‘Weird Tales Volume 2’ (1885) was written by famous German Romantic author E.T.A. Hoffmann. Included in this second and final volume of short stories are: ‘The Doge and Dogess’, ‘Master Martin the Cooper,’ ‘Mademoiselle de Scudéri,’ ‘Gambler's Luck,’ ‘Master Johannes Wacht,’ and a bibliographic essay from the translator entitled, ‘Biographical Notes.’ These classic short stories are perfect for fans of horror and fantasy fiction and the authors H. P. Lovecraft and Neil Gaiman. Ernst Theodor Wilhelm Hoffmann (1776-1822), better known as E. T. A. Hoffmann, was a German Romantic author of fantasy and gothic horror. He was also a composer, music critic, draftsman and caricaturist. Hoffmann's stories inspired several famous operatic composers, including Richard Wagner, Jacques Offenbach and Léo Delibes. He is also the author of the novella ‘The Nutcracker and the Mouse King’, on which Tchaikovsky’s famous ballet, ‘The Nutcracker’ is based. The story also inspired the film ‘The Nutcracker and the Four Realms’ (2018), starring Keira Knightley, Morgan Freeman, Helen Mirren.

A compendium of really weird tales written in 1885 by E.T.A. Hoffmann, who was a Prussian Romantic author of fantasy and horror, a jurist, composer, music critic, draftsman and caricaturist. The title of this volume 'Weird Tales' inspired a horror magazine to adopt the same title for it.

John Cassaday continues his classic Lobster Johnson serial, while Mark Ricketts (_Nowheresville_) and Eric Wight (_Buffy the Vampire Slayer_) reduce special agent Kate Corrigan to tears and temper tantrums at the hands of her dead mother. Finally, Randy Stradley and Seung Kim, artist from the _Jackie Chan_ animated show, place Hellboy himself in a demonic hot spring. This eclectic mix of stories about the world's greatest paranormal detective and his friends and foes continues, driven by some of the most interesting mainstream and up-and-coming artists in comics.

This volume continues Sadowski’s biography of the famed Mad cartoonist. It includes scores of letters between Wolverton and his editors and publishers and excerpts from his personal diaries, providing documentary insight not only into Wolverton’s day-to-day life and career, but also the inner workings of the early comic book industry. It is also chock full of Wolverton’s comics stories from this period, including 17 science-fiction and horror tales fully restored and never before collected in a single volume.

When the pulp magazine Weird Tales appeared on newsstands in 1923, it proved to be a pivotal moment in the evolution of speculative fiction. Living up to its nickname, “The Unique Magazine,” Weird Tales provided the first real venue for authors writing in the nascent genres of fantasy, horror, and science fiction. Weird fiction pioneers such as H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Robert Bloch, Catherine L. Moore, and many others honed their craft in the pages of Weird Tales in the 1920s and 1930s, and their work had a tremendous influence on later generations of genre authors. In The Unique Legacy of Weird Tales: The Evolution of Modern Fantasy and Horror, Justin Everett and Jeffrey Shanks have assembled an impressive collection of essays that explore many of the themes critical to understanding the importance of the magazine. This multi-disciplinary collection from a wide array of scholars looks at how Weird Tales served as a locus of genre formation and literary discourse community. There are also chapters devoted to individual authors—including Lovecraft, Howard, and Bloch—and their particular contributions to the magazine. As the literary world was undergoing a revolution and mass-produced media began to dwarf high-brow literature in social significance, Weird Tales managed to straddle both worlds. This collection of essays explores the important role the magazine played in expanding the literary landscape at a very particular time and place in American culture. The Unique Legacy of Weird Tales will appeal to scholars and aficionados of fantasy, horror, and weird fiction and those interested in the early roots of these popular genres.