Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.

A Sesame Street monster story with a flap to lift on each spread.

The Encyclopaedia of Serial Killers, Second Edition provides accurate information on hundreds of serial murder cases - from early history to the present. Written in a non-sensational manner, this authoritative encyclopaedia debunks many of the myths surrounding this most notorious of criminal activities. New major serial killers have come to light since the first edition was published, and many older cases have been solved (such as the Green River Killer) or further investigated (like Jack the Ripper and the Zodiac Killer). Completely updated entries and appendixes pair with more than 30 new photographs and many new entries to make this new edition more fascinating than ever. New and updated entries include: Axe Man of New Orleans; BTK Strangler; Jack the Ripper; Cuidad Juarez, Mexico; John Allen Muhammad and Lee Boyd Malvo, the Sniper Killers; Gary Leon Ridgway, the Green River Killer; and Harold Frederick Shipman.

From the beginning, horror has been part of the cinema landscape. Despite some of the earliest genre films with gay directors such as F.W. Murnau (Nosferatu) and James Whale (Frankenstein, The Invisible Man, Bride of Frankenstein), LGBTQIA characters have rarely been portrayed in full view. For decades, filmmakers have included "coded" content in their films with the homosexual experience translated into censor-friendly subtext for consumption by general audiences. Gradually, LGBTQIA characters and themes have moved from the background to the foreground as the horror genre has grown along with its audience's tastes and attitudes. Likewise, more and more LGBTQIA writers and directors have begun to offer their queer-centric takes on scary movies and today, "queer horror" is a thriving film genre. With more than 900 entries, this critical filmography is a comprehensive, critical, yet playful examination of the history of LGBTQIA content in horror films. Eight journalistic contributors dig into every era of scary movies, including the early silents, pre- and post-Hays Code content, grindhouse sleaze, LGBTQIA indies, and megaplex studio releases. From Whale's The Old Dark House (1932) to Don Mancini's Chucky films and everything in between, this collection explores what can be found at the intersection of "LGBTQIA" and "horror" in the film industry.

"As a good encyclopedia does, the Encyclopedia of Murder and Violent Crime brings together articles that offer diverse insights into the topic, while at the same time giving the reader a feel for its overall scope." --AGAINST THE GRAIN This comprehensive single-volume encyclopedia contains a wealth of material on killing and other violent behavior, as well as detailed information on a host of criminal cases from local decisions to Supreme Court rulings. The Encyclopedia of Murder and Violent Crime includes nearly 500 entries that range from Antisocial Personality Disorder and the Beltway Snipers to the infamous Zodiac Murders. Entries take several formats, including: substantial essays on criminal terms, pathologies, and criminal justice concise case studies of serial murderers, infamous crimes, and their investigations relatively brief definitions of relevant legal and criminological terms. The Encyclopedia is written by an impressive group of contributors, many leading experts in their fields of criminology, criminal justice, and more. Extra features such as a handy, easy-to-use Reader's Guide, a lavish art program of approximately 50 photographs, and several appendixes enhance and complete the volume. This valuable reference is designed for academic, school, public, and special/private libraries as well as criminal justice agencies.

The Smith family from New York are a typical, middle-class family who is about to be thrust into an intergalactic battle between space-aliens who arrived in the form of these giant meteorites, when the patriarch of the family, who is also the narrator of the story, who is sent all over the world by his employer, the local news station, for assignment, but when the send him to Antarctica, to fill in for some sick meteorologists, he and his family go down to the frozen continent, and are soon fighting for their survival when these space-aliens emerge from their frozen, rocky prison and wreak havoc on the base, and now the Smith family must use their wits to survive as "They Came From Beneath the Ice