The New England Watch and Ward Society provides a new window into the history of American Protestantism during the late nineteenth and early twentieth centuries. By suppressing obscene literature, gambling, and prostitution, the moral reform organization embodied Protestant efforts to shape public morality in an increasing intellectually and culturally diverse society.

The grit of grimdark meets a police procedural in this rollicking debut fantasy series where two watchmen protect the streets of one of fantasy's most dangerous cities. A member of the Yenara City guard has gone missing. The culprit could be any of the usual suspects: drug-dealing orcs, mind-controlling elves, uncooperative mages, or humans being typical humans. It's up to two reluctant partners -- Rem, a miscreant who joins the Watch to pay off his bail, and Torval, a maul-wielding dwarf who's highly unimpressed with the untrained Rem -- to uncover the truth and catch the murderer loose in their fair city. "A brilliant premise, wonderfully told. A city that breathes, and heroes you can't help but root for." -- Nicholas Eames, author of Kings of the Wyld "A glorious tour through fantasy's seamier side. A wilder ride than Middle Earth, and you'll love every minute of it!" -- Jon Hollins, author of the Dragon Lords series

A lively history of the Watch and Ward Society--New England's notorious literary censor for over eighty years. Banned in Boston is the first-ever history of the Watch and Ward Society--once Boston's unofficial moral guardian. An influential watchdog organization, bankrolled by society's upper crust, it actively suppressed vices like gambling and prostitution, and oversaw the mass censorship of books and plays. A spectacular romp through the Puritan City, here Neil Miller relates the scintillating story of how a powerful band of Brahmin moral crusaders helped make Boston the most straitlaced city in America, forever linked with the infamous catchphrase "banned in Boston."

Wealthy and leisured Roger Lawrence adopts an orphaned twelve-year-old girl, Nora Lambert, and raises her as his eventual bride-to-be, but once Nora matures into a beautiful young woman, she is attracted to two other men. Henry James later disowned the book and spoke of "Roderick Hudson" as his first novel

"Comprising over 500 entries on the essential topics and informed by the latest theory and research, this innovative reference resource offers a state-of-the-art survey of the fields of criminology and criminal justice. It combines this breadth of coverage with the authority and international perspective of an experienced editorial team, creating a definitive reference resource for students, scholars, and professionals."--Publisher's description.

From a strange, dark chapter in American political history comes the captivating story of Ted Kennedy's 1980 campaign for president against the incumbent Jimmy Carter, told in full for the first time. The Carter presidency was on life support. The Democrats, desperate to keep power and yearning to resurrect former glory, turned to Kennedy. And so, 1980 became a civil war. It was the last time an American president received a serious reelection challenge from inside his own party, the last contested convention, and the last all-out floor fight, where political combatants fought in real time to decide who would be the nominee. It was the last gasp of an outdated system, an insider's game that old Kennedy hands thought they had mastered, and the year that marked the unraveling of the Democratic Party as America had known it. Camelot's End details the incredible drama of Kennedy's challenge -- what led to it, how it unfolded, and its lasting effects -- with cinematic sweep. It is a story about what happened to the Democratic Party when the country's long string of successes, luck, and global dominance following World War II ran its course, and how, on a quest to recapture the magic of JFK, Democrats plunged themselves into an intra-party civil war. And, at its heart, Camelot's End is the tale of two extraordinary and deeply flawed men: Teddy Kennedy, one of the nation's greatest lawmakers, a man of flaws and of great character; and Jimmy Carter, a politically tenacious but frequently underestimated trailblazer. Comprehensive and nuanced, featuring new interviews with major party leaders and behind-the-scenes revelations from the time, Camelot's End presents both Kennedy and Carter in a new light, and takes readers deep inside a dark chapter in American political history.

For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaître knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.