Drawing on the collected archives of distinguished twentieth-century Black woman writers such as Lucille Clifton, Audre Lorde, Toni Cade Bambara, Lorraine Hansberry, and others, Marina Magloire traces a new history of Black feminist thought in relation to Afro-diasporic religion. Beginning in the 1930s with the pathbreaking ethnographic work of Katherine Dunham and Zora Neale Hurston in Haiti and ending with the present-day popularity of Afro-diasporic spiritual practices among Black women, she offers an alternative genealogy of Black feminism, characterized by its desire to reconnect with ancestrally centered religions like Vodou. Magloire reveals the tension, discomfort, and doubt at the heart of each woman's efforts to connect with ancestral spiritual practices. These revered writers are often regarded as unchanging monuments to Black womanhood, but Magloire argues that their feminism is rooted less in self-empowerment than in a fluid pursuit of community despite the inevitable conflicts wrought by racial capitalism. The subjects of this book all model a nuanced Black feminist praxis grounded in the difficult work of community building between Black women across barriers of class, culture, and time.

More than twenty years after the ground-breaking anthology This Bridge Called My Back called upon feminists to envision new forms of communities and practices, Gloria E. Anzaldúa and AnaLouise Keating have painstakingly assembled a new collection of over eighty original writings that offers a bold new vision of women-of-color consciousness for the twenty-first century. Written by women and men--both "of color" and "white"--this bridge we call home will challenge readers to rethink existing categories and invent new individual and collective identities.

Erotic Testimonies draws inspiration from Audre Lorde's "Uses of the Erotic" to explore how Black women access their interiority and use their feelings to engage in processes of self-actualization and make themselves free. Blending genres and resisting the confines of conventional scholarly analysis, Julia S. Jordan-Zachery undertakes what she characterizes as a performative embodied reading of testimonies by four "wild" women from her own life. Jordan-Zachery takes care not to define what constitutes a wild woman—that's been done enough to oppressive ends—but rather tends to these women's forms and means of self-articulation. Complex accounts of wildness, freedom, femininity, the erotic, and the divine emerge from her field notes. Erotic Testimonies attests to the experience of the individual as well as, and even more importantly, how the individual speaks to a broader collective that here includes Lorde, bell hooks, Toni Morrison, Janet Jackson, the author, her grandmother, and many more.

From the USA Today & International Bestselling author of the Saga of Crimson & Clover comes a gripping new epic fantasy world that will leave you breathless to the very last page. A crown woven together by lies. A kingdom with the power to unravel them. Four Reaches. Four brides. Only a fortnight separates the young women from becoming reluctant queens of the usurper king, Eoghan Rhiagain. Twenty years earlier, King Eoghan’s father cunningly devised marriages between the highborn sons and daughters of the oft-warring Reaches, sealing the unions before they could protest, shattering existing betrothals in place of forced alliances. Now, Eoghan, the cruel boy king who stole his crown through murder, demands the eldest daughters of these unions. To accept is unfathomable. To refuse is treason. The lords and ladies of the kingdom have no choice but to prepare their beloved daughters for the horrors ahead. But they’ll soon discover there are no longer any daughters left to present. All four have disappeared, painting the world with their rebellion. Theirs is not the only rebellion. Across the kingdom, little fires light within. From the enigmatic sorcerers in the northern mountains, to the magi who both wield and regulate the kingdom’s magic, and beyond... to a place where two prisoners are not what they seem. As the Reaches ready themselves to face the king, the kingdom hovers on the edge of chaos. And there are many who recall, in candlelit secrecy, tales of a time before... 👑 Evil King ⚔️ Formidable Women 👑 Raven Priestesses ⚔️ Arranged Marriages 👑 Found Family ⚔️ Enemies to Lovers 👑 Friends to Lovers ⚔️ Multiple Romantic Subplots 👑 Unique Magic System ⚔️ Revenge 👑 Medieval Fantasy ⚔️ Forbidden Romance 👑 Epic Worldbuilding ⚔️ Politics and Intrigue For content warnings, please visit sarahmcradit.com.

Through the stories of women in movement in the Americas, Europe and Australasia, this book explores a decolonising and feminised politics of liberation which is being weaved through the words and worlds of black, colonised and subaltern women. These stories demonstrate the complex and multiple forms of critique as practice that are being developed by women in movement in multiple sites of the Global South. Written through story, prose, poetry, analysis and offering case-studies, methodologies, practices and generative questions the book expresses and contributes to the (co) creation of a new language of liberation. This is an enfleshed language in which there is a return of the world to the word, of the body to the text, and of the heart/womb to thought. This is a language of the political in which a new political subjectivity that is multiple, deeply relational and becoming is formed. The book offers a window onto the complexities and depths of the wounding enacted by patriarchal capitalist coloniality through these stories but it also offers, through sharing and conceptualising prefigurative and dialogical co-creation of critique, the gift of practices of healing as emancipation, and the conditions of possibility for our collective liberation.

A crown woven together by lies. A kingdom with the power to unravel them. The bestselling epic fantasy trilogy, Kingdom of the White Sea, in a single collection. When the cruel usurper king demands the firstborn daughters from every lordship in the realm, the lords and ladies have no choice but to obey, or invite war. The four young women, though, have their own plan. One that will send the realm into a chaos that will change the lives and futures of everyone in it. This collection includes all three books in the trilogy—and over half a million words of treachery, bravery, and redemption: The Kingless Crown- 610 pages The Broken Realm- 690 pages The Hidden Kingdom- 736 pages "This is the new series Game of Thrones fans have been waiting for!"- Melanie, Melanie's Muses "A riveting tale of suspense, secrets, and magic you won't want to put down."- International Bestselling Author Rebecca L. Garcia "One word. PHENOMENAL. A must read! Completely sucked me in from page one. 10/10!"- Aubrie Nixon, Fantasy Author of Secret of Souls "The first of an epic series that will no doubt have a cult following. Simply superb."- Award Winning Author Julieanne Lynch "Cradit has no doubt established herself in the epic fantasy genre with this novel. I cannot wait to return to the Kingdom of the White Sea. I'm hooked!" —Greg Wilkey, Bestselling Author of YA and NA Fiction "Captivating like gold. Mesmerizing like diamonds. A new fantasy to trail blazes like Sarah J Maas and Leigh Bardugo!"- Laura, The Literary Vixen and #NerdGirlVixen

Prejudice is often not a conscious attitude: because of ingrained habits in relating to the world, one may act in prejudiced ways toward others without explicitly understanding the meaning of one’s actions. Similarly, one may know how to do certain things, like ride a bicycle, without being able to articulate in words what that knowledge is. These are examples of what Alexis Shotwell discusses in Knowing Otherwise as phenomena of “implicit understanding.” Presenting a systematic analysis of this concept, she highlights how this kind of understanding may be used to ground positive political and social change, such as combating racism in its less overt and more deep-rooted forms. Shotwell begins by distinguishing four basic types of implicit understanding: nonpropositional, skill-based, or practical knowledge; embodied knowledge; potentially propositional knowledge; and affective knowledge. She then develops the notion of a racialized and gendered “common sense,” drawing on Gramsci and critical race theorists, and clarifies the idea of embodied knowledge by showing how it operates in the realm of aesthetics. She also examines the role that both negative affects, like shame, and positive affects, like sympathy, can play in moving us away from racism and toward political solidarity and social justice. Finally, Shotwell looks at the politicized experience of one’s body in feminist and transgender theories of liberation in order to elucidate the role of situated sensuous knowledge in bringing about social change and political transformation.