This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.

"[The] story of the battle waged by Allied and Axis spies in the skies to obtain accurate aerial intelligence during the Second World War"--Page 4 of cover.

A vicious civil conflict erupted on the Korean peninsula in 1950 and sucked 24 nations into a new round of fighting. The world’s two atomic superpowers – the United States and the Soviet Union – menaced each other across an arbitrary border as Korea became the proving ground for a new Cold War. The odds faced by Australia’s young pilots were one in three, that they’d not come back. Or perhaps they’d just never be found, crash in flames into a foreign mountain and become nothing but names in a faraway cemetery. Most had no combat experience. Their planes were obsolete. Their orders were to dive upon a well-armed enemy with their bellies exposed, where one bullet to a fuel-tank meant an inescapable fireball. The Korean Kid is the story of Jim Kichenside and the Australian pilots who took to the skies in the ‘forgotten war’ on the Korean peninsula. Within a week of the North Korean invasion of the South on June 25, 1950, No.77 Fighter Squadron RAAF were in the air: the first United Nations air unit committed to the defence of the overrun South. Of the 340 Australians who perished in Korea, 41 were from 77 Squadron. In 1952, Jim Kichenside was the youngest pilot in 77 Squadron, at just 21 years of age. He entered the Korean theatre with just 8 hours of training on his Meteor jet. Dubbed ‘The Korean Kid’, Jim’s is a story of youth and resilience, of luck and loss, of young men thrust into a war against impossible odds – the first war of the jet age.

Much has been written about the White Australia Policy, but very little has been written about it from a Chinese perspective. Big White Lie shifts our understanding of the White Australia Policy - and indeed White Australia - by exploring what Chinese Australians were saying and doing at a time when they were officially excluded.Big White Lie pays close attention to Chinese migration patterns, debates, social organisations, and their business and religious lives. It shows that they had every right to be counted as Australians, even in White Australia. The book's focus on Chinese Australians provides a refreshing new perspective on the important role the Chinese have played in Australia's past at a time when China's likely role in Australia's future is more compelling than ever.