“The flag bearers!” Sergeant Loyod pointed down the line as three Confederate battle flags made it to the top of the berm, waving erratically back and forth. “Shoot’em down! Don’t let them rally!” For two years, the terrible and bloody Civil War raged in the United States of America, tearing at the very fabric of its glorious founding. In the midst of utter turmoil a young boy, Anderson Roach, longed to join his brother as part of the famed Tennessee Volunteer Cavalry. With his brother gone fighting for nearly two years, Anderson was now ready to leave the farm and prove himself by joining the ranks of men on the battlefield. Little did Anderson know that his dreams of adventure and heroism would soon be met with the harsh reality of soldiering in the Union Army. With each step, he would walk hand in hand with death and experience the physical and mental anguish of war.

In this vivid ethnography of social movements in the barrios, or poor shantytowns, of Caracas, Sujatha Fernandes reveals a significant dimension of political life in Venezuela since President Hugo Chávez was elected. Fernandes traces the histories of the barrios, from the guerrilla insurgency, movements against displacement, and cultural resistance of the 1960s and 1970s, through the debt crisis of the early 1980s and the neoliberal reforms that followed, to the Chávez period. She weaves barrio residents’ life stories into her account of movements for social and economic justice. Who Can Stop the Drums? demonstrates that the transformations under way in Venezuela are shaped by negotiations between the Chávez government and social movements with their own forms of historical memory, local organization, and consciousness. Fernandes portrays everyday life and politics in the shantytowns of Caracas through accounts of community-based radio, barrio assemblies, and popular fiestas, and the many interviews she conducted with activists and government officials. Most of the barrio activists she presents are Chávez supporters. They see the leftist president as someone who understands their precarious lives and has made important changes to the state system to redistribute resources. Yet they must balance receiving state resources, which are necessary to fund their community-based projects, with their desire to retain a sense of agency. Fernandes locates the struggles of the urban poor within Venezuela’s transition from neoliberalism to what she calls “post-neoliberalism.” She contends that in contemporary Venezuela we find a hybrid state; while Chávez is actively challenging neoliberalism, the state remains subject to the constraints and logics of global capital.

A brave and beautiful story that will make readers laugh, and break their hearts at the same time. Now with a special note from the author! Steven has a totally normal life (well, almost).He plays drums in the All-City Jazz Band (whose members call him the Peasant), has a crush on the hottest girl in school (who doesn't even know he's alive), and is constantly annoyed by his younger brother, Jeffrey (who is cuter than cute - which is also pretty annoying). But when Jeffrey gets sick, Steven's world is turned upside down, and he is forced to deal with his brother's illness, his parents' attempts to keep the family in one piece, his homework, the band, girls, and Dangerous Pie (yes, you'll have to read the book to find out what that is!).

A Publishers Weekly Best Book of 2019 A Today Show Best Book of the Year A Booklist Book for Youth Editors’ Choice 2019 A Boston Globe–Horn Picture Book Honor Book 2020 An NPR Favorite Book of 2019 A Quill & Quire 2019 Book for Young People of the Year “Extraordinary.” —Publishers Weekly (starred review) “Inspirational.” —Booklist (starred review) “Laugh-out-loud funny.” —Shelf Awareness (starred review) “Will tickle kids and adults alike.” —Kirkus Reviews “An instant classic.” —Quill & Quire (starred review) From E.B. White Read Aloud honor artist Matthew Forsythe comes a picture book about a magical drum, an emerald forest, and the little frog who dares to make her own music. The biggest mistake Pokko’s parents ever made was giving her the drum. When Pokko takes the drum deep into the forest it is so quiet, so very quiet that Pokko decides to play. And before she knows it she is joined by a band of animals —first the raccoon, then the rabbit, then the wolf—and soon the entire forest is following her. Will Pokko hear her father’s voice when he calls her home? Pokko and the Drum is a story about art, persistence, and a family of frogs living in a mushroom.

Age range 3 to 6 Night-time falls and the possum orchestra begins. Drums bang, violins scratch and I can't sleep! Children will love to join in in this noisy celebration of possums and their night time antics.

Presents the essential elements of bop drumming demonstrated through concise exercises and containing ideas to help understand what to play and how to play it and why, as well as an explanation of how the drummer functions in a group.

"Kick It, the first social history of the drum kit, looks closely at key innovators in the development of the instrument: inventors and manufacturers like the Ludwig and Zildjian dynasties, jazz icons like Gene Krupa and Max Roach, rock stars from Ringo Starr to Keith Moon, and popular artists who haven't always got their dues as drummers, such as Karen Carpenter and J Dilla. Addressing a seeming contradiction--the centrality of the drum kit on the one hand, and the general disparagement of drummers on the other--author Matt Brennan makes the case for the drum kit's role as one of the most transformative musical inventions of the modern era. Tackling the history of race relations, global migration, and the changing tension between high and low culture, Kick It shows how the drum kit and drummers helped change modern music--and society--from the bottom up"--Back cover