A novelette of lycanthropy and insanity. In Victorian England, there is a special institution where two men intend to help lycanthropes suppress their nocturnal transformations, while searching for a more permanent cure. One evening, they discover a rare type of werewolf - one trapped eternally in a half-human, half-wolf form - that they believe could be beneficial to their research. 'Martha', however, believing her shape is due to her being a Messiah to her brethren, wishes to see the other werewolves embrace their curse. Can she be treated and cured? Or will her 'Lord' have his way?

When a bona fide mad scientist discovers Cody's werewolf secret, she tries to whisk him away to a secret laboratory in order to harvest his supernatural powers. Cody doesn't want to be a science experiment. More than that, he doesn't want to be taken away from Brittany, the most beautiful girl in the world. In his attempts to evade the evil clutches of his adversary, he gains some unexpected allies. But when his friends cannot save him, Cody attempts a dangerous and desperate ploy to escape the determine doctor.

Skylar is used to the way people think of him as frightening, mean, and dangerous. Snakes are not the most popular shifters around and the fact he grew up wild doesn't help. He knows the way he's chosen to live alone in the woods only makes things worse, but he didn't think it meant people thought him capable of killing a couple of wolf puppies. Determined to find the real monster who left them to die, Skylar calls up the only wolf he knows, a man he always wished would see him as more than a snake...

From the horrific to the heroic, cinematic werewolves are metaphors for our savage nature, symbolizing the secret, bestial side of humanity that hides beneath our civilized veneer. Examining acknowledged classics like The Wolf Man (1941) and The Howling (1981), as well as overlooked gems like Dog Soldiers (2011), this comprehensive filmography covers the highs and lows of the genre. Information is provided on production, cast and filmmakers, along with critical discussion of the tropes and underlying themes that make the werewolf a terrifying but fascinating figure.

Dredd versus Werewolves. HAIR-RAISING ADVENTURES IN MEGA-CITY ONE! Mega-City One – A vast, nightmarish future metropolis built on top of the polluted cities that once populated the eastern seaboard of the United States. The forgotten Undercity is now a lawless refuge for unwanted outcasts from the ‘Big Meg’ – mutants, monsters and escaped criminals all struggle to survive on the streets of old Manhattan. A chemical spill in the Undercity has spawned a race of super-stong lycanthropes, all desperate to get above ground and feast on the flesh of Mega-City One’s citizens. Things could get hairy, but thankfully Judge Dredd is on the case! This collection of dog-eat-dog tales features some of 2000 AD’s finest talents, including John ‘the werewolf’ Wagner (A History of Violence), ‘growling’ Gordon Rennie (Necronauts), ‘snarling’ Steve Dillon (Preacher) and ‘lycanthropic’ Leigh Gallagher (Defoe), amongst others.

New York Timesbestselling author L.A. Banks brings the war of the werewolves into the world of the humans. But who is the predator and who is the prey...? The last fight between the werewolf clans spilled onto the streets of New Orleans—and now the whole city's on red alert. Martial law has gone into effect. Mediums, ghost hunters, and other supernatural pundits have taken over the media, swarming the Big Easy to expose the hard truth about lycanthropes. And to make matters worse, a beastly killer is clawing up humans... Secret government operative Sasha Trudeau doesn't like what she's seeing—a series of brutal and bloody slayings that appear to be wolf-like attacks. It might be the work of a copy cat killer—vampire or Unseelie or some other enemy of the Seelie clan. But while Sasha races to find suspects and motives, the panic level is rising—and the city's human population is clamoring for an all-out wolf hunt...