The creative force behind the '60s superband, The Kinks, offers his debut collection of short stories.

"Edwards skillfully weaves the strands together [in] this twisty whodunit." —Publishers Weekly This atmospheric, fast-moving and intricate thriller features Harry Devlin, one of modern crime fiction's most memorable amateur detectives, in the deadliest case of his life. A notice announcing that Harry Devlin died suddenly on Midsummer's Eve arrives at the office of his law firm one June day. Harry isn't happy to read it: Midsummer's Eve is less than a week away. His partner Jim Crusoe treats the message as a joke, but Harry isn't so sure. Meanwhile, young women are being murdered in Harry's home city of Liverpool. When a friend who has asked to meet him becomes the latest victim, Harry becomes a suspect. He's soon fighting for survival on two fronts. Even as he unravels the shocking secret behind the murders, Harry must discover and confront the enemy who wants him dead if he is to live to see Midsummer's Day.

Who knew that Paul McCartney originally referred to Yesterday as 'Scrambled Eggs' because he couldn't think of any lyrics for his heart-breaking tune? Or that Patti LaBelle didn't know what 'Voulez-vous couches avec moi ce soir?' actually meant? These and countless other fascinating back stories of some of our best-known and best-loved songs fill this book, a collection of the highly successful weekly The Life of a Song columns that appear in the FT Weekend every Saturday. Each 600-word piece gives a mini-biography of a single song, from its earliest form (often a spiritual, or a jazz number), through the various covers and changes, often morphing from one genre to another, always focusing on the 'biography' of the song itself while including the many famous artists who have performed or recorded it. The selection covers a wide spectrum of the songs we all know and love - rock, pop, folk, jazz and more. Each piece is pithy, sparkily written, knowledgeable, entertaining, full of anecdotes and surprises. They combine deep musical knowledge with the vivid background of the performers and musicians, and of course the often intriguing social and political background against which the songs were created.

"This is an urban history of London during the pivotal years of the 1960s and 1970s, when the metropolis was transformed from an industrial city that the Victorians might have recognised to an embryonic modern 'world city.' Previous work on London in these years has tended to focus upon the 1960s -in particular the 'Swinging London' phenomenon. Mary Quant, Carnaby Street and the King's Road, Chelsea, all appear in these pages, but it is argued that the 'swinging moment' of the mid-sixties was a passing symptom of a much broader transformation from an industrial to a service-based city, and it is that transformation which this book examines. London is too complex and diverse a city to be comprehended in a simple linear narrative; this book adopts instead an innovative approach to urban history, by which London life and London's transformation are examined through a number of case studies looking at specific themes and areas of the city. Consumerism and the 'experience economy', home ownership and gentrification, deindustrialisation and deprivation, racial tension and unemployment, the attrition of public services and the steady loss of confidence in public agencies - national and local - emerge as overarching themes from the individual case studies in this book. Their combined effect, it is argued, was to prepare the ground for the Britain that Margaret Thatcher is usually held to have created after 1979 - without Thatcher herself having anything to do it"--

The fascinating history of Waterloo Station illustrated through old and modern pictures in a fully updated edition.

This illustrated account of one of British history's great national events is the first ever published having as its sole subject the state and private funeral of Sir Winston Churchill. Significantly, 2015 marks the 50th anniversary of Churchill's death and it is 120 years since the death of Churchill's father, Lord Randolph, who died on 24 January 1895. The year 2015 is also the 70th anniversary of the end of World War Two, in which Churchill played such a pivotal and dynamic role. The book covers all aspects of Operation Hope Not - the codename for the arrangements for Churchill's state funeral - the details of which only made available to the public in 1996 under the 30-year official secrets rule. The author was given access to archive papers at Arundel Castle; the Churchill Archives Centre at Churchill College, Cambridge; the National Archives at Kew; and the College of Arms in London. In 2013 he interviewed The 11th Duke of Marlborough - who, as the Marquis of Blandford, greeted and then accompanied the mourners after the service at St. Paul's Cathedral; on the funeral train to Hanborough; then on to St. Martin's Church, Bladon, where Churchill's burial took place. The author also interviewed in 2013 the Countess of Avon, Churchill's niece, who attended the funeral, and Mrs. Minnie Churchill, who attended Churchill's Lying-in-State and is the mother of Churchill's living heir, Randolph Churchill - Winston Churchill's great-grandson.'Churchill's Final Farewell' also explains aspects of state and ceremonial funerals, together with details of that of Churchill; the reasons for Waterloo Station, not Paddington, being chosen as the departure point to Bladon, where Churchill lies, and the story of his interment there. There are also particulars of some rather special champagne served on the funeral train with a personal message from Winston - stories that the 16th Duke of Norfolk, The Earl Marshall of England (responsible for all the arrangements for Operation Hope Not) told his close friend, the great English bowler Alec Bedser.

You Really Got Me is Nick Hasted’s illuminating biography of The Kinks, drawing on years of in-depth interviews with Ray and Dave Davies and shedding new light on a turbulent 30-year career scarred by suicide attempts, on-stage fights and recurring mental breakdowns. The Kinks’ distorted fuzz cut through popular music like a chainsaw and unexpectedly propelled two brothers from North London straight to the heights of stardom, to stand alongside The Beatles and The Rolling Stones. With exclusive interviews Nick Hasted untangles this turbulence: Why The Kinks became the only British group to be banned from America at the height of their success; why original bassist Pete Quaife quit in 1968; Ray Davies’ fraught relationship with Chrissie Hynde; how The Kinks’ later years rehabilitated their reputation in America. Updated to include details of the hit musical Sunny Afternoon and an up-to-the-minute report on the troubled relationship between the Davies brothers, You Really Got Me is the ultimate Kinks biography. “Keen eyed critique of a most contrary band” Uncut “Hasted is illuminating” Guardian