The date is April 29, 2015. Baltimore is reeling from the devastating riots sparked by the death in police custody of twenty-five-year-old African American Freddie Gray. Set against this grim backdrop, less than thirty-six hours after the worst rioting Baltimore has seen since the assassination of Martin Luther King in 1968, the Baltimore Orioles and the Chicago White Sox take the field at Camden Yards. It is a surreal event they will never forget: the only Major League game ever played without fans. The eerily quiet stadium is on lockdown for public safety and because police are needed elsewhere to keep the tense city from exploding anew. When the Crowd Didn’t Roar chronicles this unsettling contest—as well as the tragic events that led up to it and the therapeutic effect the game had on a troubled city. The story comes vividly to life through the eyes of city leaders, activists, police officials, and the media that covered the tumultuous unrest on the streets of Baltimore, as well as the ballplayers, umpires, managers, and front-office personnel of the teams that played in this singular game, and the fans who watched it from behind locked gates. In its own way, amid the uprising and great turmoil, baseball stopped to reflect on the fact that something different was happening in Baltimore and responded to it in an unprecedented way, making this the unlikeliest and strangest game ever played.

The date is April 29, 2015. Baltimore is reeling from the devastating riots sparked by the death in police custody of twenty-five-year-old African American Freddie Gray. Set against this grim backdrop, less than thirty-six hours after the worst rioting Baltimore has seen since the assassination of Martin Luther King in 1968, the Baltimore Orioles and the Chicago White Sox take the field at Camden Yards. It is a surreal event they will never forget: the only Major League game until COVID ever played without fans. The eerily quiet stadium is on lockdown for public safety and because police are needed elsewhere to keep the tense city from exploding anew. When the Crowd Didn't Roar chronicles this unsettling contest--as well as the tragic events that led up to it and the therapeutic effect the game had on a troubled city. The story comes vividly to life through the eyes of city leaders, activists, police officials, and the media that covered the tumultuous unrest on the streets of Baltimore, as well as the ballplayers, umpires, managers, and front-office personnel of the teams that played in this singular game, and the fans who watched it from behind locked gates. In its own way, amid the uprising and great turmoil, baseball stopped to reflect on the fact that something different was happening in Baltimore and responded to it in an unprecedented way, making this the unlikeliest and strangest game ever played.

Mike Ashley's brilliant new collection of whodunnits presents stories that reflect all the excitement, escapism and eccentricity of the 1920s. The Roaring Twenties, the Jazz Age, the Age of Wonderful Nonsense - this was a decade when everyone went a little bit crazy. It was also a decade that saw wonderful detective fiction from the likes of Agatha Christie, Margery Allingham and others. Contributions range from Cornell Woolrich's story of murder at a jazz party set aboard a steamboat on the Mississippi, to Grenville Robbins's impossible homicide committed on the radio, live on air, and Mat Coward's tale of death at a house party hosting the inaugural meeting of the British Communist Party.

He was the instructor of a mysterious troop and the number one soldier that all forces feared when he returned to the city and the dragons entered the sea he was also a prodigal who had fallen into the trap of millions of young ladies.

"I was electioneering. By God, people were listening. People were looking my way. And some joker with his arse begining to ache from sitting too long on a nail had to clear his throat and chip in, "Backstrom, what have you got to offer?" I looked at the speaker and saw he was a farmer and I said, "Mister, how would you like some rain?" A new edition of another classic from one of Canada's most enduring novelists. Introduction by Thomas Wharton.