Shortlisted for the Restless Books Prize for New Immigrant Writing ‘Fun, entertaining, delightful’ — Rahul Dravid ‘A warm, minutely detailed evocation of boyhood . . . textured like life itself’ — Samanth Subramanian A charming tale of a young schoolboy trying to find his place in a changing world. Twelve-year-old Karthik Subramanian has just been granted admission into St George’s, an elite boys’ school in Bangalore that has supported the academic lives of ‘four state cricketers, one India captain, tens of professors, hundreds of doctors, engineers and scientists, thousands of chartered accountants ...’ In this most exalted of institutions, Karthik yearns for recognition as an academic superstar. Rigorously prepped by his parents and grandfather, dutifully offering his prayers to Lord Ganesha, Karthik steps into this new world. But nothing has prepared him for the challenges that lie in wait and he is left to himself to navigate the cruelties of school life, and the transition into adolescence. The less his family learns about his friends, the better. There are threats all around, even violence. Brilliant in its observations of a motley cast of characters, and finely calibrated for humour and sadness, What’s Wrong with You, Karthik? is a poignant, exuberant debut from a writer of rare calibre.

Little Fish has a big dream—she wants to fly. However, she hears from her friends and family that it’s not possible. Little Fish isn’t discouraged; she tries and tries again, until one day, she flies right out the of water! She flies past animals on land, past birds in the sky, and even out of Earth’s atmosphere. Meanwhile, there’s Little Bird, who just wants to be able to swim. Colorful, textured illustrations bring this sweet story of determination to life. Readers will learn the power of believing in themselves and reaching their full potential.

It has been a year of change since Gemma Doyle arrived at the foreboding Spence Academy. Having bound the wild, dark magic of the realms to her, Gemma has forged unlikely and unsuspected new alliances both with the headstrong Felicity and timid Ann, Kartik, the exotic young man whose companionship is forbidden, and the fearsome creatures of the realms. Now, as Gemma approaches her London debut, the time has come to test those bonds. As her friendship with Felicity and Ann faces its gravest trial, and with the Order grappling for control of the realms, Gemma is compelled to decide once and for all which path she is meant to take. Pulled forward by fate, the destiny Gemma faces threatens to set chaos loose, not only in the realms, but also upon the rigid Victorian society whose rules Gemma has both defied and followed. Where does Gemma really belong? And will she, can she, survive?

No one tells you that: • Money is seldom the reason why people don’t start businesses – fear of money is. • Failures will far outnumber successes. Make failure a friend. Become familiar with it – know how to look it in the eye and find out more about it. • People do business with people they like and are familiar with. To most people, YOU are the business. • There is no good or bad investor; there are only right or wrong investors. • What makes an entrepreneur special is the bridge of intelligence between the left and the right brain, the bridge between Business and Art. Through this never-before-seen side of entrepreneurship, Karthik Kumar explores the various emotional challenges an entrepreneur faces and also tells you how to overcome them. Don’t Startup is not about giving you the knowledge and the know-hows of starting up. It is about imparting the wisdom that Karthik has gained from his journey and how that wisdom will be the strength in yours.

From the award-winning author of Finding Mighty, a moving middle-grade novel about finding your place by following your heart Karthik Raghavan is good at remembering things. Like his bike routes. Or all the reasons he likes Juhi Shah—even if she doesn’t even know he exists. It doesn't help that she seems to have a crush on his arch nemesis, Jacob Donnell, whose only job is to humiliate Karthik (and get his name wrong). Then Karthik's luck changes when he secretly agrees to be in a play about the famous musician, Leonard Bernstein. But he can't tell his parents. The family store is in jeopardy, and they need him delivering groceries on his bike to help save it. His mom is also worried about the Financial Crisis, and she's convinced that studying hard and staying focused is the only way to succeed. But Karthik is having fun being Lenny. Besides, what if acting is Karthik’s special talent? And what if acting is the one way to catch Juhi Shah’s attention? With all the pressure from his family to succeed, will Karthik be able to really imagine and hope when he’s not sure what will happen next?

Animals make for terrible technology. The technological use of animals--making food, drugs, clothing, and cosmetics out of animal material--will cease. A cow takes over one year to grow, "wastes" over ninety percent of what it's fed, and cannot be innovated much further. After Meat explains the fundamental limits of animal technology in terms of physics and biology. Replacement technology such as microbial fermentation will surpass those limits. Eventually, we'll have food that is better in every way--in terms of taste, cost, nutrition, resource consumption, and ethics--because we won't use animals to produce it. Along the way, After Meat leads us through a veritable forest of adjacent topics. We wade into evolution and reductivism, broach consciousness and the Multiverse, dive into economics and policy, bounce from weather prediction to the problem of hunger to the morality of eating plants. In sum, we ineluctably conclude that our future has little room for animal technology, and that future will be better for it.