Rhiannon Thomas's dazzling debut novel is a spellbinding reimagining of what happens after happily ever after. Vividly imagined scenes of action, romance, and political intrigue are seamlessly woven together to reveal a richly created world . . . and Sleeping Beauty as she's never been seen before. One hundred years after falling asleep, Princess Aurora wakes up to the kiss of a handsome prince and a broken kingdom that has been dreaming of her return. All the books say that she should be living happily ever after. But as Aurora understands all too well, the truth is nothing like the fairy tale. Her family is long dead. Her "true love" is a kind stranger. And her whole life has been planned out by political foes while she slept. As Aurora struggles to make sense of her new world, she begins to fear that the curse has left its mark on her, a fiery and dangerous thing that might be as wicked as the witch who once ensnared her. With her wedding day drawing near, Aurora must make the ultimate decision on how to save her kingdom: marry the prince or run.

The reader is about to embark upon a profound journey. Traveling by rollercoaster, you will descend into a kind of quiet hell, to re-emerge only after having tasted not just the pain of the author's struggle with an illness, but also, her search for self-knowledge, autonomy, meaning, and personal empowerment.

THE AWAKENING High schooler Tetsu Misato is hardworking, frugal, and easily scared, but he commits to a part-time job at the mansion on the hill—the one that’s rumored to be haunted. As he toils away, he notices a building separate from the estate, and the mysterious girl who lives within it: Shizu Karasawa. Tetsu slowly becomes enchanted by Shizu’s lonely smile, but by their second encounter, he quickly finds himself in over his head. There’s an unsettling feeling he can’t quite shake, but there’s love there, too.

Death and Pixie Dust! Once upon a time, a mysterious plague beset a quiet village in the woods-a plague of the walking dead. Suddenly, beloved fairy tale characters are thrown into a world of stark violence and horror: Cinderella is worked to death before the ball, Pinocchio is made from children's corpses, and Little Red Riding Hood finds more than wolves in the forest. Surreal and full of black humor, Zombie Fairy Tales is a genre-bending narrative of a world on the brink of apocalypse, a world with no happily ever afters. Collected here are all 12 original Zombie Fairy Tales, plus a new 13th tale exclusive to this collection!

Prince Eggbert makes a series of increasingly noisy tries to awaken a sleeping princess, but it is his assistant's gentle kiss that succeeds. Includes tabs to pull and wedding bells that animate and enhance the story.

The Sleeping Beauty in Roberta Seelinger Trites' intriguing text is no silent snoozer passively waiting for Prince Charming to energize her life. Instead she wakes up all by herself and sets out to redefine the meaning of “happily ever after.” Trites investigates the many ways that Sleeping Beauty's newfound voice has joined other strong female voices in feminist children's novels to generate equal potentials for all children. Waking Sleeping Beauty explores issues of voice in a wide range of children's novels, including books by Virginia Hamilton, Patricia MacLachlan, and Cynthia Voight as well as many multicultural and international books. Far from being a limiting genre that praises females at the expense of males, the feminist children's novel seeks to communicate an inclusive vision of politics, gender, age, race, and class. By revising former stereotypes of children's literature and replacing them with more complete images of females in children's books, Trites encourages those involved with children's literature—teachers, students, writers, publishers, critics, librarian, booksellers, and parents—to be aware of the myriad possibilities of feminist expression. Roberta Trites focuses on the positive aspects of feminism: on the ways females interact through family and community relationships, on the ways females have revised patriarchal images, and on the ways female writers use fictional constructs to transmit their ideologies to readers. She thus provides a framework that allows everyone who enters a classroom with a children's book in hand to recognize and communicate—with an optimistic, reality-based sense of “happily ever after”—the politics and the potential of that book.

What if the sleeping beauty never woke up? Once Upon a Dream marks the second book in a new YA line that reimagines classic Disney stories in surprising new ways. It should be simple--a dragon defeated, a slumbering princess in a castle, a prince poised to wake her. But when the prince falls asleep as his lips touch the fair maiden's, it is clear that this fairy tale is far from over. With a desperate fairy's last curse controlling her mind, Princess Aurora must escape from a different castle of thorns and navigate a dangerously magical landscape--created from her very own dreams. Aurora isn't alone--a charming prince is eager to join her quest, and old friends offer their help. But as Maleficent's agents follow her every move, Aurora struggles to discover who her true allies are and, moreover, who she truly is. Time is running out. Will the sleeping beauty be able to wake herself up?