This volume investigates the implications of breaking ritual rules, of failed performances and of the extinction of ritual systems. The essays thus break new ground in the comparative analysis of rituals and introduce new perspectives to ritual studies.

Ritual theorizing has tended to focus on perfect rituals, as prescribed in sacred texts, yet ritual mistakes occur all the time--crucial items can go missing or get broken, incorrect phrases can be said. In this book, Kathryn McClymond examines cases in which rituals have gone wrong, embracing the fact that, in fact, they rarely go as planned. From ancient India to modern Iraq, Ritual Gone Wrong demonstrates that ritual disruptions throughout history reveal the fluid, supple, and dynamic nature of ritual.

The present volume is entirely dedicated to the investigation of the implications and effects of breaking ritual rules, of failed performances and of the extinction of ritual systems. While rituals are often seen as infallible mechanisms which ‘work’ irrespective of the individual motivations of the performers, it is clearly visible here that rituals can fail, and that improper performances do in fact matter. These essays break new ground in their respective fields and the comparative analysis of rituals that go wrong introduces new perspectives to ritual studies. As the first book-length study on ritual mistakes and failure, this volume begins to fill a significant gap in the existing literature. Contributors include: Claus Ambos, Christiane Brosius, Johanna Buss, Burckhard Dücker, Christoph Emmrich, Brigitta Hauser-Schäublin, Maren Hoffmeister, Ute Hüsken, Brigitte Merz, Axel Michaels, Karin Polit, Michael Rudolph, Edward L. Schieffelin, Jan A.M. Snoek, Eftychia Stavrianopoulou, and Jan Weinhold.

The Mishnah is the foundational document of rabbinic Judaism—rabbinic law is based on the Talmud which, in turn, is based on the Mishnah. Yet its sources, genre, and purpose are obscure. What Is the Mishnah? collects papers by leading scholars from the United States, Europe, and Israel and gives a clear sense of the direction of Mishnah studies.

From Marx to Murakami and Beethoven to Bacon, 'Daily Rituals' examines the working routines of more than a 160 of the greatest philosophers, writers, composers and artists ever to have lived. Filled with fascinating insights on the mechanics of genius and entertaining stories of the personalities behind it, it is irresistibly addictive and utterly inspiring

More than just a litany of artifacts, rituals, and symbols, this valuable book provides a cultural bridge for emergency responders. It places the information in a relevant context and offers crucial keys to communication, assessment, and treatment in culturally sensitive situations. Beginning with the importance of trans-cultural communication, the book separates fact from fantasy regarding Neo-Paganism, Santeria, Bantu religion (Palo Mayombe), Voodoo, and Curanderismo. Promoting functional cultural competency, this book provides the tools to properly assess situations, open lines of communication, protect cultural diversity, and provide effective emergency treatment.

More than 150 inspired—and inspiring—novelists, poets, playwrights, painters, philosophers, scientists, and mathematicians on how they subtly maneuver the many (self-inflicted) obstacles and (self-imposed) daily rituals to get done the work they love to do. Franz Kafka, frustrated with his living quarters and day job, wrote in a letter to Felice Bauer in 1912, “time is short, my strength is limited, the office is a horror, the apartment is noisy, and if a pleasant, straightforward life is not possible then one must try to wriggle through by subtle maneuvers.” Kafka is one of 161 minds who describe their daily rituals to get their work done, whether by waking early or staying up late; whether by self-medicating with doughnuts or bathing, drinking vast quantities of coffee, or taking long daily walks. Thomas Wolfe wrote standing up in the kitchen, the top of the refrigerator as his desk, dreamily fondling his “male configurations”.... Jean-Paul Sartre chewed on Corydrane tablets (a mix of amphetamine and aspirin), ingesting ten times the recommended dose each day ... Descartes liked to linger in bed, his mind wandering in sleep through woods, gardens, and enchanted palaces where he experienced “every pleasure imaginable.” Here are: Anthony Trollope, who demanded of himself that each morning he write three thousand words (250 words every fifteen minutes for three hours) before going off to his job at the postal service, which he kept for thirty-three years during the writing of more than two dozen books ... Karl Marx ... Woody Allen ... Agatha Christie ... George Balanchine, who did most of his work while ironing ... Leo Tolstoy ... Charles Dickens ... Pablo Picasso ... George Gershwin, who, said his brother Ira, worked for twelve hours a day from late morning to midnight, composing at the piano in pajamas, bathrobe, and slippers.... Here also are the daily rituals of Charles Darwin, Andy Warhol, John Updike, Twyla Tharp, Benjamin Franklin, William Faulkner, Jane Austen, Anne Rice, and Igor Stravinsky (he was never able to compose unless he was sure no one could hear him and, when blocked, stood on his head to “clear the brain”).