout this raucous picture book, a sweetly heartwarming sing-along.”—Publishers Weekly From the author and illustrator team that brought you This Train Is Bound for Glory comes another riveting interpretation of a beloved African American spiritual, "I'm Goin' a Sing When the Spirit Says Sing," featuring farm animals. With illustrations that pop off the page, rhythmic text, and onomatopoeia for the youngest reader, I Gotta Sing! delivers a lively story that will quickly become a family favorite. Hezekiah Big Baby Jenkins runs from the breakfast table to the farmyard begging Pop Charlie to sing. As he plucks his diddley bow, Pop Charlie smiles and invites the animals and Big Baby to join in the music. I gotta sing when the Spirit says sing. I gotta sing when the Spirit says sing. I gotta sing when the Spirit says sing. and shout in the Spirit of joy! Before long, the rowdy crew are singing, mooing, oinking, and clapping along to the toe-tapping tune. But when Great Nana calls that it’s bath time because “warm water and bubbles won’t last all day,” will the party end? Or will Pop Charlie snap snap snap the tempo back to life? The lyrics of "I’m Goin’ a Sing When the Spirit Says Sing” have evolved across the ages. At the end of the book readers will find an invitation to write a version of the song for a new generation.

Wren discusses the thorny issues involving congregational singing today: the indispensable nature of public worship; contemporary worship music; the lyrics of different types of congregational songs, such as choruses, hymns, chants and ritual songs; and the importance of using hymn lyrics as poetry. He shows why hymn lyrics are altered throughout time and how they illustrate theology.

Familiar songs that might have been sung around the campfires of our youth.

A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistance The Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.

Those who prepare the liturgy are entrusted with a very important task—helping our assemblies to encounter the real presence of Christ and to be transformed and strengthened for discipleship. Good celebrations of the liturgy help foster and nourish the faith of our parishioners. Sourcebook for Sundays, Seasons, and Weekdays is a trusted annual publication providing insightful, concise, and detailed suggestions for preparing the Mass each day of the liturgical year. With its focus on celebrating the liturgy well, this resource will guide parish teams in making “the liturgical prayers of the Christian community more alive” (On Sacred Music, 31). It includes: -Preaching points -Additional Scripture insights for the Proper of Saints -Music preparation guidance and song suggestions -Ways to connect the liturgy to the Christian life -Original Mass texts for Sundays, solemnities, and feasts of the Lord -Seasonal worship committee agendas -Ideas for celebrating other rites and customs -An online supplement for preparing the sacramental rites -Seasonal introductions -Daily calendar preparation guides -Dated entries with liturgical titles, lectionary citations, and vestment colors -Scripture insights -Brief biographies of the saints and blesseds -Guidance for choosing among the options provided in the ritual texts

"CTS volume 68 explores questions of race and racism in the Church"--