A Los Angeles Times bestseller A New York Times Book Review “Editor’s Choice” Selection “Even the die-hardest Casablanca fan will find in this delightful book new ways to love the movie they were certain they could never love more.” —Sam Wasson, best-selling author of Fifth Avenue, 5 A.M. Casablanca is “not one movie,” Umberto Eco once quipped; “it is ‘movies.’” Film historian Noah Isenberg’s We’ll Always Have Casablanca offers a rich account of the film’s origins, the myths and realities behind its production, and the reasons it remains so revered today, over seventy-five years after its premiere.

Released in 1942, Casablanca won four Oscars, including Best Picture, and featured unforgettable performances by Humphrey Bogart and Ingrid Bergman. We'll Always Have Casablanca offers a rich account of the film's origins, the myths and realities behind its production, and the reasons it remains so revered today. Through extensive research and interviews with film-makers, Noah Isenberg explores the ways in which the film continues to dazzle audiences and saturate popular culture over seventy-five years after its release.

Casablanca is "not one movie," Umberto Eco once quipped, "it is 'movies'".Released in 1942, the film won 4 Oscars, including Best Picture and featured unforgettable performances by Humphrey Bogart and Ingrid Bergman.The book offers a rich account of the film's origins, the myths and realities behind its production, and the reasons it remains so revered today.Through extensive research and interviews with film-makers, Noah Isenberg explores he ways in which the film continues to dazzle audiences and saturate popular culture 75 years after its release.

This beautiful LIFE Special Edition, commemorating the 75th anniversary of Casablanca, is filled with timeless photos of Humphrey Bogart, Ingrid Bergman, Claude Rains, Dooley Wilson, and other stars of the iconic wartime romance. Go on set and behind the scenes with these memorable images and with compelling, insightful text. Learn about the making of the film that changed the industry, and discover the stories of the actors and creators of the movie-many of whom were refugees from Hitler's oppression, lending authenticity to the film. By delving into enduring moments and lines like "Play it, Sam" and "We'll always have Paris" and "As Time Goes By" and "Here's looking at you, kid," LIFE: Casablanca provides an intimate and inspiring look at one of Hollywood's greatest achievements. Plus: a special look at Casablanca's cultural impact today.

A Los Angeles Times bestseller A New York Times Book Review “Editor’s Choice” Selection “Even the die-hardest Casablanca fan will find in this delightful book new ways to love the movie they were certain they could never love more.” —Sam Wasson, best-selling author of Fifth Avenue, 5 A.M. Casablanca is “not one movie,” Umberto Eco once quipped; “it is ‘movies.’” Film historian Noah Isenberg’s We’ll Always Have Casablanca offers a rich account of the film’s origins, the myths and realities behind its production, and the reasons it remains so revered today, over seventy-five years after its premiere.

Interviews, behind-the-scenes details, photographs, correspondences, and notes provide an overview of the production of the motion picture "Casablanca." Includes cast list, credits, and reviews.

Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German émigré directors—Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite early work with Max Reinhardt and F. W. Murnau, his auspicious debut with Siodmak on their celebrated Weimar classic People on Sunday, and the success of films like Detour and Ruthless, Ulmer spent most of his career as an itinerant filmmaker earning modest paychecks for films that have either been overlooked or forgotten. In this fascinating and well-researched account of a career spent on the margins of Hollywood, Noah Isenberg provides the little-known details of Ulmer’s personal life and a thorough analysis of his wide-ranging, eclectic films—features aimed at minority audiences, horror and sci-fi flicks, genre pictures made in the U.S. and abroad. Isenberg shows that Ulmer’s unconventional path was in many ways more typical than that of his more famous colleagues. As he follows the twists and turns of Ulmer’s fortunes, Isenberg also conveys a new understanding of low-budget filmmaking in the studio era and beyond.