Dr. Ben destroys the myth of a "white Jewish race" and the bigotry that has denied the existence of an African Jewish culture. He establishes the legitimacy of contemporary Black Jewish culture in Africa and the diaspora and predates its origin before ancient Nile Valley civilizations.

Explores the full diversity of Black Jews, including bi-racial Jews of both matrilineal and patrilineal descent; adoptees; black converts to Judaism; and Black Hebrews and Israelites, who trace their Jewish roots to Africa and challenge the dominant western paradigm of Jews as white and of European descent. The book showcases the lives of Black Jews, demonstrating that racial ascription has been shaping Jewish selfhood for centuries. It reassesses the boundaries between race and ethnicity, offering insight into how ethnicity can be understood only in relation to racialization and the one-drop rule. Within this context, Black Jewish individuals strive to assert their dual identities and find acceptance within their communities. Putting to rest the notion that Jews are white and the Black Jews are therefore a contradiction, the volume argues that we cannot pigeonhole Black Hebrews and Israelites as exotic, militant, and nationalistic sects outside the boundaries of mainstream Jewish thought and community life. it spurs us to consider the significance of the growing population of self-identified Black Jews and its implications for the future of American Jewry.

Black Jews in Africa and the Americas tells the fascinating story of how the Ashanti, Tutsi, Igbo, Zulu, Beta Israel, Maasai, and many other African peoples came to think of themselves as descendants of the ancient tribes of Israel. Pursuing medieval and modern European race narratives over a millennium in which not only were Jews cast as black but black Africans were cast as Jews, Tudor Parfitt reveals a complex history of the interaction between religious and racial labels and their political uses. For centuries, colonialists, travelers, and missionaries, in an attempt to explain and understand the strange people they encountered on the colonial frontier, labeled an astonishing array of African tribes, languages, and cultures as Hebrew, Jewish, or Israelite. Africans themselves came to adopt these identities as their own, invoking their shared histories of oppression, imagined blood-lines, and common traditional practices as proof of a racial relationship to Jews. Beginning in the post-slavery era, contacts between black Jews in America and their counterparts in Africa created powerful and ever-growing networks of black Jews who struggled against racism and colonialism. A community whose claims are denied by many, black Jews have developed a strong sense of who they are as a unique people. In Parfitt’s telling, forces of prejudice and the desire for new racial, redemptive identities converge, illuminating Jewish and black history alike in novel and unexplored ways.

"This book presents, one by one, the different groups of Black Jews in Western central, eastern, and southern Africa and the ways in which they have used and imagined their oral history and traditional customs to construct a distinct Jewish identity. It explores the ways in which Africans have interacted with the ancient mythological sub-strata of both western and African ideas of Judaism."--Résumé de l'éditeur.

Seldom has a small grassroots organization polarized American Jewry as did the American Association for Ethiopian Jews (AAEJ) and seldom has a grassroots organization been so successful. How were five governments persuaded that it was to their interest to allow the threatened Jews of Ethiopia to fulfill their dream of rejoining their brethren in Israel? From 1974 through 1991, active AAEJ members demonstrated that it was possible to rescue black Jews from Africa. They enlisted the support of college students, American Rabbis, editors of the Jewish press and other Zionists. Lenhoff's memoir provides many untold stories behind this historic drama: How Israeli Ethiopian Jews and Americans Jews worked secretly to rescue over 1,000 Ethiopian Jews. How Jerry Weaver masterminded Operation Moses - the first mass exodus of black Africans as free people - not as slaves. How two gutsy American women set up a situation allowing Israel to rescue 14,000 Ethiopian Jews in one day of Operation Solomon. There is more: the intrigues in Israel between the politics of religion and the Law of Return; the daring heroic adventures of courageous Ethiopian Jews as they trekked from Ethiopia to Sudan. These are the stories of activists who challenged the establishment and won! Black Jews, Jews, and Other Heroes is written from the first-hand experiences of one of the AAEJ's three Presidents, scholar-activist Howard Lenhoff. Lenhoff and Gefen Publishing House are especially pleased to present also as part of this book, the untold story of "righteous gentile," Jerry Weaver.

"Black Power, Jewish Politics expands with this revised edition that includes the controversial new preface, an additional chapter connecting the book's themes to the national reckoning on race, and a foreword by Jews of Color Initiative founder Ilana Kaufman that all reflect on Blacks, Jews, race, white supremacy, and the civil rights movement"--

An analysis of the Leo Frank case as a measure of the complexities characterizing the relationship between African Americans and Jews in America In 1915 Leo Frank, a Northern Jew, was lynched in Georgia. He had been convicted of the murder of Mary Phagan, a young white woman who worked in the Atlanta pencil factory managed by Frank. In a tumultuous trial in 1913 Frank's main accuser was Jim Conley, an African American employee in the factory. Was Frank guilty? In our time a martyr's aura falls over Frank as a victim of religious and regional bigotry. The unending controversy has inspired debates, movies, books, songs, and theatrical productions. Among the creative works focused on the case are a ballad by Fiddlin' John Carson, David Mamet's novel "The Old Religion" in 1997, and Alfred Uhry and Jason Robert Brown's musical "Parade" in 1998. Indeed, the Frank case has become a touchstone in the history of black-Jewish cultural relations. How- ever, for too long the trial has been oversimplified as the moment when Jews recognized their vulnerability in America and began to make common cause with African Americans. This study has a different tale to tell. It casts off old political and cultural baggage in order to assess the cultural context of Frank's trial, and to examine the stress placed on the relationship of African Americans and Jews by it. The interpretation offered here is based on deep archival research, analyses of the court records, and study of various artistic creations inspired by the case. It suggests that the case should be understood as providing conclusive early evidence of the deep mutual distrust between African Americans and Jews, a distrust that has been skillfully and cynically manipulated by powerful white people. "Black-Jewish Relations on Trial" is concerned less with what actually happened in the National Pencil Company factory than with how Frank's trial, conviction, and lynching have been used as an occasion to explore black-Jewish relations and the New South. Just as with the O. J. Simpson trial, the Frank trial requires that Americans make a profound examination of their essential beliefs about race, sexuality, and power. Jeffrey Melnick is an assistant professor of American studies at Babson College and the author of "A Right to Sing the Blues: African Americans, Jews, and American Popular Song."