Central to this book are Gbigbil women's experiences with different "reproductive interruptions": miscarriages, stillbirths, child deaths, induced abortions, and infertility. Rather than consider these events as inherently dissimilar as women do in Western countries, the Gbigbil women of eastern Cameroon see them all as instances of "wasted wombs" that leave their reproductive trajectories hanging in the balance. The women must navigate this uncertainty while negotiating their social positions, aspirations for the future, and the current workings of their bodies. Providing an intimate look into these processes, Wasted Wombs shows how Gbigbil women constantly shift their interpretations of when a pregnancy starts, what it contains, and what is lost in case of a reproductive interruption, in contrast to Western conceptions of fertility and loss. Depending on the context and on their life aspirations—be it marriage and motherhood, or an educational trajectory and employment, or profitable sexual affairs with so-called "big fish"—women negotiate and manipulate the meanings and effects of reproductive interruptions. Paradoxically, they often do so while portraying themselves as powerless. Wasted Wombs carefully analyzes such tactics in relation to the various social predicaments that emerge around reproductive interruptions, as well as the capricious workings of women's physical bodies.

Miscarriage is a significant women's health issue. Research has consistently shown that one in four pregnancies end in miscarriage. This collected volume explores miscarriage in diverse historical and cultural settings with contributions from anthropologists, historians and medical professionals. Contributors use rich ethnographic and historical material to discuss how pregnancy loss is managed and negotiated in a range of societies. The book considers meanings attached to miscarriage and how religious, cultural, medical and legal forces impact the way miscarriage is experienced and perceived.

In Jesus in Our Wombs, Rebecca J. Lester takes us behind the walls of a Roman Catholic convent in central Mexico to explore the lives, training, and experiences of a group of postulants--young women in the first stage of religious training as nuns. Lester, who conducted eighteen months of fieldwork in the convent, provides a rich ethnography of these young women's journeys as they wrestle with doubts, fears, ambitions, and setbacks in their struggle to follow what they believe to be the will of God. Gracefully written, finely textured, and theoretically rigorous, this book considers how these aspiring nuns learn to experience God by cultivating an altered experience of their own female bodies, a transformation they view as a political stance against modernity. Lester explains that the Postulants work toward what they see as an "authentic" femininity--one that has been eclipsed by the values of modern society. The outcome of this process has political as well as personal consequences. The Sisters learn to understand their very intimate experiences of "the Call"--and their choices in answering it--as politically relevant declarations of self. Readers become intimately acquainted with the personalities, family backgrounds, friendships, and aspirations of the Postulants as Lester relates the practices and experiences of their daily lives. Combining compassionate, engaged ethnography with an incisive and provocative theoretical analysis of embodied selves, Jesus in Our Wombs delivers a profound analysis of what Lester calls the convent's "technology of embodiment" on multiple levels--from the phenomenological to the political.

Using his wit, his rare ability to see through the lies that we sane human beings tell each other in order to hide our selfishness, and his courage to call a spade a spade, which is without a doubt rarely found in someone who makes a living from speaking or writing, Mokokoma Mokhonoana, author of Divided & Conquered and writer of not a few worldview-altering aphorisms, lucidly explores the use and misuse of children by human beings and things such as Mother Nature, religions and churches, countries, and companies. Among other things, Mokokoma, using brief and potent sentences, touches on the real reason or reasons why you were intentionally brought into this troubled world. Or why your mother, if you were conceived unintentionally, did not order, ask, or beg someone to end your life way before you had to be pushed or pulled out of her womb.

With 'Theology from the Womb of Asia', Song continues to demonstrate that he is one of the most creative and important theologians of our time. He forces us to expand the horizons of our theological vision, not only by drawing on the resources of Asian thought and experience, but also by insisting that we do theology with passion. Here he offers images, fables, poems, parables, and visions, woven together with his own compelling prose. The biblical stories with which we thought we were familiar become new and more compelling stories when we revisit them with this able and wise guide. And our whole approach to life and living is transformed by the freshness he breathes into all that he surveys with us. --Robert McAfee Brown, Professor Emeritus of Theology and Ethics, Pacific School of Religion In 'Theology from the Womb of Asia', C. S. Song shows how the story of God's compassion in Jesus and the many heartrending stories and poems of the Asian people are reaching out towards each other. Doing theology in this perspective is not a matter of application of doctrine, but of recognition of a relation between the suffering God and suffering humanity, which transcends many artificial and alienating distinctions. The book is an appeal to Asian theologians, but at the same time a necessary challenge to a Western academic theology and missionary thinking. --Bert Hoedemaker, Professor of Missions and Christian Ethics, University of Groningen, the Netherlands A splendid example of doing theology with Asian resources. A breath of fresh air to liven up traditional theology, using original reflections and observations with the backing of close knowledge of traditional theology. A book no theological college can do without. --Yeow Choo Lak, The South East Asia Graduate School of Theology, Singapore C. S. Song is Professor of Theology and Asian Cultures at Pacific School of Religion. His recent publications include 'The Believing Heart'.

Pregnancy is so thoroughly entangled with birth and babies in the popular imagination that a pregnancy which ends in miscarriage consistently appears as a failure or a waste of time – indeed, as not proper to pregnancy at all. But in this compelling book, Victoria Browne argues that reflection on miscarriage actually deepens and expands our understanding of pregnancy, forcing us to consider what pregnancy can amount to besides the production of a child. By exploring common themes within personal accounts of miscarriage-including feelings of failure, self-blame and being 'stuck in limbo'-Pregnancy Without Birth critically interrogates teleological discourses and disciplinary ideologies that elevate birth as pregnancy's 'natural' and 'normal' endpoint. As well as politicizing miscarriage as a feminist issue, the book articulates an alternative intercorporeal philosophy of pregnancy which embraces variation, invites us to sit with ambiguity, contingency and suspension, and enables us to see subjective agency in all pregnancies, even as they are shaped by biological, political and social forces beyond our personal control. What emerges is a relational feminist politics of full-spectrum solidarity, social justice and care (rather than individualized choice and responsibility), which breaks down presumed oppositions between pregnancy, miscarriage, abortion, stillbirth and live birth, and liberates pregnancy from reproductive futurism.

Byron wrote that he was “born for opposition”. This collection of essays takes Byron at his word and explores ways in which he challenged received opinion in his lifetime. The essays also challenge commonplace attitudes in criticism of Byron today. In this, the volume honours the remarkable range of work of the late Dr Peter Cochran. The matters covered here are Byron’s poetics, his ideology, and the principles and practice of editing his texts. Jerome J. McGann opens the poetics section by examining lyric writing in a Byronic perspective. In the lead essay on ideology, Bernard Beatty asks whether we should rethink Byron as a whole. A substantial addition to Byron’s correspondence is made by Andrew Stauffer beginning the editing section. In all, this book gathers original contributions from sixteen international scholars and friends of Peter Cochran. The accessible, engaging style makes their work suitable for all readers of Byron, as well as undergraduates and professional academics.