"I never expected that a Red-Blood could be so loyal...to follow one of these water damned abominations to their death." The icy harsh voice mocked. The bitter laughter made his blood boil. But what could he do? He stared, horrified, as she was suddenly loomed over by him. She looked so small in his shadow, helpless, as powerless as he felt. The Hunter tore her Lifestone from her, a conquering grin on his face. He lifted his leg, bringing it down on her wounded abdomen, causing her to cry out in pain and throwing her another pace away. She shook once, and lay motionless, the ever growing black void around her sapping what little strength she had.

The remarkable eighty-five-day journey of the first two women to canoe the 2,000-mile route from Minneapolis to Hudson Bay Unrelenting winds, carnivorous polar bears, snake nests, sweltering heat, and constant hunger. Paddling from Minneapolis to Hudson Bay, following the 2,000-mile route made famous by Eric Sevareid in his 1935 classic Canoeing with the Cree, Natalie Warren and Ann Raiho faced unexpected trials, some harrowing, some simply odd. But for the two friends—the first women to make this expedition—there was one timeless challenge: the occasional pitfalls that test character and friendship. Warren’s spellbinding account retraces the women’s journey from inspiration to Arctic waters, giving readers an insider view from the practicalities of planning a three-month canoe expedition to the successful accomplishment of the adventure of a lifetime. Along the route we meet the people who live and work on the waterways, including denizens of a resort who supply much-needed sustenance; a solitary resident in the wilderness who helps plug a leak; and the people of the Cree First Nation at Norway House, where the canoeists acquire a furry companion. Describing the tensions that erupt between the women (who at one point communicate with each other only by note) and the natural and human-made phenomena they encounter—from islands of trash to waterfalls and a wolf pack—Warren brings us into her experience, and we join these modern women (and their dog) as they recreate this historic trip, including the pleasures and perils, the sexism, the social and environmental implications, and the enduring wonder of the wilderness.

For Lev Prakenskii, the last thing he remembers is being lost in the swirling currents of the ocean and sucked deeper into the nothingness of a freezing black eddy off the coastal town of Sea Haven. Just as quickly, just as miraculously, he was saved - pulled ashore by a beautiful stranger - but Lev has no memory of who he was - or why he seems to possess the violent instincts of a trained killer. All he knows is that he fears for his life, and the life of his unexpected saviour. Her name is Rikki, a sea-urchin diver in the small town of Sea Haven. She always felt an affinity for the ocean and the seductive pull of the tides - and now, for the enigmatic man she rescued. But soon they will be bound by something even stronger - each other's tantalising secrets that will engulf them both in a whirlpool of dizzying passion and inescapable danger.

Bound for Blue Water is written and complied by J Russell Jinishian, an internationally recognized authority on contemporary marine art. Informative essays on fishing , commerce, yachting, military, and coastal marine art are written for the beginning enthusiast and the experienced collector alike. Leading artists bring to life a picture of maritime America from the ports of New York and New England, to Miami, New Orleans, San Francisco and the Northwest. Portrayed here is every waterborne vessel from clipper ships and classic sailing yachts to early-twentieth-century seiners of Gloucester Harbor : from Hudson Bay and NewEngland whaling ships to tugs and ocean liners of the twentieth century; from Boston's bustling T-Warf , to brigantines in the U.S> Exploring Expedition. Highlighting key movements and artists, this is the book that collectors and enthusiasts have been waiting for.

This book presents a comprehensive review of the characteristics of bound water and its use in food processing. The significance of bound water in food is discussed in terms of quality, energy consumption and cost. Also included is a thorough discussion on the emerging and appropriate measuring techniques of bound water in food materials. The challenges involved with bound water measurement and strategies for bound water removal during processing are covered in order to establish the appropriate conditions for food preservation. This work presents researchers with a clear, up-to-date concept of bound water and its significance in food processing and preservation. Despite the importance of bound water in food processing, there are limited resources for researchers seeking an in-depth understanding of bound water in food materials. This is the first reference work dedicated to discussing the details of bound water in food materials and its significance in food processes and preservation, from its special characteristics to its energy consumption to its measurement and techniques. State of Bound Water: Measurement and significance in food processing is a singular work in the field of food preservation and processing arena.

A “miraculous” (Newsweek) human drama, based on a true story, from the renowned author of The Prince of Tides and The Great Santini The island is nearly deserted, haunting, beautiful. Across a slip of ocean lies South Carolina. But for the handful of families on Yamacraw Island, America is a world away. For years the people here lived proudly from the sea, but now its waters are not safe. Waste from industry threatens their very existence unless, somehow, they can learn a new way. But they will learn nothing without someone to teach them, and their school has no teacher—until one man gives a year of his life to the island and its people. Praise for The Water Is Wide “Miraculous . . . an experience of joy.”—Newsweek “A powerfully moving book . . . You will laugh, you will weep, you will be proud and you will rail . . . and you will learn to love the man.”—Charleston News and Courier “A hell of a good story.”—The New York Times “Few novelists write as well, and none as beautifully.”—Lexington Herald-Leader “[Pat] Conroy cuts through his experiences with a sharp edge of irony. . . . He brings emotion, writing talent and anger to his story.”—Baltimore Sun