Black women: ideas of beauty, ideas of strength, unapologetic. A thumb pushes on teeth. Jewelled eyes, misplaced lips, and masks of black glitter expose the complexity and falsity of the modern representational world. Born in Nairobi, living in New York, Wangechi Mutu is known for her painting, sculpture, film, and performance work in which she does anything but shy away from critiquing the modern gaze. Rather, she focuses squarely on calling a spade a spade: the Orientalist way the West looks at the African-American woman, the exaltation of consumerism, and the role of technology (and its intersection with humanity) in the modern age. Mutu is neither neutral nor exploratory; at times, she offers the visual equivalent of an indictment. Mutu's protagonists, tribal and technological, wonderfully proud yet ceaselessly oppressed, both blossom and collapse. Driven by contradiction, they draw us in. Published in 2010 to accompany Mutu's first major exhibition in North America, This You Call Civilization?features reproductions of her major works on paper, large-scale installations, and stills from videos as well as essays by David Moos, Jennifer Gonzales, Michelle Jacques, Odili Donald Odita, Raphael Rubinstein, Carol Thompson, and Rinaldo Walcott. Interleaved between the essays are excerpts from books, selected by Mutu, about brutal colonial repression, the Harlem Renaissance, and the Rwandan genocide.

Among Others: Blackness at MoMA begins with an essay that provides a rigorous and in-depth analysis of MoMA's history regarding racial issues. It also calls for further developments, leaving space for other scholars to draw on particular moments of that history. It takes an integrated approach to the study of racial blackness and its representation: the book stresses inclusion and, as such, the plate section, rather than isolating black artists, features works by non-black artists dealing with race and race- related subjects. As a collection book, the volume provides scholars and curators with information about the Museum's holdings, at times disclosing works that have been little documented or exhibited. The numerous and high-quality illustrations will appeal to anyone interested in art made by black artists, or in modern art in general.

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Edited by Douglas Singleton. Text by Isolde Brielmaier, Michael Veal, Malik Gaines.

Poems that recall the senseless loss of life and of innocence in Rwanda.

Featuring more than 100 extraordinary works of art from 1800 to the present, Earth Matters reveals how African individuals and communities have visually mediated their most poignant relationships with the land—whether it be to earth as a sacred or medicinal material, as something uncovered by mining or claimed by burial, as a surface to be interpreted and turned to for inspiration, or as an environment to be protected. Both internationally recognized and emerging contemporary artists are represented, from the continent and diaspora, including El Anatsui, Ghada Amer, Sammy Baloji, Ingrid Mwangi and William Kentridge. Highlights include a pair of rare Yoruba onile figures, a one-of-a-kind Punu reliquary from Gabon, and 3 bocio figures from the personal collection of legendary French dealer Jacques Kerchache. The text includes statements by contemporary African artists including Wangechi Mutu, Clive van den Berg, Allan de Souza, and George Osodi. National Museum of African Art curator Karen E. Milbourne explores how diverse African concepts of healing, the sacred, identity, memory, history, and environmental sustainability have all been formed in relation to the land in this pioneering scholarly study.