The Alienist meets the magical mystery of The Ninth House as W. M. Akers returns with the third book in his critically acclaimed Jazz Age fantasy series set in the dangerous Westside of New York City, following private detective Gilda Carr’s hunt for the truth—one tiny mystery at a time. The Westside of Manhattan is desolate, overgrown, and dangerous—and Gilda Carr wouldn’t have it any other way. An eccentric detective whose pursuit of tiny mysteries has dragged her to the brink of madness, Gilda spends 1923 searching for something that’s eluded her for years: peace. On the revitalized waterfront of the Lower West, Gilda and the gregarious ex-gangster Cherub Stevens start a new life on a stolen yacht. But their old life isn’t done with them yet. They dock their boat on the edge of the White Lights District, a new tenderloin where liquor, drugs, sex, and violence are shaken into a deadly cocktail. When her pet seagull vanishes into the District, Gilda throws herself into the search for the missing bird. Up late watching the river for her pet, Gilda has one drink too many and passes out in the cabin of her waterfront home. She wakes to a massacre. Eight people have been slaughtered on the deck of the Misery Queen, and Cherub is among the dead. Gilda, naturally, is the prime suspect. Hunted by the police, the mob, and everyone in between, she must stay free long enough to find the person who stained the Hudson with her beloved’s blood. She will discover that on her Westside, no lights are bright enough to drive away the darkness.

A New York Times Notable Book of the Year! “The Alienist meets The City & The City in this brilliant debut that mixes fantasy and mystery. Gilda Carr’s ‘tiny mysteries’ pack a giant punch." --David Morrell, New York Times bestselling author of Murder As a Fine Art A young detective who specializes in “tiny mysteries” finds herself at the center of a massive conspiracy in this beguiling historical fantasy set on Manhattan’s Westside—a peculiar and dangerous neighborhood home to strange magic and stranger residents—that blends the vivid atmosphere of Caleb Carr with the imaginative power of Neil Gaiman. It’s 1921, and a thirteen-mile fence running the length of Broadway splits the island of Manhattan, separating the prosperous Eastside from the Westside—an overgrown wasteland whose hostility to modern technology gives it the flavor of old New York. Thousands have disappeared here, and the respectable have fled, leaving behind the killers, thieves, poets, painters, drunks, and those too poor or desperate to leave. It is a hellish landscape, and Gilda Carr proudly calls it home. Slightly built, but with a will of iron, Gilda follows in the footsteps of her late father, a police detective turned private eye. Unlike that larger-than-life man, Gilda solves tiny mysteries: the impossible puzzles that keep us awake at night; the small riddles that destroy us; the questions that spoil marriages, ruin friendships, and curdle joy. Those tiny cases distract her from her grief, and the one impossible question she knows she can’t answer: “How did my father die?” Yet on Gilda’s Westside, tiny mysteries end in blood—even the case of a missing white leather glove. Mrs. Copeland, a well-to-do Eastside housewife, hires Gilda to find it before her irascible merchant husband learns it is gone. When Gilda witnesses Mr. Copeland’s murder at a Westside pier, she finds herself sinking into a mire of bootlegging, smuggling, corruption—and an evil too dark to face. All she wants is to find one dainty ladies’ glove. She doesn’t want to know why this merchant was on the wrong side of town—or why he was murdered in cold blood. But as she begins to see the connection between his murder, her father’s death, and the darkness plaguing the Westside, she faces the hard truth: she must save her city or die with it. Introducing a truly remarkable female detective, Westside is a mystery steeped in the supernatural and shot through with gunfights, rotgut whiskey, and sizzling Dixieland jazz. Full of dazzling color, delightful twists, and truly thrilling action, it announces the arrival of a wonderful new talent.

Return to a twisted version of Jazz Age New York in this follow up to the critically acclaimed fantasy Westside, as relentless sleuth Gilda Carr’s pursuit of tiny mysteries drags her into a case that will rewrite everything she knows about her past. Six months ago, the ruined Westside of Manhattan erupted into civil war, and private detective Gilda Carr nearly died to save her city. In 1922, winter has hit hard, and the desolate Lower West is frozen solid. Like the other lost souls who wander these overgrown streets, Gilda is weary, cold, and desperate for hope. She finds a mystery instead. Hired by a family of eccentric street preachers to recover a lost saint’s finger, Gilda is tempted by their promise of “electric resurrection,” when the Westside’s countless dead will return to life. To a detective this cynical, faith is a weakness, and she is fighting the urge to believe in miracles when her long dead mother, Mary Fall, walks through the parlor door. Stricken with amnesia, Mary remembers nothing of her daughter or her death, but that doesn’t stop her from being as infuriatingly pushy as Gilda herself. As her mother threatens to drive her insane, Gilda keeps their relationship a secret so that they can work together to investigate what brought Mary back to life. The search will force Gilda to reckon with the nature of death, family, and the uncomfortable fact that her mother was not just a saint, but a human being.

From playwright, screenwriter, and director Laurents comes a mesmerizing book about theater, art and the artist, the insider and the outsider--and the making of two of the greatest musicals of the American stage: "Gypsy" and "West Side Story."