One of our most perceptive critics on the ways that poets develop poems, a career, and a life Though it seems, at first, like an art of speaking, poetry is an art of listening. The poet trains to hear clearly and, as much as possible, without interruption, the voice of his or her mind, the voice that gathers, packs with meaning, and unpacks the language he or she knows. It can take a long time to learn to let this voice speak without getting in its way. This slow learning, the growth of this habit of inner attentiveness, is poetic development, and it is the substance of the poet’s art. Of course, this growth is rarely steady, never linear, and is sometimes not actually growth but diminishment—that’s all part of the compelling story of a poet’s way forward. —from the Introduction “The staggering thing about a life’s work is it takes a lifetime to complete,” Craig Morgan Teicher writes in these luminous essays. We Begin in Gladness considers how poets start out, how they learn to hear themselves, and how some offer us that rare, glittering thing: lasting work. Teicher traces the poetic development of the works of Sylvia Plath, John Ashbery, Louise Glück, and Francine J. Harris, among others, to illuminate the paths they forged—by dramatic breakthroughs or by slow increments, and always by perseverance. We Begin in Gladness is indispensable for readers curious about the artistic life and for writers wondering how they might light out—or even scale the peak of the mountain.

One of our most perceptive critics on the ways that poets develop poems, a career, and a life Though it seems, at first, like an art of speaking, poetry is an art of listening. The poet trains to hear clearly and, as much as possible, without interruption, the voice of his or her mind, the voice that gathers, packs with meaning, and unpacks the language he or she knows. It can take a long time to learn to let this voice speak without getting in its way. This slow learning, the growth of this habit of inner attentiveness, is poetic development, and it is the substance of the poet’s art. Of course, this growth is rarely steady, never linear, and is sometimes not actually growth but diminishment—that’s all part of the compelling story of a poet’s way forward. —from the Introduction “The staggering thing about a life’s work is it takes a lifetime to complete,” Craig Morgan Teicher writes in these luminous essays. We Begin in Gladness considers how poets start out, how they learn to hear themselves, and how some offer us that rare, glittering thing: lasting work. Teicher traces the poetic development of the works of Sylvia Plath, John Ashbery, Louise Glück, and Francine J. Harris, among others, to illuminate the paths they forged—by dramatic breakthroughs or by slow increments, and always by perseverance. We Begin in Gladness is indispensable for readers curious about the artistic life and for writers wondering how they might light out—or even scale the peak of the mountain.

Travel the globe on an inspiring journey through the animal kingdom. A Song of Gladness is a timely reminder of the beauty and importance of the natural world from two of today's most celebrated children's book creators. From a blackbird in a Devon garden to leopards in the African savanna, hibernating bears and chimpanzees high in the forest canopy, A Song of Gladness reminds us all of our connection with nature, and with each other, and the urgent need for us to join together in caring for the planet and every creature in it. Former Children's Laureate and CILIP Carnegie Medal winner Sir Michael Morpurgo's beautiful story is both moving and full of hope; the illustrations from twice CILIP Kate Greenaway-winning Emily Gravett are breathtaking. This gorgeous book is a classic in the making and the perfect gift for any animal and nature lover.

Neo-confessional poems about moving back to the suburbs, raising a family, sustaining a marriage, and facing the humility that comes with not being young anymore.

Best-selling author Michael Konik abstained from using, or even trying marijuana until he was nearly 40. Then he went to Amsterdam. No longer able to dismiss pot as an herbal evil, he began to celebrate its salutary effects. Seven years later, Konik has penned an provocative and intelligent examination of America's most politically potent plant.

Drawing on extensive research and steeped in the culture of daily life in nineteenth-century Persia, this is the definitive account of the life of Tahiriha renowned poetess and one of the leading feminists of her time. She spent her life denouncing the second-class status of women, and was eventually martyred for her outspokenness and courage in the face of the male governing establishment in Persia.