Beating Time & Measuring Music in the Early Modern Era chronicles the shifting relationships between ideas about time in music and science from the sixteenth through the early nineteenth centuries. Centered on theories of musical meter, the book investigates the interdependence between theories of meter and conceptualizations of time from the age of Zarlino to the invention of the metronome. These formulations have evolved throughout the history of Western music, reflecting fundamental reevaluations not only of music but also of time itself. Drawing on paradigms from the history of science and technology and the history of philosophy, author Roger Mathew Grant illustrates ways in which theories of meter and time, informed by one another, have manifested themselves in the field of music. During the long eighteenth century, treatises on subjects such as aesthetics, music theory, mathematics, and natural philosophy began to reflect an understanding of time as an absolute quantity, independent of events. This gradual but conclusive change had a profound impact on the network of ideas connecting time, meter, character, and tempo. Investigating the impacts of this change, Grant explores the timekeeping techniques - musical and otherwise - that implemented this conceptual shift, both technologically and materially. Bringing together diverse strands of thought in a broader intellectual history of temporality, Grant's study fills an unexpected yet conspicuous gap in the history of music theory, and is essential reading for music theorists and composers as well as historical musicologists and practitioners of historically informed performance.

The application of standard measurement is a cornerstone of modern science. In this collection of essays, standardization of procedure, units of measurement and the epistemology of standardization are addressed by specialists from sociology, history and the philosophy of science.

Scholars from around the world collaborate to explain the history of parapsychology, the study of extrasensory perception (ESP), and the arguments of skeptics and supporters in this fascinating collection. This two-volume set introduces ESP—also known as anomalous cognition—and psychokinesis, addressing the history, research, philosophy, and scientific theories surrounding the phenomena. With contributions from leading research scientists from within the field of parapsychology and other areas of study, this reference addresses the fundamental questions that the evidence of ESP evokes; examines parapsychology research from all over the world; and explores the controversies, skepticism, and contemporary criticism disparaging the field. Written for a multidisciplinary audience ranging from physicists to psychologists to lay persons, the volumes present the scientific validity of the field. Volume 1 addresses the historical, philosophical, skeptical, and research viewpoints; volume 2 lays out the current theories on ESP. Chapters reveal how strict scientific protocols and state-of-the-art technologies enable scientists—at sites such as Harvard and Cornell universities to their international counterparts in Amsterdam, Austria, and Asia—to pinpoint and investigate ESP abilities. Appendices include a glossary of key terms in parapsychology, ESP research protocol, ESP research organizations, skeptic associations, and recommended reading.

The essays in the present volume attempt to historically reconstruct the various dependencies of philosophical and scientific knowledge of the material and technical culture of the Early Modern era and to draw systematic conclusions for the writing of Early Modern history of science.