This comprehensive approach to functional musicianship at the keyboard includes varied repertoire, theory, technique, sight-reading, harmonization from lead sheets, ear training and ensembles. Great for college non-music majors, continuing education classes, music dealer in-store programs and group piano classes at the middle and high school levels. Book 1 contains 15 units each with a variety of repertoire, exercises, unit review worksheets and an assignment page.

This is not your usual collection of saints. God’s creative genius peopled the fresh terrain of the United States with remarkable men and women. With the fears, hopes, frustrations, longings, and failures of ordinary humans, the people featured in When the Saints Came Marching In explored new frontiers in holiness. Like those who floated the Mississippi River for the first time, scaled Pike’s Peak, or settled the unknown regions of Kentucky, they tried something new in health care, science, education, and race or labor relations. Kathy Coffey celebrates the remarkable lives and experience of holy explorers of faith whose stories continue to inspire today’s pioneers to discover new paths to welcome the North American saints of tomorrow. With her well-known insight and unique style, Coffey draws us closer to Junípero Serra, Elizabeth Ann Seton, Pierre Toussaint, John Neumann, Julia Greeley, Marianne Cope, Katharine Drexel, Rachel Carson, Dorothy Day, Thea Bowman, Ruma Martyrs, Cesar Chavez, Mychal Judge, and Dorothy Stang.

AN INTERACTIVE, SWING-ALONG PICTURE BOOK—WITH 12 SOUND CHIPS! Are you ready to swing? Discover the wonders of jazz: How to get in the groove, what it means to play a solo, and the joy of singing along in a call-and-response. In this interactive swing-along picture book with 12 sound chips, you’ll hear the instruments of jazz—the rhythm section with its banjo, drums, and tuba, and the leads, like the clarinet, trumpet, and trombone. And you’ll hear singers scat, improvising melodies with nonsense syllables like be-bop and doo-we-ah! Along the way, you’ll learn how this unique African American art form started in New Orleans, and how jazz changed over time as innovative musicians like King Oliver, Louis Armstrong, Duke Ellington, and Billie Holiday added their own ideas to it. Press the buttons to hear the band, the rhythms, and the singer calling out: “OH WHEN THE SAINTS—oh when the saints…”

Widely respected for his perspectives on faith in the modern world, Richard J. Mouw has long stood at the forefront of the Christ and culture debate. In When the Kings Come Marching In here revised and updated Mouw explores the religious transformation of culture as it is powerfully pictured in Isaiah 60. In Isaiah 60 the prophet envisions the future transformation of the city of Jerusalem, a portrayal of the Holy City that bears important similarities to John's vision of the future in Revelation 21 and 22. Mouw examines these and other key passages of the Bible, showing how they provide a proper pattern for cultural involvement in the present. Mouw identifies and discusses four main features of the Holy City: (1) the wealth of the nations is gathered into the city; (2) the kings of the earth march into the city; (3) people from many nations are drawn to the city; and (4) light pervades the city. In drawing out the implications of these striking features, Mouw treats a number of relevant cultural issues, including Christian attitudes toward the processes and products of commerce, technology, and art; the nature of political authority; race relations; and the scope of the redemptive ministry of Jesus Christ. The volume culminates in an invaluable discussion of how Christians should live in the modern world. Mouw argues that believers must go beyond a narrow understanding of the individual pilgrim's progress to a view of the Christian pilgrimage wherein believers work together toward solving the difficult political, social, and economic problems of our day.

Since its first edition, in 1964, Dixon and Godrich's Blues and Gospel Records has been dubbed 'the bible' for collectors of pre-war African-American music. It provides an exhaustive listing of all recordings made up to the end of 1943 in a distinctively African-American musical style,excluding those customarily classed as jazz (which are the subject of separate discographies). The book covers recordings made for the commercial market (whether issued at the time or not) and also recordings made for the Library of Congress Archive of Folk Song and similar bodies -- about 20,000titles in all, by more than 3,000 artists. For each recording session, full details are given of: artist credit, accompaniment, place and date of recording, titles, issuing company and catalogue numbers, matrix numbers and alternate takes. There are also short accounts of the major 'race labels',which recorded blues and gospel material, and a complete list of field trips to the south by travelling recording units. Howard Rye has joined the original compilers for this thoroughly revised fourth edition. The scope has been enlarged by the addition of about 150 new artists, in addition tonewly discovered recordings by other artists. Early cylinder recordings of gospel music, from the 1890s, are also included for the first time. Previous editions of this work were applauded for their completeness, accuracy, and reliability. This has now been enhanced by the addition of newinformation from record labels and from record company files, and by listening to a wide selection of titles, and detailed cross-checking.