Lock up your grandmothers! . . . When rock’s former biggest rebel loses everything, he’s forced to call in favors from all the rock star royalty whom he’d burned his entire career. With a trashed comeback tour, creditors on his ass, no record deal, a health issue he doesn’t even know how to spell, and nothing but a few bucks from the sale of his last guitar, Mike Mays is destitute for the first time in his rock star life. He’s forced to crash his estranged, uptight daughter’s tidy world, and when she kicks him out, to couch-surf halfway around the world at a ragtag farmhouse in Tuscany called Groove House—home to a pack of aging ex-rock stars, who aren’t thrilled to see him. Mike creates chaos at every turn, bulldozing everyone in his path. His raunchy offstage antics snagged headlines back in the ’70s and ’80s, but can the aging bad boy bluff his way out of his worst bungle yet and actually stage a comeback?

This landmark book, together with its accompanying CD, captures the heady excitement of the vibrant, irreverent poetry scene of New York's Lower East Side in the 1960s. Drawing from personal interviews with many of the participants, from unpublished letters, and from rare sound recordings, Daniel Kane brings together for the first time the people, political events, and poetic roots that coalesced into a highly influential community. From the poetry-reading venues of the early sixties, such as those at the Les Deux Mégots and Le Metro coffeehouses to The Poetry Project at St. Mark's Church, a vital forum for poets to this day, Kane traces the history of this literary renaissance, showing how it was born from a culture of publicly performed poetry. The Lower East Side in the sixties proved foundational in American verse culture, a defining era for the artistic and political avant-garde. The voices and works of John Ashbery, Amiri Baraka, Charles Bernstein, Bill Berkson, Ted Berrigan, Kenneth Koch, Bernadette Mayer, Ron Padgett, Denise Levertov, Paul Blackburn, Frank O'Hara, and many others enliven these pages, and the thirty five-track CD includes recordings of several of the poets reading from their work in the sixties and seventies. The Lower East Side's cafes, coffeehouses, and salons brought together poets of various aesthetic sensibilities, including writers associated with the so-called New York School, Beats, Black Mountain, Deep Image, San Francisco Renaissance, Umbra, and others. Kane shows that the significance for literary history of this loosely defined community of poets and artists lies in part in its reclaiming an orally centered poetic tradition, adapted specifically to open up the possibilities for an aesthetically daring, playful poetics and a politics of joy and resistance.

A charming drifter with the ability to read minds arrives in the farm town of Windmill, Indiana, and uses his gift to help people solve their problems--for a small fee. But when he offers to help Laura Connerson find her missing daughter, she finds out the price he's asking is too high.

In Welcome to the club, Manchester legend DJ Paulette shares the highs, lows and lessons of a thirty-year music career, with help from some famous friends. One of the Haçienda’s first female DJs, Paulette has scaled the heights of the music industry, playing to crowds of thousands all around the world, and descended to the lows of being unceremoniously benched by COVID-19, with no chance of furlough and little support from the government. Here she tells her story, offering a remarkable view of the music industry from a Black woman’s perspective. Behind the core values of peace, love, unity and respect, dance music is a world of exclusion, misogyny, racism and classism. But, as Paulette reveals, it is also a space bursting at the seams with powerful women. Part personal account, part call to arms, Welcome to the club exposes the exclusivity of the music industry while seeking to do justice to the often invisible women who keep the beat going.

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

The thought of hosting a dinner party or even having a friend over for coffee is enough to give some women flashbacks of lopsided cakes or doomed casseroles from home economics class. But opening up your home to others doesn't have to be fancy or frightening or cost a fortune, says Karen Ehman. In A Life That Says Welcome, she offers a practical, painless (no crafting or cooking aptitude required) course on hospitality. It helps busy women open up their hearts in order to open up their homes. Full of tips, ideas, recipes, to-dos, and how-tos, A Life That Says Welcome shows readers that opening up their homes is less scary and less work than they might think.

In a riveting new thriller, a tragic accident robs journalist Callie Reynolds of her beloved mother. In the aftermath, Callie and her father are shocked to learn Callie was secretly adopted by her mother. This mystifying cascade of events pushes Callie to discover who she really is. Her search leads her to the small town of Jefferson Bay, the place Callie was born. She rescues an old house from demolition and makes the leap into her new life. Not even in town for twenty-four hours, strange things begin to happen...