Bringing together the work of scholars in many disciplines, Women in the Metropolis provides a comprehensive introduction to women's experience of modernism and urbanization in Weimar Germany. It shows women as active participants in artistic, social, and political movements and documents the wide range of their responses to the multifaceted urban culture of Berlin in the 1920s and 1930s. Examining a variety of media ranging from scientific writings to literature and the visual arts, the authors trace gendered discourses as they developed to make sense of and regulate emerging new images of femininity. Besides treating classic films such as Metropolis and Berlin: Symphony of a Great City, the articles discuss other forms of mass culture, including the fashion industry and the revue performances of Josephine Baker. Their emphasis on women's critical involvement in the construction of their own modernity illustrates the significance of the Weimar cultural experience and its relevance to contemporary gender, German, film, and cultural studies.

Originally published: New York: G.P. Putnam's Sons, 1974.

Weimar Culture Revisited is the first book to offer an accessible cross-section of new cultural history approaches to the Weimar Republic. This collection uses an interdisciplinary approach and focuses on the everyday workings of Weimar culture to explain the impact and meaning of culture for German's everyday lives during this fateful era.

"Weimar Centennial edition with a new preface by the author."--Title page.

This volume reprints Paul Forman's classic papers on the history of the scientific profession in post-World War I Germany and the invention of quantum mechanics. The Forman thesis became famous for its demonstration of the cultural conditioning of scientific knowledge, in particular by showing the historical connection between the culture of Weimar Germany — known for its irrationality and antiscientism — and the emerging concept of quantum acausality. From the moment of its publication, Forman's research provoked intense historical and philosophical debates. In 2007, participants at an international conference in Vancouver, Canada, discussed the implications of the Forman thesis for contemporary historiography. Their contributions collected in this volume represent cutting-edge research on the history of the quantum revolution and of German science.

A study of German culture between the two wars, this book brilliantly traces the rise of the artistic, literary, and musical culture that bloomed ever so briefly in the 1920s amid the chaos of Germany's tenuous post-World War I democracy, and crashed violently in the wake of Hitler's rise to power. Includes a new Introduction. 16 illustrations.

Each chapter examines the correspondence of a particular psycho-analyst with a particular author.