With a new preface by the author on the Gaza war An unflinching exposé of the hidden costs of American war-making written with “an immense and rare humanity” (Naomi Klein) by one of our premier political analysts Every election cycle, candidates across the political spectrum repudiate what has become one of the most consequential and enduring components of American foreign policy: the forever war. Yet, once the ballots have been cast and the camera crews go home, the American war machine chugs along in almost complete obscurity. The journalist and political analyst Norman Solomon’s War Made Invisible is a “gripping and painful study” (Noam Chomsky) of the mechanisms behind our invisible, but perpetual, national state of war. From ever-compliant journalists serving as little more than stenographers for the Pentagon to futuristic military technology, horrifying in its destructive power, that makes dropping a bomb or pulling the trigger on a drone strike more of an abstraction than a moral calculation, Solomon’s “staggeringly important intervention” (Naomi Klein) exposes the profoundly human consequences at home and abroad of the bipartisan commitment to war making. In an era of increasing global instability in which it is all too easy to succumb to despair, Solomon pierces the “manufactured ‘fog of war’ . . . [and] casts sunlight, the best disinfectant, on the propaganda that fuels perpetual war” (Amy Goodman). Now in paperback with a new preface by the author on the Gaza war, Solomon’s incisive, ever-timely analysis “provide[s] the fresh and profound clarity that our country desperately needs” (Daniel Ellsberg) now more than ever.

The economic sanctions imposed on Iraq from 1990 to 2003 were the most comprehensive and devastating of any established in the name of international governance. In a sharp indictment of U.S. policy, Gordon examines the key role the nation played in shaping the sanctions.

War Made Easy cuts through the dense web of spin to probe and scrutinize the key "perception management" techniques that have played huge roles in the promotion of American wars in recent decades. This guide to disinformation analyzes American military adventures past and present to reveal striking similarities in the efforts of various administrations to justify, and retain, public support for war. War Made Easy is essential reading. It documents a long series of deliberate misdeeds at the highest levels of power and lays out important guidelines to help readers distinguish a propaganda campaign from actual news reporting. With War Made Easy, every reader can become a savvy media critic and, perhaps, help the nation avoid costly and unnecessary wars.

As fitting for the 21st century as von Clausewitz's "On War" was in its own time, "Invisible Armies" is a complete global history of guerrilla uprisings through the ages.

A monumental, groundbreaking work, now in paperback, that shows how technological and strategic revolutions have transformed the battlefield Combining gripping narrative history with wide-ranging analysis, War Made New focuses on four "revolutions" in military affairs and describes how inventions ranging from gunpowder to GPS-guided air strikes have remade the field of battle—and shaped the rise and fall of empires. War Made New begins with the Gunpowder Revolution and explains warfare's evolution from ritualistic, drawn-out engagements to much deadlier events, precipitating the rise of the modern nation-state. He next explores the triumph of steel and steam during the Industrial Revolution, showing how it powered the spread of European colonial empires. Moving into the twentieth century and the Second Industrial Revolution, Boot examines three critical clashes of World War II to illustrate how new technology such as the tank, radio, and airplane ushered in terrifying new forms of warfare and the rise of centralized, and even totalitarian, world powers. Finally, Boot focuses on the Gulf War, the invasion of Afghanistan, and the Iraq War—arguing that even as cutting-edge technologies have made America the greatest military power in world history, advanced communications systems have allowed decentralized, "irregular" forces to become an increasingly significant threat.

From the author of City of Silver, a beautifully rich and puzzling historical mystery set in Paraguay, 1868 A war against Argentina, Brazil, and Uruguay has devastated Paraguay. Ninety percent of the males between the ages of eight and eighty have died in the conflict and food is scarce. In the small village of Santa Caterina, Padre Gregorio advises the women of his congregation to abandon the laws of the church and get pregnant by what men are available. As he leaves the pulpit, he discovers the murdered body of Ricardo Yotté, one of the most powerful men in the country, at the bottom of the belfry. There are many suspects: Eliza Lynch, a former Parisian courtesan who is now the consort of the brutal dictator, Francisco Solano López, and who entrusted to Yotté the country's treasury of gold and jewels; López himself, who may have suspected his ally Yotté of carrying on an affair with the beautiful Eliza; Comandante Luis Menenez, local representative of the dictator, who competed with Yotté for López's favor, and a wounded Brazilian soldier who has secretly taken up with one of the village girls. Lynch is desperate to recover the missing gold, and the comandante is desperate to prove his usefulness to López. To avoid having an innocent person dragged off to torture and death, a band of villagers undertake to solve the crime, including Padre Gregorio, the village midwife, her crippled husband returned from combat, their spirited daughter, and a war widow. Each carries secrets they seek to protect from the others, while they pursue their quest for the truth. Lyrical, complex, and meticulously researched, Annamaria Alfieri's Invisible Country is an ingenious cross between Isabel Allende and Agatha Christie.

In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that “America” is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.