This is a history of Alpine mountaineering from the earliest explorers of the 12th century to contemporary expeditions.

The Alps have exerted a hold over the German cultural imagination throughout the modern period, enthralling writers, artists, philosophers, scientists, and tourists alike. The Draw of the Alps interrogates the dynamics of this fascination. Though philosophical and aesthetic responses to Alpine space have shifted over time, the Alps continue to captivate at an individual and collective level. This has resulted in myriad cultural engagements with Alpine space, as this interdisciplinary volume attests. Literature, photography, and philosophy continue to engage with the Alps as a place in which humans pursue their cognitive and aesthetic limits. At the same time, individuals engage physically with the alpine environment, whether as visitors through the well-established leisure industry, as enthusiasts of extreme sports, or as residents who feel the acute end of social and environmental change. Taking a transnational view of Alpine space, the volume demonstrates that the Alps are not geographically peripheral to the nation-state but are a vibrant locus of modern cultural production. As The Draw of the Alps attests, the Alps are nothing less than a crucible in which understandings of what it means to be human have been forged.

Though the Alps may appear to be a peaceful place, the famed mountains once provided the backdrop for a political, environmental, and cultural battle as Germany and Austria struggled to modernize. Tait Keller examines the mountains' threefold role in transforming the two countries, as people sought respite in the mountains, transformed and shaped them according to their needs, and over time began to view them as national symbols and icons of individualism. In the mid-nineteenth century, the Alps were regarded as a place of solace from industrial development and the stresses of urban life. Soon, however, mountaineers, or the so-called apostles of the Alps, began carving the crags to suit their whims, altering the natural landscape with trails and lodges, and seeking to modernize and nationalize the high frontier. Disagreements over the meaning of modernization opened the mountains to competing agendas and hostile ambitions. Keller examines the ways in which these opposing approaches corresponded to the political battles, social conflicts, culture wars, and environmental crusades that shaped modern Germany and Austria, placing the Alpine borderlands at the heart of the German question of nationhood.

To the impartial observer Britain does not appear to have any mountains. Yet the British invented the sport of mountain climbing and for two periods in history British climbers led the world in the pursuit of this beautiful and dangerous obsession. Unjustifiable Risk is the story of the social, economic and cultural conditions that gave rise to the sport, and the achievements and motives of the scientists and poets, parsons and anarchists, villains and judges, ascetics and drunks that have shaped its development over the past two hundred years. The history of climbing inevitably reflects the wider changes that have occurred in British society, including class, gender, nationalism and war, but the sport has also contributed to changing social attitudes to nature and beauty, heroism and death. Over the years, increasing wealth, leisure and mobility have gradually transformed climbing from an activity undertaken by an eccentric and privileged minority into a sub-division of the leisure and tourist industry, while competition, improved technology and information, and increasing specialisation have helped to create climbs of unimaginable difficulty at the leading edge of the sport. But while much has changed, even more has remained the same. Today's climbers would be instantly recognisable to their Victorian predecessors, with their desire to escape from the crowded complexity of urban society and willingness to take "unjustifiable" risk in pursuit of beauty, adventure and self-fulfilment. Unjustifiable Risk was shortlisted for the Boardman Tasker prize in 2011.

This book examines the relationship between Romantic-period writing and the activity that Samuel Taylor Coleridge christened 'mountaineering' in 1802. It argues that mountaineering developed as a pursuit in Britain during the Romantic era, earlier than is generally recognised, and shows how writers including William and Dorothy Wordsworth, Ann Radcliffe, Samuel Taylor Coleridge, John Keats, and Walter Scott were central to the activity's evolution. It explores how the desire for physical ascent shaped Romantic-period literary culture and investigates how the figure of the mountaineer became crucial to creative identities and literary outputs. Illustrated with 25 images from the period, the book shows how mountaineering in Britain had its origins in scientific research, antiquarian travel, and the search for the picturesque and the sublime. It considers how writers engaged with mountaineering's power dynamics and investigates issues including the politics of the summit view (what Wordsworth terms 'visual sovereignty'), the relationships between different types of 'mountaineers', and the role of women in the developing cultures of ascent. Placing the work of canonical writers alongside a wide range of other types of mountaineering literature, this book reassesses key Romantic-period terms and ideas, such as vision, insight, elevation, revelation, transcendence, and the sublime. It opens up new ways of understanding the relationship between Romantic-period writers and the world that they experienced through their feet and hands, as well as their eyes, as they moved through the challenging landscapes of the British mountains.

"What transformed pure physical delight into something deeper was the fact that no-one had been here before..." Discover the fascinating stories of the men and women who have scaled the world's highest peaks. Featuring accounts of some of the world's most treacherous mountain climbs, this amazing collection covers the ascent of Mont Blanc in the 1780s, the golden age of alpine climbing which saw the Matterhorn and the Bietschhorn conquered, as well as the climbing of the great summits of the Americas and the Himalayan peaks, Everest and Annapurna. First Ascent is a unique survey of human achievement and a tribute to the adventurous spirit of mountaineers past and present.