In When Rock Met Reggae, Steven Blush takes a spirited, cross-genre perspective in this "illuminating chronicle" (Booklist) of the crossover of Jamaican, British, and American sounds that changed the face of popular music. Library Journal notes that "Blush’s nimble outline of the interplay between reggae and British punk will appeal to music fans.” Bringing the same incisive, cross-genre perspective he offered in When Rock Met Disco, Steven Blush gives a spirited survey of the crossover of Jamaican, British, and American sounds that changed the face of popular music in When Rock Met Reggae. The inspiration of ska, rock-steady, dub, and reggae—heard on independent recordings played on “soundsystems” from Kingston and Brixton—created a new rock tonality and attitude, spanning from Eric Clapton to The Clash. Meanwhile, the “Two Tone” sounds—traversing The Specials, Madness, and UB40—fueled the ‘90s ska revival of Sublime, No Doubt, The Mighty Mighty Bosstones, and beyond. Attentive to the racial, political, and artistic aspects of this intricate story, Blush gives a memorable account of one of the most fertile cross-pollinations in pop music history.

A major celebration of the life and music of Bob Marley, featuring the photographs of Kate Simon and specially commissioned text from 24 contributors. Includes over 400 photographs from Kate Simon's remarkable archive, much of which is being published here for the first time. They include live photos of The Wailers' 1975 concert at The Lyceum in London - where the legendary performance of No Woman, No Cry was recorded; the most famous portrait of Bob Marley ever taken - later used as the front cover of the album Kaya; candid shots of The Wailers on the Exodus Tour and Marley's funeral in 1981. Published to commemorate the 60th anniversary of Marley's birth and the 25th anniversary of his death.

A brilliant, wide-ranging book on how Miles Davis's seminal 1959 jazz album "Kind of Blue" revolutionized music and culture in the 20th century.

Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.

This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.

"’Reggae got soul,’ Toots Hibbert sang in one of his best-known songs, and Kim Gottlieb-Walker's remarkable photographs coax that soul out of shadow and light. Her images from Jamaica capture the rough environment that shaped and challenged these artists, and the unquenchable joy that filled their music. They're the next-best thing to listening.” — Richard Cromelin During 1975 and 1976, renowned underground photo-journalist Kim Gottlieb, and her husband, Island publicity head Jeff Walker, documented what is now widely recognized as the Golden Age of reggae. Over two years of historic trips to Jamaica and exclusive meetings in Los Angeles, Kim took iconic photographs of the artists who would go on to define the genre and captivate a generation. Bob Marley and the Golden Age of Reggae features candid and intimate photographs of all of the musicians, artists and producers who brought the reggae sound to the international stage, including Peter Tosh, Bunny Wailer, Toots Hibbert, Burning Spear, Jacob Miller, Third World, Lee “Scratch” Perry and, of course, Bob Marley. Kim’s photographs include never-before-seen performance shots, candid behind-the-scenes footage of Bob’s home in Jamaica, and exclusive records of key moments in reggae history, such as Bob’s first US television appearance, the historical Dream Concert with Stevie Wonder in Jamaica, and Bob meeting George Harrison backstage at the Roxy in 1975. Acclaimed rock journalist and director Cameron Crowe (Almost Famous) introduces this volume with a rousing foreword describing the time he accompanied Jeff and Kim to Jamaica to witness the burgeoning music scene there. Reggae historian Roger Steffens writes lucidly about the significance of those early years in reggae, and describes the pivotal moments documented in Kim’s photographs, many of which have not been seen in over 30 years, and many more of which have never been released to the public. Intimate and revealing, Bob Marley and the Golden Age of Reggae is a rare and beautiful record of one of the most exciting moments in music history, told through the photographs of a true artist.

Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.