Was the stripping and exposure of Jesus a form of sexual abuse? If so, why does such a reading of Jesus’ suffering matter? The combined impact of the #MeToo movement and a further wave of global revelations on church sexual abuse have given renewed significance to recent work naming Jesus as a victim of sexual abuse. Timely and provocative "When did we see you naked?" presents the arguments for reading Christ as an abuse victim, as well as exploring how the position might be critiqued, and what implications and applications it might offer to the Church.

Is Your Conscience Condemning You? What exactly is your conscience? What role does it play in your life? And does it help or hurt you? In Who Told You That You Were Naked? Andrew Wommack answers these questions and more as he outlines how the conscience affects us. Andrew shares how the vast majority of Christians dont understand how the conscience operates. If they did, they would no longer struggle with the fear, shame, guilt, and doubt that keep them from Gods best. As you learn about your conscience, youll learn how to walk in greater intimacy with Jesus, how to pray with boldness and confidence, how to receive Gods promises, and how to break free from fear and doubt once and for all.

Be prepared to be challenged by Naked and Not Ashamed as you have never been challenged before! Here bishop T.D. Jakes calls for believers to strip away all layers of superficiality, religious reasonings, and pious pretendings. We need to be real - to be honest before God and man. Our example, Jesus Christ Himself, ministered and died in total o...

Based on Matthew 25:31-"46, these meditations offer new "ears" to truly hear Christ and new "eyes" to truly see Him in those He calls us to help.

Why would someone want to hang out with dead bodies? With curious anecdotes and unbelievable truth, funeral director Robert Webster reveals that answer and more, offering readers entertaining and quirky stories gleaned from a life lived around death. Webster tackles those embarrassing questions we all have about what really goes on bhind the scenes when you've left this world: Strange things people put in caskets The biggest rip-offs in the business The crazy things that happen to a body after death Lime, waz, and other ways to hide the truth The most important thing an undertaker does How to avoid the high-pressure funeral parlor What that's not a coffin the body is resting in

“America’s best book on making presentations strikes again.” –Don E. Shultz, Northwestern University The smart, witty, nationally bestselling guide to public speaking. “If you get nervous, just picture everyone in the audience naked.” We've all heard this piece of advice on public speaking before. But what about “Keep the ball alive!” or “Be a bit of Springsteen”? There’s more to being a great speaker than removing your audience’s clothes, and Ron Hoff’s I CAN SEE YOU NAKED goes beyond the basics to cleverly and insightfully demonstrate what an effective and engrossing presentation should look like. Hoff packs his book with funny and functional advice on how to overcome stage-fright and deliver the best possible speech for every occasion. I CAN SEE YOU NAKED will have you confidently facing a waiting audience—and, naked or not, they’ll be hanging on your every word.

Fiction. Asian & Asian American Studies. Short Stories. A young translator living in Toronto frequently travels abroad-to Hong Kong, Macau, Prague, Tokyo-often with his unnamed lover. In restaurants and hotel rooms, the couple begin telling folk tales to each other, perhaps as a way to fill the undefined space between them. Theirs is a comic and enigmatic relationship in which emotions are often muted and sometimes masked by verbal play and philosophical questions, and further complicated by the woman's frequent unexplained disappearances. YOU ARE EATING AN ORANGE. YOU ARE NAKED. is an intimate novel of memory and longing that challenges Western tropes and Orientalism. Embracing the playful surrealism of Haruki Murakami and the atmospheric narratives of filmmaker Wong Kar-wai, Sheung-King's debut is at once lyrical and punctuated, and wholly unique, and marks the arrival of a bold new voice in Asian-Canadian literature. Sheung-King has written a wonderfully unexpected and maverick love story but also a novel of ideas that hopscotches between Toronto, Macau, Hong Kong, Tokyo, and Prague. It is enchanting, funny, and a joy to read.-Kyo Maclear