Naomi Guttman's new poetry collection was inspired by the role of nursing in human evolution and culture. The first cycle of poems, "Wet Apples, White Blood," offers lyric glimpses into archetypes of breastfeeding women in history and myth. The dramatic action in the second cycle, "Galactopoesis," centers around the experience of a mother whose young child is hospitalized. Galactopoesis is the medical term for the continued secretion and production of milk. It derives from the Greek radicals for 'milk' (galacto) and 'making' (poesis), which is also 'poetry.' In Wet Apples, White Blood, nursing, as a constant creative act dependent on the baby's demand, is a trope for the creative process and for questions of biology, psychology, and spirituality.

See her? / Steadfast and firm her / branches graze the mantle of quiet clouds / as she elaborates her claim Haunted by indifference toward systemic violences and the disregard endured by those people labelled as "problems," nancy viva davis halifax’s poems articulate the constraints of discredited lives. Conveying her experiences witnessing homelessness, poverty, disability, and chronic illness on the streets and within women's emergency shelters, davis halifax orients readers to recognize ongoing suffering in our society. One poem, a purl of four words, reminds the reader that language entangles and unbinds lives, and that life is an unfastening, a knitting by which some are lost and others made separable. These are unregulated poems, poems that refuse indifference and reassert mutuality. They are not an argument, they are not assured, not facts, not a problem, not a resource, but an opening.

"the language of the waterway / the name / the train's route through bliss / to" When the poet and novelist David Helwig - a recipient of the Matt Cohen Prize for lifetime achievement and a member of the Order of Canada - died in October 2018, he left behind a substantial catalogue of unpublished work. A House in Memory, a selection of Helwig's last poems, was assembled by his daughter, Maggie. It shows an author still at the height of his powers, creating work in complex formal structures, contemplating mortality, memory, and the landscape of his adopted home of Prince Edward Island, and paying tribute to his literary predecessors. The collection also includes unpublished poems from earlier in Helwig's career. Ranging widely through time, space, and literary tradition, A House in Memory features some deeply personal poems. As Maggie Helwig says of her father, "he could not cease to be a poet as long as he had breath in this world.

Benjamin Hertwig's debut collection of poetry, Slow War, is at once an account of contemporary warfare and a personal journey of loss and the search for healing. It stands in the tradition of Wilfred Owen's "Dulce et Decorum Est" and Kevin Powers’s "Letter Composed During a Lull in the Fighting." A century after the First World War, Hertwig presents both the personal cost of war in poems such as "Somewhere in Flanders/Afghanistan" and "Food Habits of Coyotes, as Determined by Examination of Stomach Contents," and the potential for healing in unlikely places in "A Poem Is Not Guantánamo Bay." This collection provides no easy answers – Hertwig looks at the war in Afghanistan with the unflinching gaze of a soldier and the sustained attention of a poet. In his accounting of warfare and its difficult aftermath on the homefront, the personal becomes political. While these poems inhabit both experimental and traditional forms, the breakdown of language channels a descent into violence and an ascent into a future that no longer feels certain, where history and trauma are forever intertwined. Hertwig reminds us that remembering war is a political act and that writing about war is a way we remember.

A sense of exile and belonging dominates the poems, following the journey of a blind man whose life in his new land has been hampered by prejudice and barriers to communication. Exposing the rich and surprising possibilities of a life that has undergone a frightening transformation, Blindfold relates feelings of loss, displacement, and disorientation experienced not only by the disabled but by everyone who finds themselves separated from the norm. Silver Threads He recalls the absence of sound, the impossible silence the disappearance of light. He is only aware of the movement of his mother's hand inside her purse, looking for her handkerchief. He recalls her warning not to play with unknown objects the type that explode on impact. Later, he lies in the dark remembering how she pointed out the silver threads of the morning light just the day before and he sparkles with guilt.

Subtle and surprising poems connecting the use of bells in wartime with shifts in the nature of affection.

The New Spice Box brings together contemporary short stories, creative non-fiction, and poetry by a mix of authors offering a window onto new and exciting Jewish writing.