Perhaps most striking is the human face of affirmative action today, which emerges radiantly from the stories gathered here.

In Across the Distance we heard from Jillian, now its time to hear Griffin's side of the story... "I could not put it down . . . Loved it!" -- Jen McLaughlin, New York Times bestselling author on Across the Distance When Jillian moved next door, she refused to get out of the car. I climbed into the backseat beside her and promised to never leave her. Now, I'm driving her a thousand miles away, so she can leave me. She has to go. What else would she do? Follow me and my band from one cheap bar to another, get hit on by sleazy promoters? Because Jillian would definitely get hit on. She's the most gorgeous, talented girl I've ever known, and she doesn't even see it. This scholarship gives Jillian the chance to study at the best design school in the country. It's what she's always wanted. I won't stand in the way of her dreams, no matter how much it hurts to watch her go. I just wish she wasn't leaving without knowing the truth . . .

Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women

You have to do it everyday And I know it will be hard, some days it may feel even impossible But you have to believe in your Self and I promise you'll never Experience setbacks from the Hands of believing in yourself Just get it done

Few issues in contemporary U.S> politics have remained on the public agenda so long and so divisively as abortion policy. The landmark Supreme Court decision of Roe v. Waade, which held that laws prohibiting first trimester abortions were illegal because they violated a woman's right to privacy, still generates heated controversy today, a quarter of a century after it was made. The seeds of that controversy were sown in the seven years immediately preceding Roe, when state legislatures tried to reconcile religious opposition to abortion and individuals' civil liberties. In this groundbreaking book, Rosemary Nossiff examines the force that shaped abortion policy during those years, and the ways in which states responded to them. To provide in-depth analysis while still looking broadly at the picture, she studies New York, which passed the most permissive abortion bill in the country, and Pennsylvania, which passed one of the most restrictive. That these two states, which share similar demographic, political, and economic characteristics, should reach two such different outcomes provides a perfect case study for observing political dynamics at the state level. Nossiff examines the medical, religious, and legal discourses employed on both sides of the debate, as well as the role played by feminist discourse. She looks at the role of the political parties in the campaigns, as well as such interest groups as the National Council of Catholic Bishops, the Clergy Consultation Service, the National Organization for Women, and the National Association for the Repeal of Abortion Laws. In addition, she analyzes the strategies used by both sides, as well as partisan and institutionalized developments that facilitated success or failure. Finally, in the Epilogue, she assesses the Roe decision and its aftermath, including an analysis of the pro-life movement in Pennsylvania. As the author remarks, "Without question people's positions on abortion are shaped by a myriad of social, moral, and economic factors. But ultimately abortion policy is shaped in the political arena. This book examines how one of the most intimate decisions a woman makes, whether to continue or terminate a pregnancy, has become one of the most politicized issues in contemporary American politics.

The Fan is a young city that consists of three races. Humans: possessing no supernatural power, Elementals: able manipulate matter, and Imps: the failed and mutated attempt at a man-made Elemental. Like the Fan that exists in a delicate balance, Lilah's natural born Elemental family is constantly on the brink. With her mother slowly wasting away from an incurable illness for ten years, she lives every day with her like it's the last. In that time, her father, one of the strongest Elementals alive, used his very life-force to keep his wife going. Until one day...he didn't.