Winner of the Nobel Prize for Literature In the words of his translator, Ron Jenkins: "The Nobel committee's decision to honor Fo as a master of literature is a historic tribute to the theatre, which is still viewed by many as literature's bastard child; it is also the first time that the Nobel for the literary arts has been awarded to an actor. This courageous and controversial choice indirectly expands the modern definition of literature to include the power of the spoken word." Volume One includes: We Won't Pay We Won't Pay Elizabeth Archangels Don't Play Pinball About Face

Dario Fo, one of Italy's foremost playwrights, is a rarity- a Marxist with a sense of humor. This hilarious farce, a success Off Broadway and across the U.S., is set in motion when a housewife comes home with groceries she has swiped as part of a spontaneous community action where 300 women did the same. In her effort to keep her secret from her husband, she hides some of the groceries under her best friend's raincoat. Her husband and his friend the accomplice's husband notice the bulge, of course; but they believe the explanation that the accomplice is pregnant! Hilarity is piled upon hilarity as the characters try to extricate themselves from the mess they have gotten into. Eventually, they all unite to support the spontaneous resistance to eviction in their housing project.

When these one-acts were produced Off Broadway in New York, they were hailed as plays that bend your perceptions of theatre. In One for the Money, a man walks in asking the audience for donations. What does he really want? Moroccan Travel Guide is a visceral show and tells of a journey that begins in a boat in a dark cave. In The Queen of the Parting Shot, a woman desperately searches for an old memory. A runner-up contestant in The Audition is asked to give his second-prize performance. In the

Bertolt Brecht turned to cabaret; Ariane Mnouchkine went to the circus; Joan Littlewood wanted to open a palace of fun. These were a few of the directors who turned to popular theatre forms in the last century, and this sourcebook accounts for their attraction. Popular theatre forms introduced in this sourcebook include cabaret, circus, puppetry, vaudeville, Indian jatra, political satire, and physical comedy. These entertainments are highly visual, itinerant, and readily understood by audiences. Popular Theatre: A Sourcebook follows them around the world, from the bunraku puppetry of Japan to the masked topeng theatre of Bali to South African political satire, the San Francisco Mime Troupe's comic melodramas, and a 'Fun Palace' proposed for London. The book features essays from the archives of The Drama Review and other research. Contributions by Roland Barthes, Hovey Burgess, Marvin Carlson, John Emigh, Dario Fo, Ron Jenkins, Joan Littlewood, Brooks McNamara, Richard Schechner, and others, offer some of the most important, informative, and lively writing available on popular theatre. Introducing both Western and non-Western popular theatre practices, the sourcebook provides access to theatrical forms which have delighted audiences and attracted stage artists around the world.

With joy and grace to accompany the readers to have the translocal tour to visit about thirty-seven works, this monograph applies the academic critical theories of Performance Studies, Film Studies, Psychoanalysis, Postmodernism, and Visual Culture, to interpreting the special selection works. The focus and common theme are on race, body, and class. With the background of COVID-19 since 2019 up to the present, the book offers the readers with the remarkable insight of human beings’ accumulated wisdom and experiences in surviving with the dreadful diseases like the plagues in Shakespeare’s time. After the supreme reading, may the global readers in the world acquire the knowledge and power to live in sustainability with education and entertainment of films, performances, and online streaming Netflix TV dramas.

The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.