Pictures of common objects, their parts, and names are generally classed.

Pictures of common objects and the parts of which they are composed, classed under general categories such as living things, transportation, and personal items, are identified by name.

A Visual Dictionary of Decorative and Domestic Arts provides a common and unambiguous vocabulary for the parts of handcrafted decorative, domestic, and artistic items. Terminology for a broad array of object types is presented alongside original 3D illustrations that facilitate objective referencing. The reference enhances learning, labeling, and discussing various craft items in great physical detail. Sixty-four 3D graphic illustrations provide an effective visual format for identifying the vocabulary/location of the parts on individual objects. The dictionary is divided into five major sections: Decorative Objects such as a basket, jar/jug, flatware Domestic Furnishings such as a bed with bedding, upholstered chairs, tables Artistic Works and Tools such as books, prints, paintings, photographs, and sculpture Jewelry Adornment Items such as earrings, necklaces, pins, and watches Accessory Articles such as a hat, pipe, comb, and fan The thoroughness of the annotations makes this volume an essential tool for museum curators and conservators, librarians, connoisseurs, buyers and dealers; artists and crafts persons, collectors, designers, registrars and anyone with an interest in visual history.

"This is the most practical, hard-nosed, generous, direct, and useful guide to writing fiction." —Brad Watson Finally, a truly creative—and hilarious—guide to creative writing, full of encouragement and sound advice. Provocative and reassuring, nurturing and wise, The Lie That Tells a Truth is essential to writers in general, fiction writers in particular, beginning writers, serious writers, and anyone facing a blank page. John Dufresne, teacher and the acclaimed author of Love Warps the Mind a Little and Deep in the Shade of Paradise, demystifies the writing process. Drawing upon the wisdom of literature's great craftsmen, Dufresne's lucid essays and diverse exercises initiate the reader into the tools, processes, and techniques of writing: inventing compelling characters, developing a voice, creating a sense of place, editing your own words. Where do great ideas come from? How do we recognize them? How can language capture them? In his signature comic voice, Dufresne answers these questions and more in chapters such as "Writing Around the Block," "Plottery," and "The Art of Abbreviation." Dufresne demystifies the writing process, showing that while the idea of writing may be overwhelming, the act of writing is simplicity itself.

A pioneering volume addressing issues related to cultures, ideologies, and the dictionary. A cross-cultural and cross-linguistic study with focus on selected Western and non-Western languages. A number of in-depth case studies illustrates the dominant role ideology and other types of bias play in the making of a dictionary. The volume includes invited papers of 40 internationally recognized scholars.

Most dictionaries have forerunners, and all have imitators; an understanding of the historical foundations of dictionary-making is therefore one of the preconditions of further progress in academic lexicography. The papers in this volume, which were presented at the 1986 Exeter Seminar, survey most of the lexicographical traditions in the world, some tracing them right back to their beginnings. The programme was divided into eight sessions, with the following concentrations of topics: (1) three classical traditions, (2) the early history of European lexicography, (3) the beginnings of English lexicography, (4) further aspects of English lexicography, (5) the background of diverse national developments, (6) specific features of national developments, (7) pioneers of three genres, (8) recent trends in the English dictionary.